‘Heavenly Globe Vase’ and scroll topped Hindman’s Asian Works of Art sale

Chinese blue and white porcelain dragon bottle vase, which sold for $100,000 ($130,000 with buyer's premium) at Hindman.

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CHICAGO – Appraising Chinese porcelain is not an exact science, and most auction houses will choose to err on the side of caution when committing to a date. It’s why a blue and white bottle vase cataloged as early 20th century and given an estimate of $1,000-$1,500 can sell for $100,000 ($130,000 including buyer’s premium).

The subject of great speculation at Hindman’s September 27 Asian Works of Art sale was a finely potted 18in (45cm) tianqiuping or ‘heavenly globe vase’ decorated with a four-clawed sinuous dragon.

The form was first produced during the reigns of Yongle and Xuande, but the Qing emperors made it their own. Most carry dragon decoration.

The painterly rendition of the dragon to this vase — and the use of four rather than three or five claws — is a type associated with the Kangxi period (1662-1722). However, the auction house was not alone in thinking it was a good copy from the late Qing or the Republican period. It came for sale listed as ‘Property from a Midwestern Institution.’

The top lot in the Chicago auction was Civets, an ink and color on silk hanging scroll signed for the Southern Song (1165-1173) artist Mao Yi. Measuring 4ft 5in by 2ft, this image of domestic cats among chrysanthemums came by descent from the estate of Hisazo Nagatani (1905-1994), the well-known Japanese American collector, connoisseur and dealer who managed the famed Yamanaka & Co store on the Magnificent Mile until the firm was ordered to cease operations in 1942. Hisazo opened a gallery on North Michigan Avenue selling Asian works of art under his own name in 1944.

This particular scroll, one pictured and discussed in a number of scholarly catalogs in the early to mid-20th century (it was exhibited at the Osaka City Museum of Fine Arts in 1938), has an earlier provenance in Japan to Baron Dan Takuma (1858-1932), a director general of the zaibatsu (family conglomerate) Mitsui. Estimated at $50,000-$70,000, it hammered for $260,000 ($338,000 with buyer’s premium).

A late Qing pale celadon jade moon flask was consigned from the collection of Christopher and Genevieve McConnell and had been purchased during 1950-60s from the Gurie Gallery in Montreal. The dealership, the first in the city to focus on Chinese works of art, was opened by the Gurevich family, who moved to Canada from Harbin in northeastern China. Alex Gurevich (1929-1990) ran the store in the 1960s, sourcing objects through frequent visits to Hong Kong.

Measuring just above 8in high, this flask was carved to both sides with the central image of a Yin and Yang symbol. It hammered for $42,500 ($55,250 with buyer’s premium) against an estimate of $6,000-$8,000.

The top-selling jade was a matched pair of Jiaqing (1796-1820) mark and period bowls that came from a private collection in Atlanta. Worked in a pale celadon stone with white striations, these were estimated at $30,000-$40,000 and sold at $60,000 ($78,000 with buyer’s premium).

From the same ‘Midwestern institution’ as the blue and white bottle vase came a pair of Guangxu (1875-1908) mark and period blue and white covered boxes that hammered for $37,500 ($48,750 with buyer’s premium) against an estimate of $8,000-$12,000. Each slightly more than 10in across, the decorative scheme of a central shou character surrounded by five bats is one that conveys blessings of longevity.

The best Japanese woodblock prints are enjoying a strong moment in the market. Appearing in the September 27 sale was a copy of Fireworks at Ryogoku Bridge, the 98th and most celebrated image from the One Hundred Famous Views of Edo series by Ando Hiroshige (1797-1858). It hammered for $65,000 ($84,500 with buyer’s premium) against an estimate of $6,000-$8,000.

Fireworks were a regular feature of summer evenings on the Sumida River during the Edo period, with the entertainment centered at Ryōgoku Bridge. Hiroshige’s version of the scene shows all the elements of the setting — the restaurants for dining, the various river craft available for hire and the bridge itself — at a time when its days were numbered. Created in August 1858, with the arrival of the Meiji revolution, summer fireworks had been reduced to a single display at the time of Kawabiriki.

This fine signed and sealed impression was from the collection of the medical science and pharmacology entrepreneur Glen de Vries (1972-2021).
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Chinese blue and white porcelain dragon bottle vase, which sold for $100,000 ($130,000 with buyer’s premium) at Hindman.
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Bearing the signature of Mao Yi, ‘Civets’ sold for $260,000 ($338,000 with buyer’s premium) at Hindman.
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Chinese pale celadon jade moon flask, which sold for $42,500 ($55,250 with buyer’s premium) at Hindman.
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Matched pair of Chinese pale celadon jade bowls, which sold for $60,000 ($78,000 with buyer’s premium) at Hindman.
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Pair of Chinese blue and white porcelain covered boxes, which sold for $37,500 ($48,750 with buyer’s premium) at Hindman.
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Ando Hiroshige, ‘Fireworks at Ryogoku Bridge,’ which sold for $65,000 ($84,500 with buyer’s premium) at Hindman.
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Portia Harcus collection reflects a gallerist’s keen eye at Grogan and Co. Oct. 28

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BOSTON — For decades, Portia Harcus (1934-2022) was an esteemed Boston gallerist, championing new talent and helping them find new audiences through exhibitions and personal relationships with both clients and artists. Her recent passing has brought her personal collection to light at Grogan & Co. Its Saturday, October 28 sale titled The Collection of Portia Harcus shows the keen and patient eye of a seasoned art dealer and collector. The catalog is now available for bidding at LiveAuctioneers.

Harcus was a fan of Roy Lichtenstein (1923-1997), and the sale reflects that fact with eight items from his lengthy output. The lot with the highest estimate in the group and the sale overall is Lamp, a 1981 woodcut in colors signed and dated by Lichtenstein and numbered 1/30. It is estimated at $10,000-$20,000.

Another top lot is the River of Ponds III lithograph by Frank Stella (b. 1936-), which was a clear favorite of Harcus — she was photographed with this very piece in the image used for her obituary. River of Ponds III is from the Newfoundland series and is signed and dated 1971 and numbered 49/75. It carries an estimate of $8,000-$12,000.

Harcus was a collector of fine and historic photography as well. Animal Locomotion by Eadweard Muybridge (1830-1904) is a composite print showing two series of timed sequential images of athletes leap-frogging one another. Undated but probably from the 1880s or 1890s, the print is estimated at $200-$400.

Margaret Bourke-White (1904-1971) is one of the most celebrated photojournalists in American history. She took the photo used for the first issue of Life magazine, she captured the Depression-era soup line image Kentucky Flood, and as the first woman war correspondent, she was first to photograph liberated Nazi concentration camps. Her Workers at American Woolen Company silver gelatin print from the Harcus collection shows the genius of her work, combining humanity with the patterns of mechanical automation. It is estimated at $800-$1,200.
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Roy Lichtenstein,’ Lamp,’ estimated at $10,000-$20,000 at Grogan & Company.
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Frank Stella, ‘River of Ponds III’ (from the Newfoundland series), estimated at $8,000-$12,000 at Grogan & Company.
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Eadweard Muybridge, ‘Animal Locomotion,’ estimated at $200-$400 at Grogan & Company.
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Margaret Bourke-White, ‘Workers at American Woolen Company,’ estimated at $800-$1,200 at Grogan & Company.
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Neil Welliver, ‘Duck Trap,’ estimated at $1,500-$2,500 at Grogan & Company.
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Ralph Steiner, ‘Clothesline Crossing,’ estimated at $800-$1,200 at Grogan & Company.
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Bid Smart: René Boivin’s unique sparkle shines through in his jewelry

This circa-1935 sapphire ring from the House of Boivin achieved €110,000 ($116,062) plus the buyer’s premium in July 2022. Image courtesy of Tajan and LiveAuctioneers.

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This circa-1935 sapphire ring from the House of Boivin achieved €110,000 ($116,062) plus the buyer’s premium in July 2022. Image courtesy of Tajan and LiveAuctioneers.

This circa-1935 sapphire ring from the House of Boivin achieved €110,000 ($116,062) plus the buyer’s premium in July 2022. Image courtesy of Tajan and LiveAuctioneers.

NEW YORK —  French goldsmith and engraver René Boivin (1864-1917) built an impressive company that was one of the leading European jewelry houses in the 20th century. Known for his striking designs that went against the naturalistic look that prevailed during the Art Nouveau era, Boivin was celebrated for his unusual choice of materials and his wildly imaginative pieces. The Maison Boivin (House of Boivin) continued in business for decades after his death under his wife Jeanne Boivin’s leadership, and she held true to his legacy, creating many inventive compositions that blended semi-precious stones or pearls with materials such as enamel, rock crystal and hardstones.

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