BRONZE/IVORY : "E. BERNOUDT" (BELGIAN).

UNSIGNED BELGIAN OIL ON CANVAS, 19TH C., H 18", W 28", RELIGIOUS PROCESSION Modern gilt frame; one building marked, "E. Staminet". Belgian flag is red, yellow, black. L'Estaminet is a renowned pub in

Large Oil on Canvas, 28 3/4" 36 1/4", frame is 38 3/4" x 46 1/4"

No. 52 Weihnacts-Abend. Family Christmas scene. No. 54 Waldidylle. Scene of stag or elk in the river. Both with paper label for Belgian company E.P. - Ernst Plank. These worked with the Triumph model.

E. Menten, morning light, oil on canvas, 19.5 x 15.75 inches. Signed lower left.

"Grand Prix" by E. Mazzozetti circa 1907 A Belgian barrel orchestration automatic music instrument. Nineteenth century coin operated instrument. 63 note harp with a ten melody drum Carved wood cabinet

Lot 153 Museum of Natural History Abaramba Tribe Display depicting two figures wooden box with glass glazing and handle to top inscribed 'Belgian Congo / Abaramba Tribe' and 'E. Stone' to interior,

Belgian, c.1880-1900, signed 'E JORIS', in nickel plated steel with ebony handle, 47cm long

Charles Hermans (Belgian, 1839-1924) "At Dawn" oil on canvas signed lower left. Framed. 60-1/2" x 68", framed 70-1/2" x 78-1/4" Provenance: Sotheby's, London, November 21, 1989, lot 67; Kurt E. Schon,

René Magritte (Belgian, 1898-1967) La sourire du diable, plate II from Aube à l'Antipode 1966. Etching. Signed 'Magritte' in pencil (lower right). Edition E. A. I/V. Reference: Kaplan/Baum 7. 7 x 5

Eugene Remy Maes (Belgian, 1849-1931) Chickens in a Courtyard oil on panel signed E.R. Maes (lower right) 9 3/8 x 12 1/2 inches.

Item: Antique Vintage toi et moi ring with diamonds and pearl Condition: very good condition Country of origin: Although it does not carry any legible control marks we believe this to be of Belgian or

Pierre Emmanuel Dielman (Belgian 1800-1858)- ''Sheep and Goat at Pasture- oil on panel, signed Dielman lower right, wear to edges of panel from the frame. 13 x 16 1/2''

Henri Schouten (1857-1927, Belgian), "Still Life of Flowers and Cherries," late 19th/early 20th c., oil on canvas, signed under pseudonym "E. Marloh" on lower left, presented in a gilt frame, H.- 15 1

Corneille, Guillaume (Belgian, 1922-2010) “Le Theatre Chinois” Lithograph Print. Signed lower right “le theatre chinois Corneille ’69.” E/A in lower left corner. In good condition. Measures

Title: Spring Landscape. Signed l/l: "E Mahaux". Medium: Oil on panel . Dimensions: 14 x 20 in. (image); 18 x 24 in. (frame). Condition: a few areas of craquelure.

Armless Wonders Charles Felu and Ann E. Leak. Belgium and America, ca. 1870. Felu (1830-1900) was a Belgian artist born without arms who became adept at painting with his feet. Photograph depicts Felu

Franz Courtens Ink Drawing (Belgian, 1854-1943). Landscape, signed lower left Franz Courtens, label on verso "E. Benezit Tomez p. 686, Franz Courtens Born 1854, Museums: Anvers, Munich, Bruxelles, Bud

Untitled" - Edition E.A.; c. 1970; Serigraph; 19.5" x 15"; Signed Lower Right; Unframed; Note: inscribed lower right - "For Midge and John with affection, Jean Michel.

19th century Belgian countryside. Signed in the bottom right. Significant chips and loss on the bottom left. Hole in the top left corner. Hole in the top right. Three repairs on the verso. Frame is ch

After: Rene Magritte, Belgian (1898 - 1967) Artist Proof Color Lithograph "Letting the Light Through" Pencil Signed and Marked "E.A." Lower, Signed in the plate. Documents en verso. Measures 12-1/2" H

5 pcs., 54 mm, 3 E second-grade paint, 2 F/G embellished/repainted. No box.

A Chinese gilt-lacquered bronze figure of Amithaba Buddha, Ming H.: 29,5 cm  Provenance: A Belgian private collection. ------ Please request condition reports by e-mail on info@rm-auctions.com or by

the largest enameled sterling silver gilt, centered with a crown, 3 1/2 in. Sq., and including small Belgian and South American; Collection of US Ambassador to the Soviet Union, Joseph E. Davies and h

Folon, Jean-Michel (Belgian, 1934-2005), Horse in Maze from the Circular Ruins Portfolio (Les Ruines Circulaires), (1974), etching and color aquatint on Arches paper, signed and marked E.A. (Artist's