Description
Victorian Biblical Narrative Oil Painting"Daniel in the Lions' Den:, Signed and Dated 1881
Attribited to Isaac Findler (British, 1809-1888)
Subject and Medium
A striking and atmospheric Victorian religious narrative dated 1881 oil painting on canvas depicting the celebrated biblical story of Daniel in the Lions' Den, traditionally attributed to the Staffordshire artist Isaac Findler (1809-1888).
The composition portrays Daniel seated calmly upon a rocky outcrop within a shadowy wilderness setting, surrounded by lions yet remaining unharmed through divine protection. Clad in a vivid crimson robe, Daniel gazes heavenward in prayer and contemplation, conveying a profound sense of faith, devotion, and spiritual resilience.
Executed in oil on canvas and dated 1881, this impressive nineteenth-century biblical painting captures one of the most enduring narratives of the Old Testament. Rich in symbolism and religious significance, the work possesses both devotional character and considerable decorative appeal. The dramatic contrast between the illuminated figure of Daniel and the dark surroundings creates an arresting visual presence that immediately draws the viewer into the scene.
Composition and Technique
The artist demonstrates a thoughtful understanding of narrative composition, placing Daniel centrally within the picture while using the surrounding lions to create both visual balance and dramatic tension.
The restrained palette of deep browns, warm earth tones, and rich blacks allows the vibrant red robe of Daniel to become the dominant focal point. This use of colour not only enhances the visual impact of the work but also symbolically emphasises Daniel's spiritual importance within the composition.
Particular attention has been paid to the facial expression of Daniel, whose calm and contemplative gaze contrasts with the alert presence of the lions. The artist's use of strong chiaroscuro creates depth and atmosphere throughout the painting, while the dark woodland backdrop enhances the sense of isolation and divine intervention.
The work displays many of the qualities associated with Victorian provincial religious painting, where storytelling, emotion, and moral narrative were often prioritised over strict academic precision. As a biblical narrative painting, it successfully combines dramatic storytelling with a powerful message of faith, courage, and divine protection.
Historical Context
The story of Daniel in the Lions' Den originates from the Book of Daniel in the Old Testament and remains one of the most powerful narratives of faith and perseverance within Christian tradition.
According to scripture, Daniel was condemned to be thrown into a den of lions after refusing to abandon his devotion to God. Through divine intervention, the lions did not harm him, and he emerged from the den unharmed. The episode became a symbol of unwavering faith, courage under persecution, and ultimate spiritual triumph.
During the nineteenth century, biblical paintings such as this enjoyed immense popularity throughout Britain. Religious art was frequently displayed in private homes, schools, chapels, and public institutions, serving as both decoration and moral instruction. The subject of Daniel in the Lions' Den was especially admired for its dramatic imagery and inspirational message.
Works depicting biblical narratives were collected not only for their decorative qualities but also for their moral and spiritual significance. Today, Victorian religious paintings remain highly sought after by collectors who appreciate their storytelling, symbolism, and historical connection to nineteenth-century faith and culture.
About the Artist
Isaac Findler was born in 1809 and lived in the Staffordshire village of Cheddleton near Leek. Although employed professionally as a house painter and decorator, he developed a reputation as a talented local artist producing landscapes, religious subjects, and sign painting.
It is believed that Findler dedicated increasing amounts of time to painting after his son assumed responsibility for the family decorating business during the late 1860s. He became known throughout the region for his distinctive and often highly individual artistic style.
In 1874 he held a public exhibition of his work in Leek, and examples of his paintings remain preserved within regional museum collections. Significantly, an earlier depiction of Daniel surrounded by lions painted by Findler in 1846 is held by Staffordshire County Museum, demonstrating the artist's longstanding fascination with this biblical narrative.
The present painting, dated 1881, would therefore represent a mature work executed during the latter years of his artistic career.
Signed
Signed lower left "Findler" and dated 1881. Part fof the signature and date is obscured by the frame.
The painting is offered as attributed to Isaac Findler based upon the visible signature, subject matter, stylistic characteristics, period, and comparison with documented works by the artist. The attribution is provided as a professional non guaranteed opinion based upon visual examination and available research.
Framed
Presented in an attractive traditional painted frame which complements the sombre palette and religious character of the painting.
The reverse retains a label for Sevenoaks Art Shop, Kent, reflecting a later framing history and demonstrating that the work has been professionally presented during its lifetime.
The painting is fitted with hanging cord and is ready for immediate display.
Size
Frame Dimensions
Height: 83.3 cm (32.8 inches)
Width: 67.4 cm (26.5 inches)
Depth: 2.5 cm (1 inch)
Canvas Dimensions
Height: 76 cm (29.9 inches)
Width: 60.5 cm (23.8 inches)
Provenance
Private Collection, United Kingdom.
Retaining a Sevenoaks Art Shop framing label to the reverse.
Sourced via Shropshire based auction house Halls Fine Art Auctionioneers
Curated by Cheshirer Antiques Consultant LTD
Privately Loaned and Exhibited with the Famous Lord Hill Museum
Research accompanying the work references the artist's documented exhibition history and the related Daniel in the Lions' Den composition held by Staffordshire County Museum.
Why You'll Love It
Attributed to the noted Staffordshire artist Isaac Findler (1809-1888)
Signed and dated 1881
Fine example of a Victorian religious narrative painting
Powerful biblical subject with enduring religious significance
Large and impressive display size with excellent wall presence
Striking use of light, shadow, and colour
Beautiful crimson robe creating a dramatic focal point
Rich Victorian atmosphere and storytelling
Strong decorative appeal for traditional, ecclesiastical, and country house interiors
Ideal for collectors of religious, biblical, Victorian, and provincial British art
Ready to hang and enjoy immediately
Condition Report
The painting is presented in good overall condition for its age.
The canvas remains stable and securely stretched. Relined and examination reveals age-related craquelure, surface wear, scuffs, scratches and small paint surface irregularities consistent with a nineteenth-century oil painting. The later added frame displays expected age-related wear, marks, and minor imperfections commensurate with age and handling. The work presents attractively and retains considerable visual impact when displayed.
Worldwide shipping available. Professionally packaged and fully insured for safe global delivery.
Reserve: $5,200.00
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Condition
Used
Buyer's Premium
20%
Victorian Biblical Narrative Oil Painting Daniel in the Lions Den c1881 Framed
Estimate $6,000-$7,000
Starting Price
$2,600
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10563
4.5
54756
Landscape, Cityscape & Decorative Art
Jul 05, 2026 1:00 PM EDTNew York, NY, United States
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