Description
George Morrison (Grand Portage Anishinaabe, 1919-2000). Watercolor and gouache on paper painting titled "Luminous Landscape," 1953. Featuring mosaic-like, interlocking shapes in bold red, muted gray, and olive tones along the lower half. The composition is divided by a sharp, sweeping yellow-orange horizon line stretching across the upper third. Signed and dated along the lower left.
With the following labels adhered along the verso:
Columbus Gallery of Fine Arts "316/60" or "3/6-60."
The American Federation of Arts, exhibited at Whitney Annual, 1956, lent by Grand Central Moderns, NYC from September, 1956 to September, 1958.
Art Lending Service of the Museum of Modern Art.
Ink stamped "Grand Central Moderns."
Exhibition: Whitney Museum of American Art, New York, NY, "1956 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings," April 18-June 10, 1956.
Lot Essay:
Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.
Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.” Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.
His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.
Sight; height: 19 in x width: 26 1/2 in. Framed; height: 29 in x width: 36 in x depth: 2 in.
With the following labels adhered along the verso:
Columbus Gallery of Fine Arts "316/60" or "3/6-60."
The American Federation of Arts, exhibited at Whitney Annual, 1956, lent by Grand Central Moderns, NYC from September, 1956 to September, 1958.
Art Lending Service of the Museum of Modern Art.
Ink stamped "Grand Central Moderns."
Exhibition: Whitney Museum of American Art, New York, NY, "1956 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings," April 18-June 10, 1956.
Lot Essay:
Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.
Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.” Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.
His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.
Sight; height: 19 in x width: 26 1/2 in. Framed; height: 29 in x width: 36 in x depth: 2 in.
Condition
The sheet is slightly toned and there is a light undulation. There are no visible tears, losses, or restorations. Framed under glass; some light wear to the frame. Not inspected out of frame.
Buyer's Premium
30%
George Morrison "Luminous Landscape" Painting 1953
Estimate $60,000-$80,000
Starting Price
$40,000
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This auction is curated by:
Sean BlanchetAsian Art Specialist
Robert SnellPaintings and Sculpture Specialist
Modern & Contemporary Masters
Sep 16, 2026, 11:00 AM EDTSt. Paul, MN, United States
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