A pair of Louis XV gilt bronze mounted Chinese powder-blue glazed porcelain vases The porcelain ...

Description

A pair of Louis XV gilt bronze mounted Chinese powder-blue glazed porcelain vases The porcelain Kangxi (1662-1722) Each of slight tapering form, surmounted by a foliate scrolling collar and pierced foliate scrolling twin-handles, on a conforming pierced base, each with a label 'ROYER, emballeur/14, rue de Cherche-Midi/Paris-6e', 18cm wide, 13cm deep, 17cm high (7in wide, 5in deep, 6 1/2in high) (2) Footnotes: Provenance Christie's, London, Champalimaud Collection, 6-7 July 2005, lot 59. This lot is subject to the following lot symbols: * * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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A pair of Louis XV gilt bronze mounted Chinese powder-blue glazed porcelain vases The porcelain ...

Lot 0129

Estimate £4,000-£6,000

Jun 16, 2026, 7:08 AM EDT

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£3,200

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Jun 02, 2026 7:00 AM EDT

London, UNITED KINGDOM, United Kingdom

A fine Charles X ormolu and malachite tazza Early 19th century, possibly Russian: A fine Charles X ormolu and malachite tazza Early 19th century, possibly Russian With a cast floral filled cornucopia and fruiting basket gallery above malachite veneered sides and a pair of foliate

A fine Charles X ormolu and malachite tazza Early 19th century, possibly Russian

A French Empire ormolu one-light bouillotte lamp Early 19th century: A French Empire ormolu one-light bouillotte lamp Early 19th century With a green tôle peinte shade, and adjustable candle sconce with a hunting horn shaped cast thumb handle, 19cm wide, 16cm

A French Empire ormolu one-light bouillotte lamp Early 19th century

A pair of carved and turned giltwood candlesticks adapted to lampbases 20th century (2): A pair of carved and turned giltwood candlesticks adapted to lampbases 20th century The nozzles with lotus leaf decoration leading to a lobed tapering stem above a circular foot with conforming lotus

A pair of carved and turned giltwood candlesticks adapted to lampbases 20th century (2)

A pair of French marble and gilt bronze mounted cassolettes In the Louis XVI style (2): A pair of French marble and gilt bronze mounted cassolettes In the Louis XVI style The ovoid bodies on shaped and tapering milled tripod supports surmounted by fawn masks and terminating in cloven hoo

A pair of French marble and gilt bronze mounted cassolettes In the Louis XVI style (2)

Michael Lyne (British, 1912-1989) Point-to-Point: Michael Lyne (British, 1912-1989) Point-to-Point signed 'Michael Lyne.' (lower left) oil on canvas 60.5 x 91.5cm (23 13/16 x 36in). Footnotes: Provenance Reputedly bought at Christie's, London, 8

Michael Lyne (British, 1912-1989) Point-to-Point

Heywood Hardy (British, 1842-1933) A Pause On The Way: Heywood Hardy (British, 1842-1933) A Pause On The Way signed and dated 'Heywood Hardy.1886.' (lower left) oil on panel 41 x 32cm (16 1/8 x 12 5/8in). Footnotes: Provenance Sotheby's, Chester, 20 July

Heywood Hardy (British, 1842-1933) A Pause On The Way

A large pair of white marble campana urns 19th century (2): A large pair of white marble campana urns 19th century Of typical form, with flared rims above reeded bases and flanked by Classical bearded mask handles on turned and fluted socles and square plinth

A large pair of white marble campana urns 19th century (2)

Two cast lead garden figures of putti20th century (2): Two cast lead garden figures of putti 20th century Each figure mounted on a limestone square plinth base, 33cm wide x 33cm deep x 91cm high, (12 1/2in wide x 12 1/2in deep x 35 1/2in high) (the

Two cast lead garden figures of putti20th century (2)

A lead garden urn Late 19th / early 20th century: A lead garden urn Late 19th / early 20th century Of campana form on a circular socle, lacking cover and handles, 45cm wide x 46cm deep x 62cm high, (17 1/2in wide x 18in deep x 24in

A lead garden urn Late 19th / early 20th century

An Italian late 19th century alabaster group of cupid with a sleeping putto By Umberto Biagini (2): An Italian late 19th century alabaster group of cupid with a sleeping putto By Umberto Biagini The putto resting his head on cupid, seated on a rocky outcrop, together with a turned marble pedestal,

An Italian late 19th century alabaster group of cupid with a sleeping putto By Umberto Biagini (2)

A George III carved giltwood torchèreThird quarter 18th century: A George III carved giltwood torchère Third quarter 18th century The dished circular top supported by carved acanthus leaves on scrolled foliate carved supports and a waisted tripartite plinth

A George III carved giltwood torchèreThird quarter 18th century

A Victorian 12-inch terrestrial globe on a turned mahogany tripod stand by Bardin Third quarter...: A Victorian 12-inch terrestrial globe on a turned mahogany tripod stand by Bardin Third quarter 19th century The now distressed globe inscribed 'BARDIN'S TERRESTRIAL GLOBE ON WHICH THE PRINCIPAL

A Victorian 12-inch terrestrial globe on a turned mahogany tripod stand by Bardin Third quarter...

A late Louis XVI mahogany, gilt bronze and brass mounted gueridon Late 18th / early 19th century...: A late Louis XVI mahogany, gilt bronze and brass mounted gueridon Late 18th / early 19th century, partially re-mounted The white-marble oval top within a pierced gallery above a frieze fitted with a

A late Louis XVI mahogany, gilt bronze and brass mounted gueridon Late 18th / early 19th century...

A 19th century carved giltwood and gesso pier mirrorIn the George III style: A 19th century carved giltwood and gesso pier mirror In the George III style The rectangular plate within a stiff-leaf border surmounted by a moulded cornice and crest platform, adapted and together

A 19th century carved giltwood and gesso pier mirrorIn the George III style

A William and Mary oyster veneered cushion framed mirrorLate 17th century: A William and Mary oyster veneered cushion framed mirror Late 17th century The rectangular plate within a cushion shaped frame, previously fitted with a crest, 72cm wide x 7.5cm deep x 82cm high,

A William and Mary oyster veneered cushion framed mirrorLate 17th century

A pair of carved giltwood mirrors in the Rococo style Italian, late 19th century (2): A pair of carved giltwood mirrors in the Rococo style Italian, late 19th century Each with shaped cartouche plates within carved frames decorated with stylised foliate 'C' scrolls, 78cm wide x 12cm

A pair of carved giltwood mirrors in the Rococo style Italian, late 19th century (2)

A fine George I walnut armchairEarly 18th century: A fine George I walnut armchair Early 18th century The cartouche shaped back with scrolled arms above a close-nailed 18th century needlework upholstered seat on cabriole legs and pointed pad feet,

A fine George I walnut armchairEarly 18th century

A late Victorian easy armchair By Howard & Sons, late 19th century: A late Victorian easy armchair By Howard & Sons, late 19th century With green leather button back upholstery on turned walnut front legs, brass caps and castors, one back leg stamped '4356 5358', the

A late Victorian easy armchair By Howard & Sons, late 19th century

A late George II elm and walnut banded dresser base Mid-18th century: A late George II elm and walnut banded dresser base Mid-18th century The rectangular plank top with moulded edge above three drawers and a fret carved apron on front cabriole legs, 187cm wide x

A late George II elm and walnut banded dresser base Mid-18th century

An 18th century and later carved oak and elm box settle: An 18th century and later carved oak and elm box settle The four panelled later carved back surmounted with the initial 'W' dated 1691 above a hinged seat with two compartments, and scrolled arms,

An 18th century and later carved oak and elm box settle

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