After Melbourne Smith "Hudson River Sloop"

Description

Color print after the 1968 watercolor commissioned by Hudson River Sloop Restoration (the Clearwater organization) by Melbourne Smith (Canadian/American, 1929–2018). Some minor discolored spots / foxing. Frame approx. 22" x 19 1/4". Sight approx. 20 1/2" x 17 1/2".

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Blue Ridge Pack & Ship
805 Preston Avenue, Charlottesville, VA 22903
434-977-8462 | info@blueridgepack.com

For additional third-party options, please refer to the full shipper list in our shipping policy.

Condition

We strive to accurately describe all items and provide photographs that reflect their condition. However, the absence of a condition report does not imply that an item is in perfect condition or free from wear, imperfections / damage, or signs of aging. Bidders are welcome to request a condition report prior to bidding.

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After Melbourne Smith "Hudson River Sloop"

Lot 0107

Estimate $50-$100May 14, 2026, 10:00 AM EDT

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Spring Eclectic Auction - Session II

May 14, 2026 10:00 AM EDT

Madison, VA, United States

Late 19th C. Mount Vernon Engraving: "Mount Vernon, The Home of Washington," 1895. Engraving depicting the southeast facade of Mount Vernon viewed through trees, with the Potomac River at left. Inscribed in the plate lower left: "John

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Chinese Celadon Ewer or Jug: Chinese celadon glazed mystery ewer or jug. Incised leaf design. Small chip on spout. 7' high. Our primary recommendation is to arrange shipping yourself using Blue Ridge Pack & Ship. Most bidders

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Chinese Archaistic Glazed Pottery Jar: Of Han style form, with applied animal mask and loop handles, greenish glaze with encrusted surface. Minor glaze loss, chips and abrasions. H: approx. 4 1/4", Dia: approx. 3 3/4". Our primary

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Monumental Japanese Silk Embroidery: Monumental Japanese Silk Embroidery over Watercolor, Meiji Period (1868–1912). Large framed work depicting a stag and doe in a landscape with cascading waterfalls, rockwork, and a flying bird, the

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Cast Metal Fox Head Wall Mount: Cast iron wall mount modeled as a fox’s head, emerging from a stylized foliate surround, naturalistically detailed with textured fur and open back Some rust. Dimensions approx. 12" x 9 1/2" x 8

4 days LeftCast Metal Fox Head Wall Mount

Cast Iron Horse Head Wall-Mounted Hitching Ring: Relief-cast iron, hollow-backed, the naturalistically modeled head with a loose iron ring held in the mouth, set within a stylized foliate surround, likely mid / late 20th century, the reverse with

4 days LeftCast Iron Horse Head Wall-Mounted Hitching Ring

Antique Oil on Canvas, Portrait of a Gentleman: Late 19th/early 20th century. Paint shows craquelure, tear to right side of canvas taped to verso, unsigned, framed, some damage and losses to frame. Frame approx. 28" x 22 1/4". Sight approx. 22

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After Picasso Color Lithograph Giclee: "The End of The Act," reproduction color lithograph giclee, published 2005, number 103/900, with certificate to verso, framed. Frame approx. 14 1/2" x 12 1/2". Sight approx. 9 1/2" x 7 1/2". Our

4 days LeftAfter Picasso Color Lithograph Giclee

Pair of 19th C. Botanical Engravings: Both after Sarah Anne Drake, 1833 and 1834, hand colored engravings, published by J. Ridgway (London), from "The Botanical Register", a British horticultural magazine. Matted and identically framed.

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Two 18th C. Hand Colored Botanical Engravings: By Johann Wilhelm Weinmann (1683-1741), on laid paper, from "Phytanthoza Iconographia," c. 1737-1745, study of Abrotanum (Southernwood) and Absinthium Ponticum (Wormwood), with Latin captions and

4 days LeftTwo 18th C. Hand Colored Botanical Engravings

Robert Delval (French, b. 1934): "Catherine in a Blue Blouse," oil on canvas, signed lower right, signed and titled to verso, framed. Some paint loss near sitter's face, scratch / paint loss on right side. Frame approx. 21" x 18".

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After Ilya Repin (Russian, 1844-1930): Portrait of Pavel Mikhaylovich Tretyakov, lithograph, signed and dated 1908 in the image, after the artist's 1901 oil portrait of the founder of the Tretyakov Gallery, matted and framed. Frame approx

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Sarah Brayer (b. 1957) "Splash": Limited edition aquatint by Kyoto, Japan-based American artist Sarah Brayer, on Somerset paper, pencil signed and dated (19)85 lower right, titled lower center, numbered 14/30 lower left, matted and

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19th C. British School Oil on Panel: Signed lower left "(?) Bailey," c. late 19th century, framed. Frame approx. 19 1/4" x 14 3/4". Sight approx. 13 3/8" x 9". Our primary recommendation is to arrange shipping yourself using Blue Ridge

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19th C. Flemish Needlework Sampler: Dated 1850 within the composition, featuring alphabet rows, numeric register, and decorative motifs including urns, flowering plants, birds, and geometric borders, likely a schoolgirl exercise. Frame

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19th C. English Saterical Engraving: val format, depicting three gentlemen in a wooded setting with coins at table; inscribed in plate “S.B. invt.” (designer unidentified) and “E. Hyder sculp.” Frame approx. 13 1/4" x 11

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Pastel on Paper of a Terrier, C. Chandler: Portrait of a seated terrier, pastel on paper, signed lower right “C. Chandler ’86,” depicting a white and brown dog with cropped coat and red collar against a neutral ground, framed.

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Pastel on Paper of a Spaniel, Jerilyn Weber: Pastel depicting the head and shoulders of a black Cocker Spaniel in three-quarter view, titled "Bachelor" and signed "Jerilyn Weber" with copyright symbol and date (199[?]) lower right. Weber is a

4 days LeftPastel on Paper of a Spaniel, Jerilyn Weber

Maurice Sterne (American, 1878–1957) Ink on Paper: Seated nude, signed lower left, estate stamp to back of sheet, a spare linear figure study of a seated female nude rendered in confident contour lines, matted and framed. Frame approx. 25" x 21".

4 days LeftMaurice Sterne (American, 1878–1957) Ink on Paper

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