Pippa Chapman (British, 20th Century) Still Life with Decanter, Glass and Quill

Description

Pippa Chapman (British, 20th Century) Still Life with Decanter, Glass and Quill signed 'PippaChapman' (lower right) canvas laid to board 31.5 x 51.5cm (12 3/8 x 20 1/4in). This lot is subject to the following lot symbols: * * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Pippa Chapman (British, 20th Century) Still Life with Decanter, Glass and Quill

Lot 0143

Estimate £100-£150

Jun 16, 2026, 7:22 AM EDT

Current Price (1 bid)

Secure

£10

Collections

Jun 02, 2026 7:00 AM EDT

London, UNITED KINGDOM, United Kingdom

Gerard Fally (French, b.1951) Three still lifes the largest: 40 x 79cm (15 3/4 x 31 1/8in) ( (3)): Gerard Fally (French, b.1951) Three still lifes each signed 'Gerard Fally' (lower right) acrylic on canvas the largest: 40 x 79cm (15 3/4 x 31 1/8in) (3) This lot is subject to the following lot

Gerard Fally (French, b.1951) Three still lifes the largest: 40 x 79cm (15 3/4 x 31 1/8in) ( (3))

Albert Werner-Schwarzburg (1857-1911): a bronze figure of a foundry worker: Albert Werner-Schwarzburg (1857-1911): a bronze figure of a foundry worker Signed to the base 'A.Werner', 23cm wide, 12cm deep, 27cm high (9in wide, 4.5in deep, 10 1/2in high) This lot is subject to

Albert Werner-Schwarzburg (1857-1911): a bronze figure of a foundry worker

A late Louis XVI gilt bronze, gilt metal and marble candlestick Late 18th / early 19th century: A late Louis XVI gilt bronze, gilt metal and marble candlestick Late 18th / early 19th century The baluster shaped body issuing a floral spray and culminating in a flower head nozzle, with three

A late Louis XVI gilt bronze, gilt metal and marble candlestick Late 18th / early 19th century

A Victorian carved and turned mahogany Lazy SusanAfter a design by William Harrison: A Victorian carved and turned mahogany Lazy Susan After a design by William Harrison The shaped circular top with eight moulded circular recesses separated by spandrels each containing a bell flower,

A Victorian carved and turned mahogany Lazy SusanAfter a design by William Harrison

A Mahal carpet Central Persia 300cm x 430cm (118 1/8in x 169 1/4in): A Mahal carpet Central Persia 300cm x 430cm (118 1/8in x 169 1/4in) This lot is subject to the following lot symbols: * TP R * VAT on imported items at a preferential rate of 5% on Hammer Price and

A Mahal carpet Central Persia 300cm x 430cm (118 1/8in x 169 1/4in)

A Regency mahogany side tableEarly 19th century: A Regency mahogany side table Early 19th century The rectangular top with canted corners above a frieze drawer on turned tapering legs and brass castors, 60.5cm wide x 42cm deep x 72cm high, (23.5in

A Regency mahogany side tableEarly 19th century

A carved mahogany stool in the manner of Giles GrendeyLate 19th / early 20th century in the Geor...: A carved mahogany stool in the manner of Giles Grendey Late 19th / early 20th century in the George II style The stuff-over seat above acanthus leaf carved cabriole legs and hairy-paw feet with

A carved mahogany stool in the manner of Giles GrendeyLate 19th / early 20th century in the Geor...

A George II style carved walnut Gainsborough-type armchair, in the manner of Giles GrendeyEarly ...: A George II style carved walnut Gainsborough-type armchair, in the manner of Giles Grendey Early 20th century With 19th century gros and petit-point needlework back and seat, with foliate carved

A George II style carved walnut Gainsborough-type armchair, in the manner of Giles GrendeyEarly ...

A small George III mahogany and rosewood crossbanded side boardEarly 19th century: A small George III mahogany and rosewood crossbanded side board Early 19th century Of bowed breakfront form, 109cm wide x 53cm deep x 89cm high, (42 1/2in wide x 20 1/2in deep x 35in high) This lot

A small George III mahogany and rosewood crossbanded side boardEarly 19th century

A Regency mahogany card tableEarly 19th century, in the manner of Gillows: A Regency mahogany card table Early 19th century, in the manner of Gillows The hinged D-shaped top enclosing a baize lined interior on turned and reeded tapering legs, 91cm wide x 44.5cm deep x 73cm

A Regency mahogany card tableEarly 19th century, in the manner of Gillows

A French carved giltwood mirror in the Rococo styleEarly 19th century: A French carved giltwood mirror in the Rococo style Early 19th century The later shaped rectangular plate within a C-Scroll and foliate carved frame, surmounted by a stylised acanthus leaf and carved

A French carved giltwood mirror in the Rococo styleEarly 19th century

Edmund George Warren (British, 1834-1909) The Men of the Forest: Edmund George Warren (British, 1834-1909) The Men of the Forest signed 'Edmund Warren' (lower right) oil on canvas 143 x 218cm (56 5/16 x 85 13/16in). Footnotes: Provenance With Kurt. E. Schon Ltd.,

Edmund George Warren (British, 1834-1909) The Men of the Forest

James Sant (British, 1820-1916) Portrait of a Young Girl as Adriane: James Sant (British, 1820-1916) Portrait of a Young Girl as Adriane oil on canvas 76.5 x 63.5cm (30 1/8 x 25in). Footnotes: Provenance Reputedly bought at Christie's, London, 20 April 1998, lot

James Sant (British, 1820-1916) Portrait of a Young Girl as Adriane

Robert Gemmell Hutchison RSA RBA ROI RSW (British, 1855-1936) 'Handy Pandy, Sugar Candy. Which H...: Robert Gemmell Hutchison RSA RBA ROI RSW (British, 1855-1936) 'Handy Pandy, Sugar Candy. Which Hand Will You Take?' signed 'R G Hutchison' (lower left) oil on canvas 31 x 23cm (12 3/16 x 9

Robert Gemmell Hutchison RSA RBA ROI RSW (British, 1855-1936) 'Handy Pandy, Sugar Candy. Which H...

William Bunney (British, fl. 1880) Brother's Help: William Bunney (British, fl. 1880) Brother's Help signed and dated 'W.B.Bunney 1889' (lower left) watercolour, crayon, gouache and pencil 44 x 31.5cm (17 5/16 x 12

William Bunney (British, fl. 1880) Brother's Help

Paul Jones (British, fl. 1856-1879) The Lucky Escape; Not So Lucky each 17.75 x 25.5cm (7 x 10 1...: Paul Jones (British, fl. 1856-1879) The Lucky Escape; Not So Lucky the first signed 'P Jones' (lower left); the second signed and indistinctly dated 'P Jones/18...' (lower right) oil on panel each

Paul Jones (British, fl. 1856-1879) The Lucky Escape; Not So Lucky each 17.75 x 25.5cm (7 x 10 1...

Paul Jacob Naftel (British, 1817-1891) Coastal View (with a further preparatory sketch on the re...: Paul Jacob Naftel (British, 1817-1891) Coastal View signed and dated 'Paul|Naftel/1888' (lower centre) watercolour, gouache, and traces of pencil 45 x 34cm (17 11/16 x 13 3/8in). with a further

Paul Jacob Naftel (British, 1817-1891) Coastal View (with a further preparatory sketch on the re...

Henry Thomas Schaefer (British, 1854-1915) Two Views of Belgium each 30 x 25.5cm (11 13/16 x 10 ...: Henry Thomas Schaefer (British, 1854-1915) Two Views of Belgium each signed and dated 'H. Schaefer/1874' (one lower left, the other lower right) oil on canvas each 30 x 25.5cm (11 13/16 x 10 1/16in)

Henry Thomas Schaefer (British, 1854-1915) Two Views of Belgium each 30 x 25.5cm (11 13/16 x 10 ...

Edouard Henri Léon Cortès (French, 1882-1969) Place de la Republique, Paris: Edouard Henri Léon Cortès (French, 1882-1969) Place de la Republique, Paris signed 'EDOUARD CORTES' (lower left) oil on canvas 33.5 x 46cm (13 3/16 x 18

Edouard Henri Léon Cortès (French, 1882-1969) Place de la Republique, Paris

After Thomas Hudson George Graham Clockmaker Mezzotint by Thomas Ryley, circa 1740, on wove pape...: After Thomas Hudson George Graham Clockmaker Mezzotint by Thomas Ryley, circa 1740, on wove paper, trimmed within the plate mark, published by R.Sayer, London, framed Sheet 343 x 246mm (13 1/2 x 9

After Thomas Hudson George Graham Clockmaker Mezzotint by Thomas Ryley, circa 1740, on wove pape...

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