Description

Title: 1495 INCUNABULA BIBLE 3 FOLIO VOLUMES COMPLETE antique ILLUSTRATED BIBLIA LATINA

Description: BIBLIA LATINA CUM GLOSSA ORDINARIA WALAFRIDI STRABONIS
ALIORUMQUE ET INTERLINEARI ANSELMI LAUDUNENSIS ET CUM POSTILIS NICOLAI DE LYRA EXPOSITIONIBUSQUE GUILLELMI BRITONIS IN OMNES PROLOGOS S. HIERONYMI
Printed in Venice by Paganinus de Paganinis, 18 April 1495.
Text in Latin.
Edited by Bernardino Gadolo of Brescia and Secondo Contarini;
with Gadolfo's dedicatory preface addressed to Cardinal Francesco Todeschini Piccolomini, the future Pope Pius III.
Bound in 3 MASSIVE THICK FOLIO VOLUMES: 10 1/4 by 14 3/4 (leaves measure 36 cm x 25 cm)
comprising over 3000 pages in total,
ILLUSTRATED WITH 54 WOODCUTS
First two volumes bound in a splendid original ca. 1500 Venetian blind-tooled brown goatskin over thick wooden boards;
covers decorated with arabesque knot-work centerpieces enclosed in concentric borders of floriated and 'winding vines' rolls;
spines very neatly rebacked retaining most of the original backstrips blind-ruled to a cross-hatched diamond pattern.
Both of these volumes originally had four clasps each; all are now gone, retaining, however, small brass nailheads at edges of the front cover, where the clasps' straps used to be attached.
The 3rd volume in a very tastefully produced modern binding of brown polished morocco over wooden boards blind-tooled to match the style of the original Renaissance bindings on the 1st two volumes.
A fragment of a 13th-century(.) vellum manuscript used as a spine liner, with a portion visible at gutter over front free endpaper in Vol.I.
Foliation: [13], 1398 [i.e. 1498] leaves (forming 1511 leaves, i.e. 3022 pages in total).
Foliation continuous throughout all three volumes. (Numerous errors in numeration.)
Signatures: a8 b6[-b6 last preliminary] c-z8 [et]8 [con]8 [rum]8 2a-2d8 2e-2f6 2g-2r8 2s-2v6 2x-2z8 2[et]8 2[con]8 2[rum]8 3a-3p8 3q-3r6 3s-3z8 3[et]8 3[con]8 3[rum]8 A-V8 X-Y6 Z-3S8 3T10 3V-3Z8 1-438 4410.
COMPLETE, except only for the last preliminary leaf b6 (prefatory material to the Glossa Ordinaria) before the beginning of Genesis.
The Biblical text is complete;
the title-page and the colophon are present.
Inner blank ff6 is present.
Biblical text printed in double columns, interspersed with interlinear glosses (in very small type), surrounded by commentary (Lyra's Postilla and Glossa Ordinaria);
83 lines of gloss per page.
All text in Gothic types of various sizes:
Type: 5:79G, 10:92G, 10*:130G, 11:270G, 13:68G, 14;102G, 15:54G.
Capital spaces with guide initials (unrubricated).
Title page (a1r) printed in red snd black, with a fine woodcut printer's device depicting St. Peter holding a pair of keys and a book (with printed motto Tu es Petrus).
Further 54 woodcut (mostly large) illustrations in text.
Incipits on the first page of Genesis (c1r) printed in red.
Preliminaries include a short address to the reader 'Ad intelligentiam ordinis et signorum huius sacrosancti libri...' on verso of title page, followed by a dedicatory epistle by the editor Bernardino Gadolo to Cardinal Francesco Todeschini Piccolomini (future Pope Pius III);
a short prefatory note ('Translatores Biblie') on the translators of the Bible;
two prologues by Nicolaus de Lyra; St. Jerome's letter to Paulinus and his Prologue to the Pentateuch, both with Guillelmus Brito's commentary.
Nicolaus de Lyra's Contra perfidiam Judaeorum at the end of the last volume (447r-10r),
with the the Colophon on recto of the final leaf 447r (verso blank).
Verso of the same endpaper with (partially removed) 16th-century inscription, including the popular early 16th-century jocular verses on the importance of Lyra's commentary (with a play of words on his name): Lyra non lyrasset,] totus mundus delirasset', i.e. Had Lyra not played the lyre, the whole world would have gone hay-wire .
Very Good antiquarian condition.
All bindings tight and very solid, joints and hinges intact, all boards firmly attached. Internally, with occasional light soiling and mild marginal water-staining.
A few leaves lightly browned.
An inked-out early inscription to title page; a couple more pages with minor early manuscript marginalia.
Front free endpaper in Vol.I with top portion cut off and restored,
a 20th-century acquisition note in Italian on recto, and a 16th-century inscription (partially removed) on verso;
title page and the next preliminary leaf with very neat (and barely noticeable) marginal repairs at edges.
In Vol.II, a few leaves in the first quire with very neat archival repairs (affecting only a few words of commentary), and some leaves with two small marginal wormholes (in outer margin, not affecting any text).
Vol.III with a few leaves in the first and last quire with neat archival repairs (slightly obscuring a few words of commentary but generally without loss of legibility); several leaves in Vol.III with slightly heavier damp-staining, but mostly confined to the top margin.
In all, a very impressive and attractive set of this magnificent edition: solid, wide-margined, and clean, with the first two volumes retaining their original Venetian blind-stamped morocco bindings (of which very few have survived in such a large Folio format).
FIRST EDITION OF LATIN BIBLE TO INCLUDE BOTH THE GLOSSA ORDINARIA AND DE LYRA'S POSTILLA - THE TWO MOST IMPORTANT AND POPULAR MEDIEVAL BIBLICAL COMMENTARIES.
This is also THE FIRST PRINTED BIBLE TO USE CATCHWORDS
This is a VERY HANDSOMELY PRINTED EDITION, with the Ordinary Gloss and the Commentaries of Nicolas de Lyra.
It is printed on thick, stout paper, with signatures, numerals, and catchwords. This is in fact the first edition of the Latin Bible in which catchwords are employed. (W. A. Copinger, Incunabula Biblica, no. 105)
In 1492, the Venice printer Paganinus de Paganinis received a ten-year privilege for printing at considerable expense a Bible surrounded by the Glossa and the Postilla litteralis of Lyra, as well as Brito's prologue commentaries. This 1495 publication employed a complex system of small reference letters to match the Bible text with the two commentaries. (H. A. G. Houghton (Ed.), The Oxford Handbook of the Latin Bible, p. 279)
In this monumental edition of the Vulgate Latin Bible the complete biblical text is accompanied with:
The interlinear gloss of Anselm of Laon;
The Glossa Ordinaria attributed to Walafrid Strabo;
The Postilla super totam Bibliam of Nicolaus de Lyra;
The Expositions on St. Jerome's prologues by Guillelmus Brito;
and including (at the end of the last volume) a short tract against the Jews Contra perfidiam Judaeorum by Nicolaus de Lyra.
Although the foliation in this edition is continuous, it is usually found bound in 4 volumes;
this set, however, is bound in three enormous folio volumes:
Vol I - Genesis to Job;
Vol. II Psalms to Maccabees;
Vol. III: Matthew to Revelation.
The 54 handsome woodcuts illustrating this superb edition are from the Venetian edition of 8 August 1489, which was the first illustrated Latin Bible printed in Italy.
The Glossa Ordinaria was the standard biblical gloss during the Middle Ages, surviving in thousands of manuscripts and referenced constantly by Thomas Aquinas, Bonaventure, and other medieval theologians.
It was also used by John Wyclif and his contemporaries.
Comprised chiefly of excerpts from the patristic exegesis of Augustine, Jerome, Gregory the Great, and many others, the Glossa stands as a unique witness and aid to reading Scripture within the Church's Tradition.
The text of Glossa Ordinaria was arranged by scholars during the 12th century.
Although the compilation of the Glossa used to be traditionally (mis-)attributed to Walafrid Strabo, a 9th-century Benedictine monk from Swabia, it was mainly compiled by the French theologian Anselm of Laon (d. 1117) and his followers. However, the Gloss only achieved its standard, finalized form at Paris in the second half of the 12th century.
This is the 2nd edition of the Bible with the Glossa Ordinaria, but the First to combine it with Lyra's celebrated Postilla;
the 1st edition with Glossa Ordinaria was printed ca. 1480 by Adolf Rusch in Strasbourg, and was of great importance in the bibliographical history of the Bible; and the biblical text and that of the Glossa here follows the celebrated Rusch edition quite closely.
The physical act of compiling the text must have been strenuous to say the least.
Rusch achieved this feat by figuring out the exact ratio of vulgate text and marginal glosses appropriate to each page, linking the latter to the vulgate by giving a lemma for each, and inventing a system of visual symbols to connect each interlinear gloss to its proper reference in the vulgate text on the line below.
The process may have taken years to complete. [ ]
We must wonder how Rusch succeeded, [as] there is no indication that he had any scholarly assistance. [...]
Given the tenacity with which scholars have attempted to trace the source of Gutenberg's Bible texts, it is rather astonishing that Rusch, no scholar himself, seems to have compiled the texts for his edition of the Glossa Ordinaria without external expert assistance.
Rusch's edition was never reprinted, but the next edition of the Glossa Ordinaria was printed in venice in 1495 by Paganinus de Paganinis.
This text, printed in four volumes, added Nicholas of Lyra's Postilla. Froehlich suggests that for the vulgate text and the Glossa Ordinaria Paganinus 'followed quite closely the Rusch edition'. Of particular importance, the marginal gloss also follows Rusch in every textual detail.
(David A Salomon, LAn Introduction to the 'Glossa Ordinaria' as Medieval Hypertext, p.59)
Nicolaus de Lyra's enormous commentary, Postilla litteralis, was THE DEFINITIVE BIBLICAL COMMENTARY FROM THE MIDDLE AGES UNTIL THE REFORMATION, and is considered A MILESTONE IN THE HISTORY OF BIBLICAL EXEGESIS.
This edition also includes (at the end of Vol.III)
LYRA'S ANTISEMITIC POLEMICAL TREATISE Contra perfidiam Judaeorum which was later USED BY MARTIN LUTHER.
Luther uses and cites Contra perfidiam Judaeorum by Nicholas of Lyra, a work written in the medieval genre of a defensio fidei. He argues that Lyra's description of the apostasy of the Jews is a 'right, good, and strong argument'. Jeremy Cohen states that Lyra began De Iudeorum perfidia [ ] as a scholastic discourse in 1309 and revised it in the 1330s.
(Archive for Reformation History, vol.28, p.144)
This magnificent set is embellished with 54 fine woodcut illustrations, which belong properly to the accompanying Postilla of Nicolaus of Lyra, a text with a long tradition of manuscript illustrations. This tradition did not immediately translate into print, since the printers of many early editions provided only blank spaces for the illustrations. The earliest version of these illustrations appeared in the separate edition of the Postilla printed by Koberger in 1481.
According to Paul Saenger, of Newberry Library these illustrations are recognized as being based on [11th-century Jewish scholar] Rashi's drawings, many of which have been lost in the Hebrew manuscript tradition.
These illustrations are meant to be more than decoration: they are an essential part of the explanatory text.
(Ph. Krey, L. Smith (eds.): Nicholas of Lyra: The Senses of Scripture, p.11).
The woodcuts (mostly quite large) depict such popular Old Testament subjects as the Noah's Ark, the Tabernacle, plans of the Temple of Solomon and Jerusalem, the Sacrificial Altar, the Ark of the Covenant guarded by angels, the Tables of the Law (the Ten Commandments), the copper basin for the washing of hands and feet, the Great Menorah, the veil in front of the Holy of Holies, the desert encampment of the Tribes of Israel, the High Priest in his vestments, the vision of the prophet Ezekiel (depicting the Creator and the tetramorph, represented as a winged creature with four different haloed heads of a man, a lion, an eagle, and a bull, above which is Ezekiel`s 'wheel within a wheel,' by which God's chariot moves), etc.
Many of the woodcuts incorporate captions (inscriptions) which are hand-carved, thus providing superb early examples of the technique of chiro-xylography, which was commonly used in the early block-books.

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1495 INCUNABULA BIBLE 3 FOLIO VOLUMES COMPLETE antique ILLUSTRATED BIBLIA LATINA

Name: 1495 INCUNABULA BIBLE 3 FOLIO VOLUMES COMPLETE antique ILLUSTRATED BIBLIA LATINA
SKU: 234946931
Price: 10000 USD
Availability: InStock