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Salvador Dalí (1904-1989) Petits Nus d 'Apollinaire (Field 72-4B; M&L 202): Salvador Dalí (1904-1989)Petits Nus d 'Apollinaire (Field 72-4B; M&L 202)Etching with drypoint hand-finished with watercolour and gold, 1972, signed in pencil, numbered from the edition of 95, printe

2026

Salvador Dalí (1904-1989) Petits Nus d 'Apollinaire (Field 72-4B; M&L 202)

Henry Moore (1898-1986) Mother and Child XXII (Cramer 692): Henry Moore (1898-1986)Mother and Child XXII (Cramer 692)Etching, 1983, signed in pencil, numbered from the edition of 65, printed by James Crossley, London, published by Raymond Spencer Company Ltd.

2026

Henry Moore (1898-1986) Mother and Child XXII (Cramer 692)

Salvador Dalí (1904-1989) Judgement, from Historia de Don Quichotte de la Mancha (Field 80-1M; not: Salvador Dalí (1904-1989)Judgement, from Historia de Don Quichotte de la Mancha (Field 80-1M; not in M&L)Etching with aquatint printed in colours, 1980, signed and inscribed 'H.C.' in pencil, numbere

2026

Salvador Dalí (1904-1989) Judgement, from Historia de Don Quichotte de la Mancha (Field 80-1M; not

Salvador Dalí (1904-1989) Golden Gate Bridge, from San Francisco (Field 70-4E; M&L437d): Salvador Dalí (1904-1989)Golden Gate Bridge, from San Francisco (Field 70-4E; M&L437d)Etching, 1970, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 150, printed by

2026

Salvador Dalí (1904-1989) Golden Gate Bridge, from San Francisco (Field 70-4E; M&L437d)

Salvador Dalí (1904-1989) Hasta ensordecer, Plate 28 from Les Caprices De Goya de Dalí (Field: Salvador Dalí (1904-1989)Hasta ensordecer, Plate 28 from Les Caprices De Goya de Dalí (Field 77-53; M&L 875)Etching with aquatint printed in colours, 1977, signed in pencil, numbered from the editio

2026

Salvador Dalí (1904-1989) Hasta ensordecer, Plate 28 from Les Caprices De Goya de Dalí (Field

Salvador Dalí (1904-1989) Figure rouge avec portrait de Quevedo (Field 75-5C; M&L 771b): Salvador Dalí (1904-1989)Figure rouge avec portrait de Quevedo (Field 75-5C; M&L 771b)Etching with pochoir printed in colours, 1975, signed in pencil, numbered from the edition of 100, printed by Ate

2026

Salvador Dalí (1904-1989) Figure rouge avec portrait de Quevedo (Field 75-5C; M&L 771b)

Elisabeth Frink (1930-1993) Miller's Tale II, from The Canterbury Tales II (Wiseman 61): Elisabeth Frink (1930-1993)Miller's Tale II, from The Canterbury Tales II (Wiseman 61)Etching with aquatint, 1972, signed and titled in pencil, numbered from the edition of 50, printed by White Ink, p

2026

Elisabeth Frink (1930-1993) Miller's Tale II, from The Canterbury Tales II (Wiseman 61)

Salvador Dalí (1904-1989) Lady Dulcinea, from Historia de Don Quichotte de la Mancha (Field 80-1B;: Salvador Dalí (1904-1989)Lady Dulcinea, from Historia de Don Quichotte de la Mancha (Field 80-1B; not in M&L)Etching with aquatint printed in colours, 1980, signed and inscribed 'H.C.' in pencil, num

2026

Salvador Dalí (1904-1989) Lady Dulcinea, from Historia de Don Quichotte de la Mancha (Field 80-1B;

Salvador Dalí (1904-1989) I am my beloved, my beloved is mine: he feedeth among the lillies, from: Salvador Dalí (1904-1989)I am my beloved, my beloved is mine: he feedeth among the lillies, from Songs of Songs of Solomon (Field 71-17J; M&L 477c)Etching with extensive hand colouring with gold dust

2026

Salvador Dalí (1904-1989) I am my beloved, my beloved is mine: he feedeth among the lillies, from

Anthony Gross (1905-1984) Children and Fences (Herdman 3005): Anthony Gross (1905-1984)Children and Fences (Herdman 3005)Etching, 1930, signed and titled in pencil, numbered from the edition of 40, on wove paper, with full margins, sheet 257 x 330mm (10 1/8 x 13

2026

Anthony Gross (1905-1984) Children and Fences (Herdman 3005)

Salvador Dalí (1904-1989) I went down into the garden of nuts to see the fruits, from Songs of: Salvador Dalí (1904-1989)I went down into the garden of nuts to see the fruits, from Songs of Songs of Solomon (Field 71-17K; M&L 478c)Etching with extensive hand colouring with gold dust, 1971, sign

2026

Salvador Dalí (1904-1989) I went down into the garden of nuts to see the fruits, from Songs of

George Washington Lord Cornwallis Surrender 1800s Etching Custom Framed Artwork: George Washington Lord Cornwallis Surrender 1800s Etching Custom Framed Artwork Capture a piece of history with this original etching depicting the surrender of Lord Cornwallis to President George Was

2026

George Washington Lord Cornwallis Surrender 1800s Etching Custom Framed Artwork

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Salvador Dalí (Spanish, 1904-1989) Frontispiece, from The Twelve Tribes of Israel Etching w...: Salvador Dalí (Spanish, 1904-1989) Frontispiece, from The Twelve Tribes of Israel Etching with pochoir in colours, 1972, on wove paper, signed and numbered 35/60 in pencil, published by Transworl

2026

Salvador Dalí (Spanish, 1904-1989) Frontispiece, from The Twelve Tribes of Israel Etching w...

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Samuel Palmer (British, 1805-1881) The Early Ploughman Etching, 1861, on laid paper, probably th...: Samuel Palmer (British, 1805-1881) The Early Ploughman (Lister E9) Etching, 1861, on laid paper, probably the fifth state of nine, with the third cypress sharply pointed and the patch of white on the

2026

Samuel Palmer (British, 1805-1881) The Early Ploughman Etching, 1861, on laid paper, probably th...

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Adrian George (British, 1944-2021) Girl Standing Etching, 1980, on wove paper, signed, dated and...: Adrian George (British, 1944-2021) Girl Standing Etching, 1980, on wove paper, signed, dated and numbered 13/50 in pencil, printed by James Collyer and Jhon Crossley, with their blindstamp, the full s

2026

Adrian George (British, 1944-2021) Girl Standing Etching, 1980, on wove paper, signed, dated and...

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Georges Rouault (French, 1871-1958) En tant d'ordres divers le beau métier d'ensemencer une...: Georges Rouault (French, 1871-1958) En tant d'ordres divers le beau métier d'ensemencer une terre hostile, from Miserere (Chapon 75) Etching, aquatint and drypoint, 1926, on Arches wove paper, wi

2026

Georges Rouault (French, 1871-1958) En tant d'ordres divers le beau métier d'ensemencer une...

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Sir Eduardo Paolozzi (1924-2005) Les Chants de Maldoror, Ducasse, from Six Artist's Portfolio Et...: Sir Eduardo Paolozzi (1924-2005) Les Chants de Maldoror, Ducasse, from Six Artist's Portfolio Etching with hand-colouring, 1992, on wove paper, signed, dated and numbered VI/X in pencil, an artist's p

2026

Sir Eduardo Paolozzi (1924-2005) Les Chants de Maldoror, Ducasse, from Six Artist's Portfolio Et...

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Augustus Edwin John O.M., R.A. (British, 1878-1961) Head of Stephen Granger Drypoint etching,...: Augustus Edwin John O.M., R.A. (British, 1878-1961) Head of Stephen Granger Drypoint etching, circa 1906, on laid paper, signed in pencil, with margins, framed Plate 126 x 115mm (5 x 4 1/2in) She

2026

Augustus Edwin John O.M., R.A. (British, 1878-1961) Head of Stephen Granger Drypoint etching,...

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Marc Chagall (Russian/French, 1887-1985) L'Avare qui a perdu son trésor, from Les Fables de...: Marc Chagall (Russian/French, 1887-1985) L'Avare qui a perdu son trésor, from Les Fables de La Fontaine (Cramer 22) Etching, 1927, on Montval laid paper, from the unnumbered edition, printed by M

2026

Marc Chagall (Russian/French, 1887-1985) L'Avare qui a perdu son trésor, from Les Fables de...

Dino Corrado Giaci (1953) - Fountain of Neptune: Etching on paper. Dimensions: 9 x 6 cm. Signed and numbered in pencil.

2026

Dino Corrado Giaci (1953) - Fountain of Neptune

Templum Fine Art Auctions

Dino Corrado Giaci (1953) - Gate of Retreat: Etching on paper. Dimensions: 13 x 9 cm. Signed and numbered in pencil.

2026

Dino Corrado Giaci (1953) - Gate of Retreat

Templum Fine Art Auctions

§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021): DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) JAPANESE GARDEN, KYOTO (ALLAN 55) - 1992 Etching, 17/50, signed and numbered in pencil to margin, published

2026

§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021)

Lyon & Turnbull

§ CALLUM INNES (SCOTTISH 1962-): CALLUM INNES (SCOTTISH 1962-) IV - 2004 Photopolymer etching, P/P 2, signed, titled and editioned in pencil to margin the sheet 48.5cm x 44cm (19in x 17.25in)

2026

§ CALLUM INNES (SCOTTISH 1962-)

Lyon & Turnbull

§ PHILIP REEVES R.S.A., R.S.W., A.R.C.A., R.G.I. (SCOTTISH 1931-2017): PHILIP REEVES R.S.A., R.S.W., A.R.C.A., R.G.I. (SCOTTISH 1931-2017) CHANIA: ECLIPSE Etching, 42/150, signed, titled and numbered in pencil to margin 44.5cm x 62cm (17.5in x 24.5in)

2026

§ PHILIP REEVES R.S.A., R.S.W., A.R.C.A., R.G.I. (SCOTTISH 1931-2017)

Lyon & Turnbull

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