TOM LUDLAM DRYPOINT 1929

Emil Ganso (American 1895-1941)- ''Studio'' (Smith I-156B)- etching and drypoint, 1929, signed, titled and numbered 33/35 in pencil, good condition. 6 1/4 x 7 7/16''

Arthur Hall (American 20th c.)- ''Edge of Antibes''- drypoint, 1929, signed and annotated 'Ed. 75' in pencil, very good condition. 6 1/2 x 9''

Gene Kloss (American 1903-1996)- "In Claremont Hills" (Sanchez 148)- drypoint, 1929, signed in pencil, very good condition. 4 7/8 x 5 7/8"

Louis Conrad Rosenberg (American 1890-1983)- ''Street of Southwest Wing Tower''; ''Ontario Street #2''; ''Cut South of Central Avenue''; and ''New Track Level South of Huron Road''- 4 drypoint, 1929,

Jacques Villon (French 1875-1963)- ''Tete D'Homme'' (Ginestet & Pouillon E. 329)- etching and drypoint, 1929-30, signed in pencil, edition of 50. 7 x 6''

John Mac Gilchrist (American 1893-1977)- ''Spirit of St. Louis''- etching and drypoint, 1929, signed and titled in pencil, edition of 100. 8 x 9 7/8''

Samuel Chamberlain (1895-1975) ''Manhattan, Old and New'' (Chamberlain 81 iv/IV) drypoint, 1929, signed and numbered 35/100 in pencil, very good condition. 9 x 7''

Louis Conrad Rosenberg (American 1890-1983)- ''Demolition of Power Plant''; ''Kinsman Street Temporary Bridge''; ''Station and Prospect Avenue''; and ''Terminal Tower Site''- 4 drypoint, 1929, all sig

Samuel V. Chamberlain (American 1895-1975)- ''Curving Canyon, New York'' (Chamberlain 86)- drypoint, 1929, signed and numbered 93/100, very good condition. 8 1/2 x 5 3/4''

Title: Cathedrale Naturelle. (Suffolk, England.) Gerald K. Geerlings (1897-1998) Drypoint, 1929. Edition 37. Signed and titled in pencil. Image size 5 3/8 x 9 7/8" (13.5 x 25 cm). #10 in "Gerald K

Philip Kappel (United States) 1901-1981. Cargoes-West Indes Etching and drypoint, 1929. Ref: Crafton/American Etchers with illust. Ed: 35. Signed with pencil, l.r. Signed in the plate, Printed by the

Samuel V. Chamberlain American (1895-1975) Drizzly Morning in Chicago, 1929 drypoint etching pencil signed, titled and numbered 34/100 lower margin. Biography from Whistler House Museum of Art: Samuel

WILLIAM CHARLES MCNULTYNew York/Massachusetts, 1884-1963"Broadway, NYî, 1929. Edition of 75. Signed and titled in pencil lower margin.Drypoint, 10.5î x 7.25î. Framed 17.25î x

TITLE: Rare 1929 Drypoint Print Birger Sandzen (1871-1954) Signed SUBJECT ITEM: Fine Art Print ROCK BANK MEDIUM: Drypoint print on Paper DIMENSIONS: Sight 6 x 8 inches CIRCA: 1929 ATTRIBUTION: Birger

Very good sight condition, as shown. 1929 drypoint on paper by American artist Peggy Bacon (1895-1987) titled "Vanity", apparently one of thirty from this edition. Pencil signed and dated 1929. Bacon

"Soaring Steel" 1929 drypoint etching. Samuel V. Chamberlain was an accomplished etcher, lithographer, writer, teacher, and lecturer. He taught at the Massachusetts Institute of Technology and lecture

Tyson, Dorsey Potter (American 1891 - 1969). (1) The Gong Player. 1929. Drypoint etching with hand-coloring. Signed, dated, and editioned in pencil. Edition 19 of 100. Plate: 6" x 8". Framed. 15 3/4"

Richard Hayley Lever(1876-1958) NA , ROI, RBA, etching signed on lower right titled Sardine Boats, Concarneau, 1929. Drypoint zinc plate. Plate #36, Size 6x 8 inches. Ed. 10 . Provenance:Clayton Liber

I Like Diving, by Tom Eadie, 1929 Riverside Press. Eadie was a diver and associate of salvage expert Edward Ellsberg, and the recipient of both the Navy Cross and the Congressional Medal of Honor. Thi

Arthur William Hall (1889-1981) Sunny Balconies 1929 The drypoint etching signed by Hall in pencil below the image lower right and titled lower left in pencil is also initialed within the plate and da

Louis Icart (1888-1950)"Blue Alcove," 1929Etching, drypoint, and aquatint in colors on paperFrom the edition of unknown sizeSigned and numbered in pencil along the lower edge: Louis Icart /

Stastny, Joseph Jr. (American 1896-c.1980), Title: Shakespeare Sculpture in front of Carnegie Museum on Forbes Avenue, 1929, Medium: drypoint etching with aquatint, Dimensions: 5 x 5 inches, Edition:

Jules Pascin (French 1885-1930)- 1.)''Cendrillon''- etching and drypoint in colors, 1929 13 3/4 x 10'' 2.) ''Portrait of Pierre MacOrlan''- drypoint, ca. 1925, signed in pencil. 5 1/2 x 3 1/2'' Both i

Springtime in Paris (c.1932). Drypoint etching. 9" x 11". Unframed & unmatted. Chronies White Horse Tavern (1929-32). Drypoint etching. 8 1/2" x 9". Edition of 30. Signed. Unframed & unmatted. Percy A