(2 Pc) Neo-classical Framed Plaster Intaglios

DESCRIPTION: (2 Pc) A pair of Neo-classical framed plaster intaglios. Depicting a pair of horses and a male bust. Engraved during antiquity to honor heroes and historical events, Intaglios were among

DESCRIPTION: (2 Pc) A Pair of late 19th century plaster intaglios labeled "17" and "19", depicting classical figural scenes. Framed. CIRCA: Late 19th Century. ORIGIN: Italy. DIMENSION: H: 15" W: 12".

DESCRIPTION: (2 Pc) A Pair of late 19th century plaster intaglios labeled "13", depicting a portrait bust; and a classical figural scene. Framed. CIRCA: Late 19th Century. ORIGIN: Italy. DIMENSION: H:

Framed Neoclassical medallions in oval gilt frame. 10 1/2" x 12 1/2".

Custom framed Neoclassical style intaglios, each having four intaglios with Greek motifs in white on a pale blue ground, custom mounted and framed, 11"h x 4.5"w inside mat, overall size with frame 21.

comprising 22, in one frame Ranging from 1 in. (2.5 cm.) to 2 1/2 in. (6.4 cm.), Frame: 25 1/2 x 9 1/2 in. (64.8 x 24.1 cm.)

Together with two miniature portrait prints. 3 1/4"h x 2 1/2"w

DESCRIPTION: Pair of framed, plaster intaglios. The first depicts Romulus and Remus being suckled by a she-wolf under a fig tree next to Faustulus; it is labelled "151". The second depicts a man's pro

DESCRIPTION: Two pairs of framed, plaster intaglios. First pair depict a man sitting with the inscription "NICOLAS" (top) and a person with a spear holding a dead man (bottom); these are labelled "189

DESCRIPTION: (2 Pc) Two framed intaglios depicting scenes from Greek Mythology. Prince Stanislas Poniatowski (1754 - 1833), the nephew of the last King of Poland, commissioned about 2500 gems in the n

Europe, Italy, Neoclassical Period, ca. 19th century CE. A handsome collection of 29 plaster Grand Tour intaglios mounted on an original indenture document and fit with a custom frame. These lovely im

Collection (16) Neo-classical plaster intaglios, 20th c., probably Italian, largest: 4.25"h x 11.25"w, smallest: 1.75" dia., 33.5"h x 27.5"w (framed)

Seven Framed Groups of Grand Tour Plaster Intaglios 19th Century depicting classical scenes. 179 pieces total. 2 3/4 x 3 1/2 inches (largest intaglio).

Plaster Intaglio Framed Assortment (6) items including (2) oval portraits behind glass on velvet-lined boards, (3) framed displays housing (2), (3) and (4) oval shaped

Group (14) Neo-Classical plaster intaglios, 20th c., likely Italian, smallest: .75"h, largest: 5.5"h

DESCRIPTION: (2 Pc) A Pair of Neoclassical style bronze urn amphora vases. Decorated in classic style with volute handles and a main relief of greco-roman figures. Each matching vase sits atop a plint

DESCRIPTION: (2 Pc) A pair of Neoclassical parcel gilt bronze converted ewer table lamps. Features Putti figural relief designs followed by acanthus leaf and grape bunch motifs. Further decorated with

Pair of color neoclassical framed prints with silvered matting. Approximately 19" x 9.5"

DESCRIPTION: Pair of hand-painted Maitland-Smith urns featuring neo-classical figures and designs including foliage designs, putto-form feet, and images of a seated goddess with attendants painted on

DESCRIPTION: (2 Pc) Pair of Framed Greek Intaglios. Each depicting a scene from greek Mythology theme subjects and with greek writing letters beneath the scene. CIRCA: Mid 19th Century. ORIGIN: Greek.

DESCRIPTION: Pair of framed intaglios, each featuring the profile portrait of a man: one bearded with a near-eastern aesthetic in his hair and clothes, one clean-shaven. Bearded portrait has decoratio

(lot of 2) Framed marble bas-relief plaques, depicting classical maidens playing an aulos, (one) approx 16.25"h, 14.75"w, (one) approx 14.5"h, 16.25"w, frames intact with restorati

DESCRIPTION: Marble busts of a bearded man and a woman with a bandanna. Skin and hair of each piece is made of black marble, clothing is made of alabaster. Pieces are textured, especially on clothing,

Near East, Byzantine period, ca. 4th to 5th century CE; Western Europe, probably Italy, Neoclassical period, ca. 18th to 19th century CE. A wonderful trio of glass portraits: a Neoclassical cameo of t