Malcolm Morley - Train Wreck (Second State)

Lot 84 Malcolm Morley British-American (1931-2018) Train Wreck (Second State) (1978) etching with aquatint pencil signed lower right plate: 32 5/8 x 43 1/2 inches Provenance: From the Estate of Friede

Lot 74 Malcolm Morley British-American (1931-2018) Train Wreck (1975) etching with aquatint signed lower right in pencil, PP 3/5 sheet: 38 x 49 inches Provenance: From the Estate of Friede Gorewitz Pr

Railroad postcards from various states: Nebraska (2); Texas (26); Washington (20); Oregon (20). Two train wrecks, one in Oregon and one in Washington. Date: Country (if not USA): State: City: Provenan

Wyandotte Assorted 3 Trucks, the first Wyandotte truck has a wind up mechanism and is approximately 9” long with a blue dump that states “Sand” on it with light playwear; the second

Heading: Author: Baum, L. Frank Title: The Wonderful Wizard of Oz Place Published: Chicago Publisher:George M. Hill Co. Date Published: 1900 Description: 261 pp. Illustrate

Fritz Scholder (Native American, 1937-2005) Cowboy Indian (Second State) (T: 74-178), 1974 Lithograph on white Arches Cover ed. 14 of 20 24 x 17 (in) Signed in pencil Scholder, lower right Printed by

'Catfish blowfish' charcoal on paper h. 21-1/2 w. 29-1/2 in. (sight) overall: 30 x 36 in. signed and dated '49 lower right, titled lower left, framed Provenance:From the home of a retiring, octogenari

Fritz Scholder (Native American, 1937-2005) Buffalo and Mate (Second State) (T: 73-250), 1973 Lithograph on buff Arches Cover ed. 19 of 20 11.5 x 15 (in) 16 x 19.5 x 0.75 (in) Framed Signed in pencil

T2553 Ask any and all questions before bidding. Signed album covers are not guaranteed to have vinyl record included, if curious email support@iczauctions.com to inquire . All framed items take 2 week

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13⅝x8⅛ inches, full margins. Second state (of 2), after the reduction of the plate. Edition of approxi

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

MJOHN MARIN Woolworth Building (The Dance) Etching and drypoint, 1913. 327x262 mm; 12x10 inches, full margins. Second state (of 2). Artist's proof, aside from the edition of 30. Inscribed "Artist's Pr

PAUL CADMUS (1904-1999) Nudo #1, #2 and #3. Set of 3 etchings. Each 222x195 mm; 8¾x7 inches, full margins. Each in the second state (of 2). Each signed, titled, inscribed "second state" and numbe

Pablo Picasso (Spanish, 1881-1973)Jeune fille aux grands cheveux (Long haired young girl) second state, 1945lithograph in black on ivory Arches wove paperNovember 7,1945; printed by Mourlot, Paris; un

CHILDE HASSAM Washington's Birthday, Fifth Avenue and 23rd Street. Etching on antique cream laid ledger paper, 1916. 323x187 mm; 12¾x7 inches, full margins. Second state (of 2). Signed with the a

CHILDE HASSAM Washington's Birthday, Fifth Avenue and 23rd Street. Etching, 1916. 323x187 mm; 12¾x7 inches, full margins. Second state (of 2). Signed with the artist's cypher and inscribed "imp"

PAUL SIGNAC (1863-1935) A Flessingue (Kornfeld 11) Lithograph in colours, 1895, on China paper, the second state (of three), signed in blue pencil, numbered No.1 in black ink from the edition of twent

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

Henri de Toulouse-Lautrec (1864-1901) BABYLONE D'ALLEMAGNE (DELTEIL 351; SEE WITTROCK P. 12) Color lithograph, 1894, laid on linen, the second state of two, printed by Chaix, Paris, laid on foam core

THOMAS MORAN The Much Resounding Sea. Etching, roulette and drypoint with sandpaper ground on Japan paper, 1886. 370x827 mm; 14¾x32 inches, wide margins. Second state (of 2), with the shark remar

PAUL SIGNAC À Flessingue. Color lithograph on Chine volant, 1895. 237x402 mm; 9x15 inches, full margins. Second state (of 3), with the remarqué lower right. Edition of 20 in this state, from

Nudo #1, #2 and #3, 1984; Three etchings; Signed, titled and noted Studio proof second state; 9" x 8" (plate, each); 17 1/2" x 13 1/2" (sheet, each); Printer: Pelavin Printmaker, New York; Publisher: