Stan Bennett (20th Century) Californian

UNTITLED, kinetic metal wall sculpture with motors and chains and steel balls and stained glass, with artist’s placard, 36 3/4 x 44 1/2 x 8 1/2", in good working order. Provenance: acquired directly

20th century. The hexagonal planter with tapering sides having relief decoration, all in a celadon under glaze, mounted on a conforming wooden plinth. Measures 9 inches in height, 11 inches in width.

ABSTRACT, oil painting on canvas, signed lower right, signed on verso, 35 ¾ x 51 ¼”, framed, minor surface soiling, otherwise in studio condition.

THIS WAY, cut and doweled laminated wood sculpture, signed on stainless steel base, 83 x 32 x 13” including base.

THROUGH THE FIRE, 1995, welded steel sculpture, purportedly signed and dated 10/95 (not found), overall 50 x 27 x 29”.

F…I TOOK THE ONE, 1991, acrylic painting on canvas, initialed and dated on verso, 50 x 50”.

UNTITLED, acrylic painting on constructed wood panel, signed lower left, 12 x 24”, framed, with minor surface soiling and dust accumulation, otherwise in good studio condition.

CHAIR #6, 2004, hand-crafted glass and painted fabricated metal chair with cushion seat, signed and dated on glass, overall 50 x 24 x 16 ½”.

ABSTRACT FIGURE AS A VESSEL, I, 2001, welded bronze sculpture with patina, signed and numbered 1/24, size 14 1/2 x 3 3/4 x 4". Provenance: Gudmann/Slaughter Studio, Bodega, California; ten472 Contempo

RUNNING WITH THE HORSES, oil painting on canvas board, signed lower left, 14 x 18”, framed, in apparently good studio condition.

CAMPBELL SOUP FLAG, ceramic sculpture from broken vintage McCoy Company soup bowls, 27 ½ x 37 ½” including frame. A similar flag with an estimate of $400/600 from Tommy Hilfiger’s collection sol

Jo Ramirez MILAGRO (Downtown L. A.), 1998, acrylic painting on wood, signed and dated lower right, 40 x 21 ”, in good studio condition; Together with Alice Childrey MERRITT LAKE, OAKLAND, acrylic pa

STANFORD HILLS #81-1994, charcoal drawing on paper, initialed and dated in pencil lower left, 20 x 30”, framed. Provenance: Tatistcheff Gallery Inc. Los Angeles

STILL LIFE, color giclee with extensive acrylic painting, signed and numbered 41/295 lower left, with wavy wooden frame, overall 32 ½ x 26 ½ x 4 ½”.

SURFS UP; BEACH HOUSE, two color giclees with some acrylic painting, signed and numbered 26/295 & 3/295, both with wavy wooden frame, overall 12 x 14 x 2 ¾” & 14 x 12 x 2 ¾”. (2)

CROW, charcoal drawing on paper, signed lower right, sheet 36 x 22”, framed, in apparently good studio condition.

GRAFFITI, 2007, spray painting on canvas, signed on verso, 30 x 48”. Provenance: Scion Installations, Culver City.

UNTITLED, 1991, oil painting on copper over panel, signed and dated on verso, 24 x 24”, in good studio condition.

GIRL ON RAILING OF STAIRS, 1989, oil painting on canvas, initialed and dated lower left, 102 x 96”, in good studio condition.

FOLIO CONCRETIONS, 1992, four works, each encaustic and ceramic on layered stitched fabric with hand-made stitched linen portfolio case, signed, titled and dated on inside case cover, each component 7

HANDS, 2005, graphite and lacquer on wood panel, signed and dated on verso, 48 x 48”, in good studio condition.

UNTITLED (Seated Figures with Lambs), 2006, oil stick drawing on paper, signed lower right, sheet 17 x 20 1/4". Provenance: Rosamund Felson Gallery.

TRUE TREASURE, 2002, color giclee with extensive acrylic painting, signed and numbered 156/295 lower left, printed by Talon Graphics, with artist's wavy wooden frame with copyright branding, overall 3

NORTH SHORE CALLING, 2003, color giclee with extensive acrylic painting, signed and numbered 13/245 lower left, printed by Talon Graphics, with artist's wavy wooden frame with copyright branding, over