1852 copy of immortal Frederick Douglass speech commands $86K at Schultz

‘Oration Delivered in Corinthian Hall, Rochester,’ a limited edition copy of the text of the speech later known as ‘What to the Slave is Your Fourth of July?’, given by Frederick Douglass on July 5, 1852 and printed by Lee Mann & Co. It hammered for $69,000 and sold for $86,250 with buyer’s premium at Schultz Auctioneers.

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CLARENCE, N.Y. A contemporary printing of one of the most famous speeches given by abolitionist Frederick Douglass (1818-1895) sold for well above its estimate at Schultz Auctioneers on November 25, during the second day of a three-day sale. The copy of the 10,000-word speech given at Corinthian Hall, Rochester, New York in 1852 was issued shortly afterwards by local printer Lee Mann & Co. Estimated at $1,000-$3,500, it hammered for $69,000 and sold for $86,250 with buyer’s premium.

Douglass had been invited to address the citizens of his hometown on July 5, 1852 by a local women’s abolitionist group, the Rochester Anti-Slavery Sewing Society. Issued the day after the nation celebrated the 76th anniversary of the signing of the Declaration of Independence, he used the occasion to focus on the continuing enslavement of millions.

“What to the Slave is Your Fourth of July?” he asked. “The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me. The sunlight that brought life and healing to you, has brought stripes and death to me.” 

His polemic continued. “I do not hesitate to declare, with all my soul, that the character and conduct of this nation never looked blacker to me than on this 4th of July! Whether we turn to the declarations of the past, or to the professions of the present, the conduct of the nation seems equally hideous and revolting. America is false to the past, false to the present, and solemnly binds herself to be false to the future.”

After giving the speech, some 700 copies of this pamphlet, titled Oration Delivered in Corinthian Hall, Rochester, were sold to members of the audience, while an advertisement run later in the month in the North Star, the Rochester, New York-based anti-slavery newspaper Douglass published, read: “The 4th of July Address, delivered in Corinthian Hall, by Frederick Douglass, is published on good paper, and makes a neat pamphlet of forty pages. The ‘Address’ may be had at this office, price ten cents, a single copy, or six dollars per hundred.” The speech has since taken its name from Douglass’s pointed question, “What to the Slave is Your Fourth of July?”

The pamphlet survives in a number of institutional collections, but is rare at auction. A stamp to one of the pages of the Schultz copy suggested it was formerly part of the collection of a local historical society, the Clarence Historical Museum in Clarence, New York, about 56 miles west of Rochester. It was intact, but some of the pages were soiled. 

Another object that features in many of the nation’s museum collections is the 10in-high Heathen Chinee pitcher made by the Union Porcelain Works in Greenpoint, Long Island. Designed by the German-born modeler Karl L.H. Miller, its name comes from a hugely popular Bret Harte (1836-1902) poem of 1870, Plain Language from Truthful James (or The Heathen Chinee), chronicling life in the mining camps on the West Coast. 

To one side are the characters of King Gambrinus, patron saint of beer, and Brother Jonathan, the symbolic forerunner of Uncle Sam, taken from a popular story by Charles Deulin published in 1868. To the other are the frontiersman Bill Nye and the Chinese immigrant Ah Sin from The Heathen Chinee. Harte had written his narrative poem to challenge the prejudice and hypocrisy aimed at Chinese laborers in California. Instead, to his dismay, it had simply fueled xenophobia. 

Pitchers of this type were exhibited at the 1876 Philadelphia Centennial Exposition. This example, with a blue ground and some restoration to the spout, was estimated at $500-$1,000, but it hammered for $4,250 and sold for $5,312 with buyer’s premium.

Aided by the skills of highly trained émigré craftsmen from France and Germany, New York City emerged as the center for the production of luxury furniture, interior woodwork, and decoration in the 1800s. Dating from circa 1875 and the subject of strong bidding competition was a remarkable center table in the Renaissance Revival taste. Likely made by one of the top-drawer Union Square firms that prospered in the boom years of the late 19th century – Schastey, Herter Brothers or Pottier & Stymus – it featured monopedia supports capped by female masks and a blaze of floral marquetry to the frieze and top. Just the thing for a wealthy Gilded Age financier or railroad magnate, it hammered for $34,000 and sold for $42,500 with buyer’s premium against an estimate of $2,000-$3,000. 

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‘Oration Delivered in Corinthian Hall, Rochester,’ a limited edition copy of the text of the speech later known as ‘What to the Slave is Your Fourth of July?’, given by Frederick Douglass on July 5, 1852 and printed by Lee Mann & Co. It hammered for $69,000 and sold for $86,250 with buyer’s premium at Schultz Auctioneers.
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Another angle on ‘Oration Delivered in Corinthian Hall, Rochester,’ a limited edition copy of the text of the speech later known as ‘What to the Slave is Your Fourth of July?’, given by Frederick Douglass on July 5, 1852 and printed by Lee Mann & Co. It hammered for $69,000 and sold for $86,250 with buyer’s premium at Schultz Auctioneers.
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Heathen Chinee pitcher made by the Union Porcelain Works, which hammered for $4,250 and sold for $5,312 with buyer’s premium at Schultz Auctioneers.
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Renaissance Revival center table in the manner of the Herter Brothers, pictured with a detail of the table’s top, which hammered for $34,000 and sold for $42,500 with buyer’s premium at Schultz Auctioneers.
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Outstanding single-owner majolica collection offered at Strawser, Aug. 23

Minton Majolica cobalt teapot, modeled as a flat iron, estimated at $20,000-$25,000
Minton Majolica cobalt teapot, modeled as a flat iron, estimated at $20,000-$25,000
Minton Majolica cobalt teapot, modeled as a flat iron, estimated at $20,000-$25,000

WOLCOTTVILLE, Ind. – Strawser Auction Group will hold the first of three sales dedicated to the outstanding majolica collection of Ed Flower (1929-2022) and his wife Marilyn (1930-2017) on Wednesday, August 23, online and live in the Holiday Inn ballroom at 1750 Sumneytown Pike in Kulpsville, Penn. The auction will begin at 10 am Eastern time. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Andrew Clemens bottle, marine art top sellers at Doyle events

Detail of Andrew Clemens sand art bottle with Centennial imagery, $113,400. Images courtesy of Doyle and LiveAuctioneers
Left, Andrew Clemens sand art bottle with Centennial imagery, $113,400; Right, Alfred Thompson Bricher, ‘Cliffs off Grand Manan Island,’ $44,100. Images courtesy of Doyle and LiveAuctioneers
Left, Andrew Clemens sand art bottle with Centennial imagery, $113,400; Right, Alfred Thompson Bricher, ‘Cliffs off Grand Manan Island,’ $44,100. Images courtesy of Doyle and LiveAuctioneers

NEW YORK – Doyle held a successful auction of American Furniture, Silver, Decorative Arts, and Folk Art on May 2, and enjoyed triumph anew the next day with its American Paintings & Prints sale on May 3. Continue reading

Circa-1820 Quebec armoire at forefront of Miller & Miller May 13 sale

Circa-1820 Quebec armoire, the case, doors, cornice, frieze, and stiles all in a strong alligatored yellow paint, earning it the family nickname Armoire Crocodile, estimated at CA$30,000-$40,000
Circa-1820 Quebec armoire, the case, doors, cornice, frieze, and stiles all in a strong alligatored yellow paint, earning it the family nickname Armoire Crocodile, estimated at CA$30,000-$40,000
Circa-1820 Quebec armoire, the case, doors, cornice, frieze and stiles all in a strong alligatored yellow paint, earning it the family nickname Armoire Crocodile, estimated at CA$30,000-$40,000

NEW HAMBURG, Canada – For the first time, Miller & Miller Auctions, Ltd. will leave its home province of Ontario to venture into Quebec, and with good reason. The firm will auction the outstanding Jean-Marc and Danielle Belzile collection of 18th- and 19th-century Quebec furniture, folk art, sculpture and Canadiana on Saturday, May 13. Instead of an online-only sale, Miller & Miller will hold the event live at the Marriott Courtyard West Island/Baie-d’Urfe in Quebec (20000 Route Transcanadienne, Baie-d’Urfe, QC H9X 0B3), starting at 9 am Eastern time, as well as online. Absentee and Internet live bidding will be available through LiveAuctioneers. All estimates quoted are in Canadian dollars.

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Property from LA’s iconic Antiquarian Traders heads to auction, May 19

Lalique “Cactus” table. Mid-20th century 29″ H x 52″ Dia. $10,000-$20,000

LOS ANGELES – On May 19, ThreeSixty Asset Advisors and John Moran Auctioneers will conduct their first of two court-ordered auctions featuring property from the iconic Los Angeles art and design dealer, Antiquarian Traders. The sale will offer more than 500 lots, including an impressive selection of Continental and American furniture and decorative arts, in styles inclusive of Art Deco, Renaissance Revival, Eastlake, Art Nouveau and Victorian. Bid absentee or live online through LiveAuctioneers.

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Thornton Dial’s ‘Struggling Tiger’ leaps to the top at Ahlers & Ogletree

Thornton Dial, ‘Struggling Tiger (The Tiger Penned In),’ $84,700
Thornton Dial, ‘Struggling Tiger (The Tiger Penned In),’ $84,700
Thornton Dial, ‘Struggling Tiger (The Tiger Penned In),’ $84,700

ATLANTA – A 1991 mixed media painting by Thornton Dial (American, 1928-2016) titled Struggling Tiger sold for $84,700, and a Tiffany Studios favrile glass door from the 1920s titled The Sower, brought $51,425 to take top lot honors in Ahlers & Ogletree’s New Year’s Signature Estates Auction held January 14-16.

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