Martin Lewis etching

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

Martin Lewis (1881-1962) original pencil signed etching. Signed in pencil 'Martin Lewis' lower right. Titled and numbered in pencil lower left "31/60 Beaching the Boat". Measures 7" x 10" (plate size)

Title: Martin Lewis Etching Artist: Martin Lewis Description: "Boss of the Block" Medium: etching Date/Period: 1881-1962 Dimensions: 15-1/4 x 11" Reserve: $400.00 Shipping: Domestic: Shipping rates ar

FRAME 23" X 17" IMAGE 11 3/4" X 8"

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Lewis, Martin (American, 1882-1962). "Self-Portrait with Etching Equipment." c.1953. Roulette and drypoint printed in brown ink on wove paper. Edition of 25 to 50. Plate: 5 3/8" × 8 3/8" Framed: 15 1

Martin Lewis [attributed] Unsigned Etching #12 of 35. Circa 1930's. Urban Landscape Telephone Poles. Size: 10.5 x 15.5 inches image, 17 x 22.5 inches

Title: The Old Timer Battleship.Artist: Martin Lewis (1880-1962) Etching, 1916. Edition 50, recorded impressions 17. Signed in pencil. Image size 9 7/8 x 12 3/4" (25.2 x 32.7 cm). #9 in "The Prints o

Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall fram

Etching by Martin Lewis (Australian/American 1881-1962), titled Boss of the Block to verso; depicting a woman's profile, with hands on her hips, standing amid a city street; signed in penc

Martin Lewis pencil signed unframed dry point etching, 1927 - 7 3/4" x 9 3/4" image

and Engraving. Inscribed lower left. A later impression by Edna Myers, Montreal after the original 1939 print. Old auction label affixed verso. Martin Lewis (American, 1881–1962). Dimensions: Plate

Martin Lewis Night in New York 1932etching image: 8.5 h x 8.875 w in (22 x 23 cm) sheet: 13.375 h x 12 w in (34 x 30 cm) Signed to lower right edge 'Martin Lewis' with Chicago Society of Et

Martin Lewis (Australian/American, 1881-1962) Boss of the Block, 1939 etching and aquatint signed Martin Lewis imp. in pencil lower right margin inscribed Final Trial Proof in pencil lower left margin

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right

circa 1932 etching on paper signed lower right, ed. of 135 image size 8 1/4 x 8 3/4 inches

Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 1

Martin Lewis Shadows on the Road 1926drypoint and sand ground etching printed in greenish black sight: 8.5 h × 10.375 w in (22 × 26 cm) plate: 7.75 h × 9.75 w in (20 × 25 c

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in