Bokhara Nim Suzani

Bokhara Nim Suzani 150 x 102 cm (4ft. 11in. x 3ft. 4in.) Uzbekistan, second half 19th century Condition: used, several holes, few stains, signs of wear Silk on cotton Provenance: Siawosch Azadi

Mid 19th century, 160 x 104 cm, Central Asia, South West Uzbekistan A Bokhara suzani in the nim format. The field displays a repeat of delicate golden stems bearing red side-view flowers, slender gree

Bokhara Suzani, Uzbekistan, mid 19th century5 ft. 6 in. x 3 ft. 10 in.Provenance: Rippon Boswell, 26 November 2011, Lot 126.Other Notes: Bears old linen label reading Suzani Bochara, ca. 1850, Coll. L

Mid 19th century, 218 x 148 cm, Central Asia, South West Uzbekistan A Bokhara suzani in magnificent colours chiefly embroidered in the basma technique. The field displays the so-called Nurata design o

Fine Kermina 'Nim-Suzani' (Embroidery), Uzbekistan, 19th century, silk/cotton, approx. 156 x 112 cm, condition: 2-3 (good condition), fine quality susani from southwest uzbekistan, characteristic Kerm

19th Century Bokhara Prayer/Mihrab Suzani, silk on cotton: 5'0'' x 7'7'' (152 x 231 cm). 2 lbs.

3rd quarter 19th century, 139 x 83 cm, Central Asia, Southwest Uzbekistan Composed of several parts, the lower cross border comes from another Suzani. Signs of wear, smaller holes. Backed with fabric.

Bokhara Suzani Embroidery, Uzbekistan, Central Asia, 19th century, 4-0 x 5-6 ft.

Nim-Suzani 'Embroidery' Uzbekistan, circa 1940, silk/cotton, approx. 190 x 141 cm, condition: 3.

Antique Suzani Bokhara, 6'8" x 9'4", Circa1900.

A silk embroidered suzani prayer hanging with pale yellow ground, the arched entrance surrounded by a wide colorful band of floral medallions and surrounded by narrow floral-chain borders. Origin: Sam

An embroidered suzani with red ground, decorated with six large medallions within a floral field, bordered with a a chain of flowers, followed by a thin black guard border. Origin: Bokhara, Uzbekistan

An embroidered suzani with red ground, decorated with twelve large medallions, followed by a chain of triangles and broad plain border, trimmed with a very thin black cloth. Origin: Bokhara, Uzbekista

A finely embroidered suzani with red ground, decorated with six vases of blossoming flowers, trimmed with a thin black cloth. Origin: Bokhara, Uzbekistan; C. 20th c.; Material: Cotton and silk; Dimens

Karshi Suzani 230 x 182 cm (7' 7" x 6') Uzbekistan, early 19th century Exhibited in Museum der Völker in Schwaz: "Richtig guter Stoff", until April 2020 Condition: very good, minor signs of use,

Large Tashkent Suzani 273 x 172 cm (8' 11" x 5' 8") Uzbekistan, late 19th century Condition: good, several abrasions, small missing parts, slight signs of use, minor small repairs, backed with fabric

Suzani Embroidery, Pskent, Khanate of Kokand, Uzbekistan, second half 19th century9 ft. x 7 ft.Provenance: The Collection of Jeremy and Hanne Grantham, Boston, Massachusetts.

Bukhara Suzani 241 x 159 cm (7' 11" x 5' 3") Uzbekistan, second half 19th century Condition: good, missing parts and holes in the foundation backed with fabric, slight abrasions Silk on linen

Second half 19th century, 176 x 146 cm, Central Asia, South West Uzbekistan This unusual suzani embroidered in the yurma stitch was probably made by a Lakai tribal group in the Kermina area. The found

Nurata-type Suzani Embroidery Uzbekistan, mid 19th century The central floral medallion flanked by shrubs on the ivory field is within a meandering vine border woven in five panels. Approximately 7 fe

Suzani Embroidery, Pskent, Khanate of Kokand, Uzbekistan, second half 19th century8 ft. 7 in x 6 ft. 10 in.Provenance: The Collection of Jeremy and Hanne Grantham, Boston, Massachusetts.

Of rectangular form, the central field decorated with a series of floral roundels amidst scrolling stylized leaves, surrounded by a border of large flower-heads interspersed with leafy sprigs, lined.

Suzani Usbekistan, um 1900. Nadelarbeit auf 3 Bahnen. Auf seltenem roten Grund ruht ein Achtzack-Stern-Medaillon, flankiert von effektvollen Blütenranken und imposanten Rund-Palmetten. Alternierende

Usbekistan, um 1900. Ausserordentlich schöne und feine Nadelarbeit auf mehreren Bahnen. Im Zentrum des eleganten weissen Mittelfeldes liegt ein kunstvoll gezeichneter, blütenbelegter Achtzackste