Twenty books and booklets on Japanese Ceramics and Art

Includes 'A Potter in Japan' by Bernard Leach; 'Haniwa: The Clay Sculpture of Proto-Historic Japan' by Fumio Miki; 'The World of Japanese Ceramics' by Herbert H. Sanders; 'Shoji Hamada: A Potter's Way and Work' by Susan Peterson; 'Tamba Pottery: The Timeless Art of a Japanese Village' by Daniel Rhodes; 'The Ceramic Art of Japan: A Handbook for Collectors' by Hugo Munsterberg; 'Gonroku Matsuda Exhibition' catalog by The National Museum of Modern Art, Tokyo, 1978; 'Temmoku: A Study of the Ware of Chien' by James Marshall Plumer; 'Evolution of Contemporary Handicraft Artists in Kyoto and its Outlying Areas' by the World Crafts Council, 1978; 'Contemporary Ceramic Art of Japan' by Ministry of Foreign Affairs Japan, 1972; 'Japanese Pottery: Old and New' by The Detroit Institute of Arts; 'Taiyo Special Issue: The Heart of Japan IV - Tea' in Japanese by Hayashiya Tatsusaburo, Nakamura Masao, and Hayashiya Seizo, dated Autumn 1973; 'Hamada, Potter' by Bernard Leach; 'A Connoisseur's Guide to Japanese Ceramics' by Adalbert Klein; 'Genshoku Nihon no bijutsu 19: Togei' (Japanese Art in Full Color, Volume 19: Ceramics) published by Shogakukan; 'Japanese Ghosts and Demons' by George Braziller; Ukiyo-e to Shin hanga: The Art of Japanese Woodblock Prints' by Chris Uhlenbeck; 'Art of Japan' by Danielle and Vadime Elisseeff; 'Decorative Arts of Japan' by Kodansha International Ltd; and 'Prehistoric Japanese Arts: Jomon Pottery' by J. Edward Kidder. (20).

Please contact the Cataloging Department for additional natural light photographs of this lot:
Daniel Evensen: daniel@oakridgeauctiongallery.com
Barbara Song: barbara@oakridgeauctiongallery.com

Size
H: 14 1/2, W: 10 1/4, D: 1 1/2 in. (H: 36.8, W: 26, D: 3.8 cm (largest))

Condition
Condition varies by volume, most in overall good condition.

We make every reasonable effort to examine and describe the condition of each lot. Condition reports are provided for reference only and may not identify every defect. Buyers are advised to inspect each lot before bidding. A successful bid is final and binding, and bidders are responsible for their bidding decisions. 本行已盡力核查幷描述每件拍品的品相。品相報告僅供參考，未必能涵蓋所有瑕疵，買家應在拍前自行檢查。拍品一經落錘成交，不得反悔，競買人應對其競拍行為負責。

Provenance
Private collection, Charlottesville, Virginia