Song brocade Chair Shawl batch with dragon pattern in the Jiaqing period of the Qing Dynasty. Size: 70.9in×20.7in. The surface of the Chair Shawl batch is made of exquisite Song brocade. On this Chair Shawl batch, the theme pattern is the dragon pattern, and the dragon symbolizes imperial power, power and auspiciousness in Chinese culture. Dragon motifs are often of high aesthetic value, they are depicted lifelike, elegant, and three-dimensional. The dragon pattern is embroidered on the Chair Shawl pad, and the breathtaking dragon shape is outlined with richly colored silk threads. The colors are mainly dark red, dark blue, golden yellow and silvery white. These colors were regarded as a symbol of royalty and nobility in the Qing Dynasty, which strengthened the aristocratic atmosphere of the Chair Shawl batch. The Chair Shawl batch with dragon pattern in the Qing Dynasty is not only a decoration of the seat, but also a symbol of luxury and prosperity in the feudal society. It represents the top level of traditional Chinese handicrafts, and also reflects the cultural and aesthetic values at that time. Such a Chair Shawl batch is a collection with historical and artistic value. (Refer to: Beijing Poly Auction, Sotheby's Auction in the United States) After the Southern Song Dynasty moved its capital to Hangzhou, it set up the Song Brocade Weaving Department in Suzhou, and moved Chengdu's Shu brocade weavers and machines to Suzhou. The center of silk weaving industry gradually moved south. During the Song Dynasty, weaving bureaus or weaving services were set up in Suzhou, Hangzhou, Jiangning and other places. In the Song Dynasty, the silk weaving industry in the south of the Yangtze River entered its heyday, and a new kind of very thin brocade appeared in Suzhou. 清代 嘉庆 宋锦龙纹椅批，（参阅：北京保利拍卖，美国苏富比拍卖）

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