Anthemion.

Marble anthemion with acanthus leaves and openwork tendrils. Late Roman period, 3rd - 4th century AD. Height 28,7cm. Intact. Anthemion. Römische Kaiserzeit, wohl 3. - 4.Jh. n. Chr. H 28,7cm. Weißer,

Continental, 20th century. Painted and gilt anthemion form bookstand. Apparently unmarked. Approx. h. 13", w. 14.5", d. 13"

Antique marble pedestal featuring a carved ionic capital, an anthemion pattern decorates the capital and base. 18" H x 11 3/4" W. Light wear due to age. Bears a chip on base.

Antique Oak Slope-Top Box with Carved Anthemion Frieze, 24 3/8" Wide

ASSORTED BACCARAT ANTHEMIA ARTICLES, LOT OF TWO, cranberry to colorless, comprising a tumbler with a rayed base and a square bowl with a wide polished pontil mark, each with matching floral pattern. L

Exceptional Pair of George III Giltwood Oval Mirrors. Each crest with ramís head carved urn issuing an anthemion and suspending bellflower and floral scrolled swags above an oval mirror plate within

Massive Italian ormolu mounted lapis lazuli urns in the Neo-classical taste, of classical form with ormolu anthemion rims surmounting bulbous bodies draped with ormolu swags and centering bas relief N

Pair of Regency style parcel-gilt black-painted curule benches, each with reeded legs and gilt anthemion details, upholstered in trellis brocade. 17" H x 25" W x 17" D. Provenance: From a 17 East 89th

A George III sterling silver presentation hot water urn Andrew Fogelberg, London, 1776 Of Classical urn form, beaded rim and registers with anthemion and laurel motifs, with ram-form handles, swan-for

Mid to late 19th century French serpentine front vitrine, of kingwood with floral marquetry inlays on the lower panels, the bonnet top outlined in gilt bronze with an anthemion crest, surmounting two

Outstanding Regency gilt bronze hall lantern, 18th/19th c., cast gilt and patinated bronze frame fitted with six glass panes, the frame cast with anthemion and foliate scrolls, wired for four candelab

Italian Neoclassical Carved and Giltwood Console Table having anthemion leaf frieze, raised on tapering fluted column legs, with a rouge/jaune marble top probably late 18th century height 331/2 inches

Pair of Regency Faux Painted Rosewood and Parcel-Gilt Small Settees Each fitted with a removeable caned backrest with carved anthemion top crests, raised on casters. 32 x 5 ft. 4 in. x 23 in. Sold Ken

(2) Flat inner liners are divided with a thin dart pattern and raised flat molding. A narrow cove and applied beads lead to the anthemion applied convex molding. The deep outer compo edge is applied w

Northern European Empire style four-drawer gilt metal mounted commode, in "Karelian" birch burlwood with rectangular top, the corners rounded above anthemion capital headed conjoined columns flanking

French Giltwood Pier Mirror in the Rococo Taste third quarter 19th century, the ogee-molded surround lined with beading, the arched crest decorated with an anthemion frame, with pierced scrollwork and

Palace size French Aubusson style hand knotted wool pile rug, centering a square medallion with demi-lune pendants having acanthus, anthemion and ribbon swags in gold, slate blue, and pale pink on a c

Monumental Neoclassical style 'faux window' mirror, of arched form having a gilt frame carved with bas relief anthemion, the mirror overlaid with carved foliate swags and a second arch connected by a

The gilt-bronze table with square lapis lazuli veneered top with anthemion border over a black apron with lozenge motif mounts, raised overall on four winged figural monopodia legs with ball-and-claw

Monumental Neoclassical style 'faux window' mirror, of arched form having a gilt frame carved with bas relief anthemion, the mirror overlaid with carved foliate swags and a second arch connected by a

Fauteuil armchairs en cabriolet with anthemion carved crest rail, turned padded armrests with ring turned terminals with recessed carved boss, bowed anthemion carved apron, resting on paneled legs wit

The young boy with rose colored cheeks and white cravat carrying a bow. In antique shell and anthemion gilt carved frame. Sight 24" x 20" Frame 31" x 27"

A pair of early 19th century French First Empire 950 standard silver candlesticks, Paris 1805-09 by Richard-Emile Agu (reg. 1805-6) The bases of circular form with anthemion edge and flat chased laure

probably French, late 19th century, each with rotating green marble top over rouge marble support, variegated ivory column set with anthemion, lotus leaf, and scroll bronze mounts, on stepped marble b