Reginald Marsh (1898-1954); Wooden Horses;

Description

Reginald Marsh (1898-1954) Wooden Horses (Sasowsky 171), 1936 Etching and engraving on wove paper, signed in pencil and annotated 'forty proofs', with full margins, framed. 8 x 13 1/4in (20.2 x 33.6cm) sheet 11 1/4 x 16 1/8in (28.5 x 46cm) Lot to be sold without reserve. This lot is subject to the following lot symbols: ¤ ¤ Unless indicated by the ¤ symbol next to the lot number (or bearing an explicit statement such as 'No Reserve' or 'Without Reserve'), which denotes no reserve, all lots in the catalog are subject to a reserve. The reserve is the minimum hammer price that the seller is willing to accept for a lot. This amount is confidential and does not exceed the low estimate value. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Reginald Marsh (1898-1954); Wooden Horses;

Lot 0102

Estimate $500-$700

Jun 18, 2026, 1:16 PM EDT

Current Price (6 bids)

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$100

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Prints & Photographs Online

Jun 08, 2026 12:00 PM EDT

Marlborough, MA, United States

Rembrandt Harmensz van Rijn (1606-1669); The Raising of Lazarus: The Larger Plate;: Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: The Larger Plate (Bartsch, Hollstein 73), c. 1632 Etching and engraving on wove paper, Bartsch's tenth state (of ten), with thin

Rembrandt Harmensz van Rijn (1606-1669); The Raising of Lazarus: The Larger Plate;

Rembrandt Harmensz van Rijn (1606-1669); The Bathers;: Rembrandt Harmensz van Rijn (1606-1669) The Bathers (Bartsch, Hollstein 195), 1651 Etching on laid paper, Bartsch's second state (of two), with thread margins, framed. plate 4 1/4 x 5 3/8 in. (10.8 x

Rembrandt Harmensz van Rijn (1606-1669); The Bathers;

Rembrandt Harmensz van Rijn (1606-1669); The Flight into Egypt: Crossing a Brook;: Rembrandt Harmensz van Rijn (1606-1669) The Flight into Egypt: Crossing a Brook (Bartsch, Hollstein 55), 1654 Etching on laid paper, Bartsch's only state, with thin margins, framed. plate 3 3/4 x 5

Rembrandt Harmensz van Rijn (1606-1669); The Flight into Egypt: Crossing a Brook;

Rembrandt Harmensz van Rijn (1606-1669); The Circumcision in the Stable;: Rembrandt Harmensz van Rijn (1606-1669) The Circumcision in the Stable (New Hollstein 280), 1654 Etching on wove paper, New Hollstein's fourth state (of 5), with 2 previously unshaded white areas

Rembrandt Harmensz van Rijn (1606-1669); The Circumcision in the Stable;

Rembrandt Harmensz van Rijn (1606-1669); Adoration of the Shepherds; The Holy Family;: Rembrandt Harmensz van Rijn (1606-1669) Adoration of the Shepherds; The Holy Family (Bartsch, Hollstein 45; Bartsch, Hollstein 62), c. 1654; c. 1632 Two etching on wove paper and thin-wove paper,

Rembrandt Harmensz van Rijn (1606-1669); Adoration of the Shepherds; The Holy Family;

Pierre-Auguste Renoir (1841-1919); Le Fleuve Scamandre, 2e planche;: Pierre-Auguste Renoir (1841-1919) Le Fleuve Scamandre, 2e planche (Delteil/Stella 25), c. 1900 Etching on laid paper, Stella's first state (of two) before the reduction of the plate, from the edition

Pierre-Auguste Renoir (1841-1919); Le Fleuve Scamandre, 2e planche;

Susan Rothenberg (1945-2020); Untitled (May #2);: Susan Rothenberg (1945-2020) Untitled (May #2), 1979 Etching on Fabriano etching paper, signed in pencil, annotated 'AP XII/XII' and dated, published by Parasol Press Ltd., New York, with the

Susan Rothenberg (1945-2020); Untitled (May #2);

Paula Scher (born 1948); Paris;: Paula Scher (born 1948) Paris, 2012 Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 36/60, published by Pentagram Press, New York, with full margins. 33 1/4 x 35in

Paula Scher (born 1948); Paris;

John Steuart Curry (1897-1946); Prize Stallions;: John Steuart Curry (1897-1946) Prize Stallions (Cole 31), 1938 Lithograph on Rives BFK paper, signed in pencil and titled, from the edition of 250, with full margins. 12 3/4 x 8 3/4in (32.4 x 22.2cm)

John Steuart Curry (1897-1946); Prize Stallions;

Reginald Marsh (1898-1954); The Bowery, Upright;: Reginald Marsh (1898-1954) The Bowery, Upright (Sasowsky 26), 1932 Lithograph on chine collé with wove support, signed in pencil, numbered 18/21, with margins, framed. 9 5/8 x 7 3/16 in. (24.4 x

Reginald Marsh (1898-1954); The Bowery, Upright;

Takashi Murakami (born 1962); Yonaguni;: Takashi Murakami (born 1962) Yonaguni, 2022 Screenprint and pigment print in colors on wove paper, signed in pencil, dated and numbered 56/100, published by Kaikai Kiki Co., Ltd., Tokyo, the full

Takashi Murakami (born 1962); Yonaguni;

Takashi Murakami (born 1962) & mebae (born 1979); Smile_02;: Takashi Murakami (born 1962) & mebae (born 1979) Smile_02, 2022 Pigment print and screenprint in colors on wove paper, signed in pencil by the artists, dated and numbered 91/100, published by Kaikai

Takashi Murakami (born 1962) & mebae (born 1979); Smile_02;

Takashi Murakami (born 1962) & Hisashi Eguchi (born 1956); Famicom;: Takashi Murakami (born 1962) & Hisashi Eguchi (born 1956) Famicom, 2025 Screenprint and pigment print in colors on wove paper, signed in pencil by the artists and numbered 59/100, with the blindstamp

Takashi Murakami (born 1962) & Hisashi Eguchi (born 1956); Famicom;

Bruce Nauman (born 1941); Doe Fawn;: Bruce Nauman (born 1941) Doe Fawn (Cirrus p.319), 1973 Lithograph in colors on wove paper, signed in pencil, dated and numbered 25/50 (there were also 10 artist's proofs), with the blindstamp of the

Bruce Nauman (born 1941); Doe Fawn;

Ben Nicholson (1894-1982); Large Jug, Small Mug, alternatively titled Rafael;: Ben Nicholson (1894-1982) Large Jug, Small Mug, alternatively titled Rafael (Lafranca 44), 1967 Etching on wove paper, signed and dated in pencil, numbered 5/100, published by Marlborough Fine Art,

Ben Nicholson (1894-1982); Large Jug, Small Mug, alternatively titled Rafael;

Adriaen van Ostade (1610-1685); Man and Woman Talking; The Woman Spinning; (2): Adriaen van Ostade (1610-1685) Man and Woman Talking; The Woman Spinning (Bartsch, Duthuit, Godefroy, Hollstein 37; 31), c. 1650; 1652 Two etchings on laid paper, Hollstein's fourth state (of 5) and

Adriaen van Ostade (1610-1685); Man and Woman Talking; The Woman Spinning; (2)

Joseph Pennell (1857-1926); The Woolworth Building;: Joseph Pennell (1857-1926) The Woolworth Building (Wuerth 675), 1915 Etching on laid paper, signed in pencil, from the edition of approximately 100, with margins, framed. plate 11 7/8 x 7 7/16 in.

Joseph Pennell (1857-1926); The Woolworth Building;

Pablo Picasso (1881-1973); L'Étreinte;: Pablo Picasso (1881-1973) L'Étreinte (Bloch 1115, Baer 1108), 1963 Aquatint and drypoint on Rives BFK paper, signed in pencil and numbered 9/50 (there were also 15 artist's proofs), published in

Pablo Picasso (1881-1973); L'Étreinte;

Pablo Picasso (1881-1973); Peintre néo-classique dans son atelier (Dans l'atelier);: Pablo Picasso (1881-1973) Peintre néo-classique dans son atelier (Dans l'atelier) (Bloch 1137, Baer 1134), 1963 Etching on wove paper, signed in pencil and numbered 9/50 (there were also 15

Pablo Picasso (1881-1973); Peintre néo-classique dans son atelier (Dans l'atelier);

Pablo Picasso (1881-1973); Peintre debout et modèle;: Pablo Picasso (1881-1973) Peintre debout et modèle (Bloch 1158, Baer 1146), 1964 Etching with aquatint on Richard de Bas paper, Baer's second (final) state, signed in pencil and numbered 44/50

Pablo Picasso (1881-1973); Peintre debout et modèle;

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