Norman Foster Postmodern table (Attr)

Norman FOSTER (1935) Table dite Nomos Métal, verre (éclat) 70 x 210 x 90 cm. Tecno, circa 1985

Nomos' table for Tecno 1986 Painted metal, plastic, glass. Manufacturer's mark. Minor defects and wear marks. 46.46 x 28.74 x 28.74 in.

'Nomos' table for Tecno 1986 Painted metal, plastic, glass. Manufacturer's mark. Minor wear marks. 46.46 x 28.74 x 28.74 in.

29"h x 7'3"l x 40"w

29"h x 7'3"l x 40"w

Michael Graves attributed Postmodern table lamp in carved and painted wood, in shape of a classical amphora. 25.5" H x 11.5" W x 9"D.

The rectangular glass tabletop reveals the intricate and dynamic supporting system in chromed metal underneath consisting of angled legs connected to a central strut from which extend supporting eleme

Nomos table for Tecno. 1967. Steel and glass.. Cm 220,00 x 73,00 x 100,00. Manufacturing mark. Literature: Bosoni G., Tecno. L’eleganza discreta della tecnica, Skira, 2011, p. 246-247

Nomos table, Tecno production, 1967. Chromed metal and glass.. Cm 160,00 x 73,00 x 100,00. Literature: Bosoni G., Tecno. L’eleganza discreta della tecnica, Skira, 2011, p. 246-247

Metal base with cup foot. Marked Tecno. Designed by Norman Foster. With glass top. From a W. 86th St., NYC estate. Condition: Good.

NORMAN FOSTER Un tavolo 'Nomos' per TECNO, 1986, premio Compasso d'oro 1987. Acciaio cromato, cristallo. Cm 74 (h) x 160 x 80. A 'Nomos' table manufactured by TECNO, 1986, Compaso d'oro award 1987. Ch

Gerrit Rietveld (attr)designed Bauhaus Post Modern geometric glass top coffee table. Mid 20th century. 15"h x 39 1/2"w x 40"d Provenance: Purchased in Germany in 1960's.

A post modern dining table attributed to Silvio Coppola with lacquered accent on top. Dimensions : 29 x 79 x 37. All measurements are in inches.

A 'draped' glass, post modern coffee table with wooden ball feet, attributed to Fiam, Italy. Apparently unmarked. 15 x 35 x 37. Measurements are in inches. (Height x Width x Depth)

Karl Springer (German/American, 1931-1991) attributed Post-Modern greige grasscloth-covered extending dining table, unsigned, the round top above a fluted columnar base, similarly covered, with extend

Post-modern "Le Temoin", eyeball coffee table / reversible ottoman attributed to Man Ray. Elliptical / Marquis shaped. Faux leather and plastic. [60" W x 27" D x 10 1/2" H]. Plastic Eye painted on ver

Karl Springer attributed Post-modern beige office chest of drawers or side table mounted on four casters, three drawers, one slide out extension, rounded corners. 26.5" H x 28" W x 18" D.

American Rococo Carved and Laminated Rosewood Center Table, c. 1850-1860, attr. to John Henry Belter, New York, white marble turtle top, elaborately carved grape, floral and acanthus frieze, scrolled

Rare Pair of American Rococo Carved Rosewood "Multi-Form" Tables, mid-19th, attr. to Charles Baudouine, New York, convertible to center table or pair of consoles or pair of foldover games tables, serp

American Classical Carved Mahogany Center Table, c. 1840, attr. to J. & J.W. Meeks, New York, partial label, associated circular marble top, stepped paneled octagonal frieze, incurvate standard with t

American Aesthetic Carved Walnut Dining Table , late 19th c., attr. to Herter Brothers, New York, molded frieze, floral-carved Ionic columnar supports, gadrooned pedestal base, with 6 leaves and stora

American Aesthetic Ebonized and Gilt-Incised Table, late 19th c., attr. to Kimbel & Cabus, New York, top with chamfered corners, frieze drawer, turned bracketed supports surmounted by floral panels, t

An iron, leather and bronze table attributed to Jacques Adnet circa 1940. Ht: 27.75" Wd: 13" Dpth: 10.25"

Middle Tennessee beaten biscuit table or biscuit board, cherry primary, pine secondary with a marble insert. Triple ogee molded hinged top with nailed construction opening to reveal an inset marble to