Lucian Freud (1922-2011); Bella (Second Version);

Description

Lucian Freud (1922-2011) Bella (Second Version) (Treves 11, Hartley 15), 1982 Etching on wove paper, initialed in green pencil and annotated 'Archive Proof' (aside from the edition of 25, there were also 10 artist's proofs), published by Thames and Hudson, London, with the blindstamp of the printer, Palm Tree Studios, London, with full margins. plate 5 7/8 x 5 5/16in (14.9 x 13.5cm) sheet 10 7/8 x 8 5/8in (27.6 x 21.9cm) Footnotes: Provenance Palm Tree Studios, London Acquired directly from the above by the present owner For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

Buyer's Premium

32%

Lucian Freud (1922-2011); Bella (Second Version);

Lot 0045

Estimate $3,000-$4,000

Bidding starts Jun 8, 2026, 12:00 PM EDT

Coming Soon

The auction has not started yet. Bids will be accepted for this lot starting Jun 8, 2026, 12:00 PM EDT.

Prints & Photographs Online

Jun 08, 2026 12:00 PM EDT

Marlborough, MA, United States

Alexander Calder (1898-1976); Composition with Circles;: Alexander Calder (1898-1976) Composition with Circles, 1971 Lithograph in colors on wove paper, signed in pencil and numbered 91/100, with full margins. 29 x 43 1/8in (73.7 x 109.5cm) sheet 30 3/8 x

Alexander Calder (1898-1976); Composition with Circles;

Alexander Calder (1898-1976); Spiral Imaginatif;: Alexander Calder (1898-1976) Spiral Imaginatif, 1975 Lithograph in colors on wove paper, signed in pencil and annotated 'EA' (an épreuve d'artiste, aside from the edition of 90), the full

Alexander Calder (1898-1976); Spiral Imaginatif;

Alexander Calder (1898-1976); Tapestry;: Alexander Calder (1898-1976) Tapestry, c.1975 Lithograph in colors on Arches paper, signed in pencil and annotated 'EA' (an épreuve d'artiste, aside from the edition of 90), the full

Alexander Calder (1898-1976); Tapestry;

Jacques Callot (1592-1635); Le Marché d'esclaves;: Jacques Callot (1592-1635) Le Marché d'esclaves (Lieure 369), 1629 Etching on laid paper, Lieure's first state (of 6), with margins. plate 4 9/16 x 8 1/2in (11.5 x 21.6cm) sheet 4 11/16 x 8

Jacques Callot (1592-1635); Le Marché d'esclaves;

Jean-Pierre Cassigneul (born 1935); Au jardin du Luxembourg;: Jean-Pierre Cassigneul (born 1935) Au jardin du Luxembourg, 1985 Four-panel lithograph in colors on wove paper, signed in black felt-tip pen and numbered 61/100, published by A.C. Mazo, Paris,

Jean-Pierre Cassigneul (born 1935); Au jardin du Luxembourg;

John Steuart Curry (1897-1946); Prize Stallions;: John Steuart Curry (1897-1946) Prize Stallions (Cole 31), 1938 Lithograph on Rives BFK paper, signed in pencil and titled, from the edition of 250, with full margins. 12 3/4 x 8 3/4in (32.4 x

John Steuart Curry (1897-1946); Prize Stallions;

Roy De Forest (1930-2007); Untitled;: Roy De Forest (1930-2007) Untitled (Tamarind 78-121), 1978 Lithograph in colors on Copperplate Deluxe paper, signed in pencil, numbered 15/40, with the blindstamp of the publisher, Tamarind

Roy De Forest (1930-2007); Untitled;

Paul Delvaux (1897-1994); Seven Dialogues with Paul Delvaux;: Paul Delvaux (1897-1994) Seven Dialogues with Paul Delvaux (Jacob 76-80), 1971 The complete set, comprising four etchings in black and one etching in colors on Rives paper, each signed and numbered

Paul Delvaux (1897-1994); Seven Dialogues with Paul Delvaux;

Lesley Dill (born 1950); Front, from the series A Word Made Flesh (The Soul has Bandaged Moments);: Lesley Dill (born 1950) Front, from the series A Word Made Flesh (The Soul has Bandaged Moments), 1994 Photolithograph, aquatint, etching, and drypoint with thread on tea-stained Japanese mulberry

Lesley Dill (born 1950); Front, from the series A Word Made Flesh (The Soul has Bandaged Moments);

David Clyde Driskell (1931-2020); Yoruba Couple;: David Clyde Driskell (1931-2020) Yoruba Couple, 2007 Screenprint and relief in colors on wove paper, signed in pencil, titled, dated and numbered 77/100, with margins, framed. 21 3/4 x 16 1/2in (55.2

David Clyde Driskell (1931-2020); Yoruba Couple;

David Clyde Driskell (1931-2020); The Farmer and His Wife;: David Clyde Driskell (1931-2020) The Farmer and His Wife, 2009 Lithograph and screenprint in colors on Rives BFK paper, signed in pencil, titled, dated and numbered 66/100, with the blindstamp of the

David Clyde Driskell (1931-2020); The Farmer and His Wife;

Jean Dubuffet (1901-1985); Sourire;: Jean Dubuffet (1901-1985) Sourire (Webel 812), 1962 Lithograph in colors on Arches paper, signed in pencil and numbered 2/50 (there were also eight proofs), printed by Serge Lozingot, Paris, with

Jean Dubuffet (1901-1985); Sourire;

After Marcel Duchamp (1887-1968); Coffee Mill;: After Marcel Duchamp (1887-1968) Coffee Mill, 1947 Etching on wove paper, after cancellation, with margins, framed. 7 x 3 1/8 in. (17.8 x 8.0 cm) sheet 9 7/8 x 7 1/4 in. (25.1 x 18.4 cm) For further

After Marcel Duchamp (1887-1968); Coffee Mill;

Maurice Dufrène (1876-1955); Rayon des Soieries;: Maurice Dufrène (1876-1955) Rayon des Soieries, 1930 Lithographic poster in colors on wove paper, printed by Chaix, Paris, with margins, linen-backed, framed. 44 3/4 x 28 3/4 in. (113.7 x 73.0

Maurice Dufrène (1876-1955); Rayon des Soieries;

Albrecht Dürer (1471-1528); Two Woodcuts from The Large Passion;: Albrecht Dürer (1471-1528) Two Woodcuts from The Large Passion (Meder, Hollstein 118; 120), c. 1498-99 Two woodcuts on laid paper, one with Double-Headed Eagle watermark, one with Serpent

Albrecht Dürer (1471-1528); Two Woodcuts from The Large Passion;

Frank Duveneck (1848-1919); Piazza di San Marco;: Frank Duveneck (1848-1919) Piazza di San Marco, 1883 Etching with drypoint on chine collé with heavy wove support, signed in pencil, with margins. 13 3/8 x 11 in. (33.9 x 27.9 cm) sheet 19 3/4 x

Frank Duveneck (1848-1919); Piazza di San Marco;

Max Ernst (1891-1976); L'Oiseau caramel;: Max Ernst (1891-1976) L'Oiseau caramel (Spies & Leppien A 20), 1969 The complete set, comprising three photolithographs in colors with embossing on Arches paper, each signed in pencil, numbered

Max Ernst (1891-1976); L'Oiseau caramel;

Richard Estes (born 1932); Cafeteria, from Radical Realism;: Richard Estes (born 1932) Cafeteria, from Radical Realism, 1972 Lithograph in colors on wove paper, initialed in pencil, annotated 'OK' and numbered '291' (a proof aside from the edition of 200),

Richard Estes (born 1932); Cafeteria, from Radical Realism;

Richard Estes (born 1932); Study VI, New York Harbor;: Richard Estes (born 1932) Study VI, New York Harbor, 1997 Woodcut in colors on wove paper, unsigned, a working proof aside from the edition of 45 (there were also 10 artist's proofs), published by

Richard Estes (born 1932); Study VI, New York Harbor;

Sabra Field (born 1935); Small Red Boat;: Sabra Field (born 1935) Small Red Boat, n.d. Woodcut in colors on linen, signed and titled in pencil, with margins, framed. 6 7/8 x 7 in. (17.5 x 17.8 cm) sheet 12 x 12 in. (30.5 x 30.5 cm) For

Sabra Field (born 1935); Small Red Boat;

Related Items

Henri de Waroquier, Composition, Alternance, Limited Edition Etching: Etching on vélin pur chiffon de Rives paper. Unsigned and unnumbered. Paper Size: 9.875 x 12.875 inches. Excellent condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Par

Jul 03, 2025Henri de Waroquier, Composition, Alternance, Limited Edition Etching

TOP