Black American history is brought to life at Freeman’s Hindman Feb. 27

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CINCINNATI — Freeman’s Hindman’s American Historical Ephemera and Early Photography sale on Tuesday, February 27 features documents, historical artifacts, and photography from throughout American history, with a focus on the pioneering figures and key moments that shaped the African American experience during the last 300 years. The complete catalog is available for bidding at LiveAuctioneers.

The leading lot of the sale is Roll, Jordan, Roll, number 122 of a total press run of 350 books signed by author Julia Peterkin and photographer Doris Ulmann. Published by Robert O. Ballou in 1933, the book is a sympathetic and non-stereotypical view of former slaves living in the Gullah coastal region of South Carolina. It carries an estimate of $8,000-$10,000.

A Reconstruction-era broadside political poster alerting voters to how their votes would be interpreted with regard to ‘Negro suffrage’ is another top lot. It reads in part, “Every Republican vote is a vote for Negro suffrage / In favor of Congress compelling us to let the Negro vote.” Published by the Democratic campaign of Charles T. Molony, his message was apparently heard as he went on to win his New Jersey State Assembly race. The broadside is in fair condition with some areas of loss; its estimate is $7,000-$9,000.

Another New Jersey-related item focuses on the Republican Party’s attempt to push voting rights for Black males in the 1868 election. It is estimated at $3,000-$4,000.

Maria Howard Weeden (1847-1905) was an Alabama-based poet and artist who published and signed her works as ‘Howard’ Weeden. Her sympathetic portraiture of emancipated Blacks earned her great respect throughout her career, and even exhibitions in Europe. This watercolor of an elderly woman has an estimate of $5,000-$7,000.

This carte de visite of Frederick Douglass was imaged by J. B. Roberts around 1867 at his Rochester studio, located at 58 State Street. The lot notes describe it as “Possibly a previously unknown image”, though it resembles another image in the Rochester Public Library collection. It is estimated at $2,000-$3,000.
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‘Roll, Jordan, Roll,’ estimated at $8,000-$10,000 at Freeman’s Hindman.
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‘Attention! Voters! Don’t Be Deceived’ political poster, estimated at $7,000-$9,000 at Freeman’s Hindman.
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‘The Two Records. Voters. Read and Remember’ political tract, estimated at $3,000-$4,000 at Freeman’s Hindman.
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Maria Howard Weeden portrait of an elderly woman, estimated at $5,000-$7,000 at Freeman’s Hindman.
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Carte de visite of Frederick Douglass, estimated at $2,000-$3,000 at Freeman’s Hindman.
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1852 copy of immortal Frederick Douglass speech commands $86K at Schultz

‘Oration Delivered in Corinthian Hall, Rochester,’ a limited edition copy of the text of the speech later known as ‘What to the Slave is Your Fourth of July?’, given by Frederick Douglass on July 5, 1852 and printed by Lee Mann & Co. It hammered for $69,000 and sold for $86,250 with buyer’s premium at Schultz Auctioneers.

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CLARENCE, N.Y. – A contemporary printing of one of the most famous speeches given by abolitionist Frederick Douglass (1818-1895) sold for well above its estimate at Schultz Auctioneers on November 25, during the second day of a three-day sale. The copy of the 10,000-word speech given at Corinthian Hall, Rochester, New York in 1852 was issued shortly afterwards by local printer Lee Mann & Co. Estimated at $1,000-$3,500, it hammered for $69,000 and sold for $86,250 with buyer’s premium.

Douglass had been invited to address the citizens of his hometown on July 5, 1852 by a local women’s abolitionist group, the Rochester Anti-Slavery Sewing Society. Issued the day after the nation celebrated the 76th anniversary of the signing of the Declaration of Independence, he used the occasion to focus on the continuing enslavement of millions.

“What to the Slave is Your Fourth of July?” he asked. “The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me. The sunlight that brought life and healing to you, has brought stripes and death to me.” 

His polemic continued. “I do not hesitate to declare, with all my soul, that the character and conduct of this nation never looked blacker to me than on this 4th of July! Whether we turn to the declarations of the past, or to the professions of the present, the conduct of the nation seems equally hideous and revolting. America is false to the past, false to the present, and solemnly binds herself to be false to the future.”

After giving the speech, some 700 copies of this pamphlet, titled Oration Delivered in Corinthian Hall, Rochester, were sold to members of the audience, while an advertisement run later in the month in the North Star, the Rochester, New York-based anti-slavery newspaper Douglass published, read: “The 4th of July Address, delivered in Corinthian Hall, by Frederick Douglass, is published on good paper, and makes a neat pamphlet of forty pages. The ‘Address’ may be had at this office, price ten cents, a single copy, or six dollars per hundred.” The speech has since taken its name from Douglass’s pointed question, “What to the Slave is Your Fourth of July?”

The pamphlet survives in a number of institutional collections, but is rare at auction. A stamp to one of the pages of the Schultz copy suggested it was formerly part of the collection of a local historical society, the Clarence Historical Museum in Clarence, New York, about 56 miles west of Rochester. It was intact, but some of the pages were soiled. 

Another object that features in many of the nation’s museum collections is the 10in-high Heathen Chinee pitcher made by the Union Porcelain Works in Greenpoint, Long Island. Designed by the German-born modeler Karl L.H. Miller, its name comes from a hugely popular Bret Harte (1836-1902) poem of 1870, Plain Language from Truthful James (or The Heathen Chinee), chronicling life in the mining camps on the West Coast. 

To one side are the characters of King Gambrinus, patron saint of beer, and Brother Jonathan, the symbolic forerunner of Uncle Sam, taken from a popular story by Charles Deulin published in 1868. To the other are the frontiersman Bill Nye and the Chinese immigrant Ah Sin from The Heathen Chinee. Harte had written his narrative poem to challenge the prejudice and hypocrisy aimed at Chinese laborers in California. Instead, to his dismay, it had simply fueled xenophobia. 

Pitchers of this type were exhibited at the 1876 Philadelphia Centennial Exposition. This example, with a blue ground and some restoration to the spout, was estimated at $500-$1,000, but it hammered for $4,250 and sold for $5,312 with buyer’s premium.

Aided by the skills of highly trained émigré craftsmen from France and Germany, New York City emerged as the center for the production of luxury furniture, interior woodwork, and decoration in the 1800s. Dating from circa 1875 and the subject of strong bidding competition was a remarkable center table in the Renaissance Revival taste. Likely made by one of the top-drawer Union Square firms that prospered in the boom years of the late 19th century – Schastey, Herter Brothers or Pottier & Stymus – it featured monopedia supports capped by female masks and a blaze of floral marquetry to the frieze and top. Just the thing for a wealthy Gilded Age financier or railroad magnate, it hammered for $34,000 and sold for $42,500 with buyer’s premium against an estimate of $2,000-$3,000. 

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‘Oration Delivered in Corinthian Hall, Rochester,’ a limited edition copy of the text of the speech later known as ‘What to the Slave is Your Fourth of July?’, given by Frederick Douglass on July 5, 1852 and printed by Lee Mann & Co. It hammered for $69,000 and sold for $86,250 with buyer’s premium at Schultz Auctioneers.
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Another angle on ‘Oration Delivered in Corinthian Hall, Rochester,’ a limited edition copy of the text of the speech later known as ‘What to the Slave is Your Fourth of July?’, given by Frederick Douglass on July 5, 1852 and printed by Lee Mann & Co. It hammered for $69,000 and sold for $86,250 with buyer’s premium at Schultz Auctioneers.
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Heathen Chinee pitcher made by the Union Porcelain Works, which hammered for $4,250 and sold for $5,312 with buyer’s premium at Schultz Auctioneers.
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Renaissance Revival center table in the manner of the Herter Brothers, pictured with a detail of the table’s top, which hammered for $34,000 and sold for $42,500 with buyer’s premium at Schultz Auctioneers.
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Henry Louis Gates Jr. co-curates Frederick Douglass show at Wadsworth

George Kendall Warren, ‘Frederick Douglass,’ 1879. Albumen print on Cabinet Card. The Amistad Center for Art & Culture. Courtesy of the Wadsworth Atheneum Museum of Art
George Kendall Warren, ‘Frederick Douglass,’ 1879. Albumen print on Cabinet Card. The Amistad Center for Art & Culture. Courtesy of the Wadsworth Atheneum Museum of Art
George Kendall Warren, ‘Frederick Douglass,’ 1879. Albumen print on Cabinet Card. The Amistad Center for Art & Culture. Courtesy Wadsworth Atheneum Museum of Art

HARTFORD, Conn. — A new exhibition exploring the reflections of Frederick Douglass on image-making, race and citizenship has opened at the Wadsworth Atheneum Museum of Art and the Amistad Center for Art & Culture. Co-curated by Henry Louis Gates, Jr. and Sarah Elizabeth Lewis, the exhibition brings together rare 19th-century daguerreotypes — on public view for the first time — with an immersive film work by contemporary artist Sir Isaac Julien that meditates on Douglass’ life and times. I Am Seen…Therefore, I Am: Isaac Julien and Frederick Douglass is on view through September 24.

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African Americana takes center stage at Hindman, Feb. 23

Frederick Douglass, photographed by Samuel Montague, February 1864, est. $2,500-$3,500
Frederick Douglass, photographed by Samuel Montague, February 1864, est. $2,500-$3,500
Frederick Douglass, photographed by Samuel Montague, February 1864, est. $2,500-$3,500

CINCINNATI – Hindman will offer more than 300 lots detailing the African American experience in the United States from the Antebellum period through the Civil Rights movement to the modern day in its February 23 African Americana auction. The sale brings together property from several important collections and estates, most notably the estate of Ambassador Edward J. Perkins of Washington, DC, who served as US Ambassador to Liberia, South Africa, the United Nations and Australia, as well as the collection of Tom Charles Huston, which features 19th and 20th-century political imprints and ephemera. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Swann’s African Americana auction launches March 25

Frederick Douglass, photograph by Samuel M. Fassett, 1878. $15,000-$25,000. Image courtesy Swann’s Auction Galleries
Dr. Martin Luther King, Jr., early draft, 'Letter from Birmingham Jail,' 1963, $15,000-25,000. Image courtesy Swann's Auction Galleries
Dr. Martin Luther King, Jr., early draft, ‘Letter from Birmingham Jail,’ 1963, $15,000-$25,000. Image courtesy Swann’s Auction Galleries

NEW YORK — Printed and manuscript African Americana is featured in Swann Galleries upcoming auction, launching Thursday, March 25 at 10:30 a.m. Eastern. The sale includes an exceptional offering of material with highlights from important figures and historical movements, including Frederick Douglass; slavery and abolition; the civil rights movement, with items relating to Dr. Martin Luther King, Jr.; and Black Panthers. Online bidding will be provided by LiveAuctioneers.com.Continue reading

Swann sets record for Frederick Douglass autograph at $112K

Frederick Douglass, Autograph Letter Signed, to Sallie Holley recruiting her for the Frederick $112,500 C Douglass Paper, 1851. Image courtesy Swann Auction Galleries
Frederick Douglass, Autograph Letter Signed, to Sallie Holley recruiting her for the Frederick $112,500 C Douglass Paper, 1851. Image courtesy Swann Auction Galleries
Frederick Douglass, autograph letter signed, 1851, $112,500. Image courtesy Swann Auction Galleries

NEW YORK — Swann Galleries closed out February with an exceptional sale of Fine Books & Autographs, which saw a 90% sell-through rate and exceeded the total high estimate, bringing in $522,632. The auction brought forth historic autographs from political figures and celebrities alike, as well as first editions from the nineteenth and twentieth centuries.

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