A Silverplate Epergne.

the large centerbowl atop with a rocaille rim and fruit decoration atop a silver-plate Neoclassic base having for arms with similar sterling bowls attached 168 total troy ounces the centerbowl: 20 1/2

Raj-Inspired Victorian Silverplate Epergne fourth quarter 19th century, with a spherical knop decorated with masques of Krishna, above three caparisoned and conjoined elephants, the seeri of each bear

Large silverplate 19th C epergne centerpiece depicting a youth with a shepherd's crook, ewe and a ram beneath a rustic tree with 3 double branched candelabrum holding 6 pressed crystal candle holders.

Early Victorian Silverplate Epergne second quarter 19th century, the epergne with central knop-form baluster with four scrolling arms supporting a gadrooned circular frame and four outscrolled arms, e

Victorian Silverplate Epergne fourth quarter 19th century, the baluster standard with rocaille banding above a circular molded plinth raised on four foliate-crested lion's paw feet, surmounted by four

English Victorian silverplate epergne/ centerpiece, cut glass bowls with frosted egg and dart motifs, palm tree and crane standard, shaped base rising on three tortoises, English registry mark, approx

Elegant Reed and Barton silver plated ornamental centerpiece. Exquisite pierced work body with four curving, scrolling, floral form arms. Surrounding a central foliate form pedestal, on a circular, fo

Val St. Lambert crystal and silverplate epergne with trumpet shaped upper glass vase in silver holder with bowl beneath and standing on an ornate silver base with two cherubs. 20.75"H x 12"W x 8"D, Ci

An ornate silver epergne that was presented to Captain Neatby by the passengers of the Agincourt (1844 ship). The Agincourt is noted for being a prisoner transport ship however it also served as a tra

Property from a Private Collection, Savannah, GA Description: George III Style Silverplate Epergne, the four arm silver-plate epergne with 4 small and one large cut glass inserts and removable arm

Epergne marked "England" and with a menorah for Barker-Ellis, convertible form having large 9 3/4" central bowl surrounded by four scrolled and reeded arms supporting either matching 5" bowls and / or

Silverplate Epergne, 20th c., by Reed and Barton, #800, in the "Renaissance" pattern, the five relief decorated arms with cut crystal bowl inserts, on a pierced support to a flaring pierced base on fo

Vintage epergne serving dish, having silver plated body with five cut glass bowls, gadrooning lion paw feet 13"h x 18"d Provenance: A San Antonio, TX Estate We happily provide seamless ship

A Victorian Silver-Plate Epergne Thomas Bradbury & Sons, Sheffield, 1860 marked on underside of base rim Height 32 x width 22 inches. 

Crafted of fine quality English silver plate. Features an ornate design with four arm structure holding interchangable bowls or candle sconces. Beautiful floral design with engraved bowls. Signed with

Crystal and silverplate epergne in the Classical taste, centering a brilliant cut crystal circular bowl, 11.5"dia; surmounting a fluted Corinthian column issuing four sinuous arms each terminating to

No markings have been found; it is likely 19th Century. It is an eye-catching footed centerpiece, with a large crystal bowl at the top, and smaller crystal bowls on each of the four arms. It was very

Silver-plate epergne with original matching cut glass bowls, 13 in. T.

Mappin & Webb Prince's Plate Silverplate Epergne , early 20th c., central trumpet vase, oval reticulated basket, conforming base with 2 scroll arms and rocaille feet, h. 22 in., w. 22 1/4in. Note: lac

English Silverplate Epergne and Plateau, first half 20th century, the epergne in the William IV taste with four laurel-crested, lion's paw-footed flat column legs joined to a stretcher with four scrol

mark of Barker Ellis, convertible form with large central bowl surrounded by four arms which can support either candle cups or matching smaller bowls, decorated in the Rococo style. 9.5 x 19.25 in. di

Fancy C. 1900's silverplate epergne. Glass inserts removable. 17" x 17" x 14 1/2".

Beautiful Victorian signed Simpson Hall Miller silverplate Calling card receiver with dual epergne vases and figural puttis on the top and the base. The best calling card receiver you will find. Measu

Outstanding late 19th c. Victorian Aesthetic Movement Meriden quadruple plate centerpiece epergne with electric blue pattern glass inserts 16" x 20.5"