Mark Sprinkle Oil on Panel

2009 painting of a a pair of sheep entitled "Cloud of Witnesses" by Texas-born and Richmond, Virginia based artist Mark Sprinkle, with one of the artist's handmade carved frames. Signed upper right. S

Moscow "AP/1894", listed 1`889-1894, 84 assay mark, oil on panel Christ with open book, enameled silver halo, book and surround, 8 3/4 x 10 3/4" high.

H. Henri (Continental, early 20th century). "Venetian Canal Scene", oil on panel. Signed lower left. Together with D. Vigilante (Continental, 20th century). "St. Mark's Basin, Venice", oil on panel. S

EUGENE SALAMIN Signed Oil on Panel, 1954, signature to lower left reads ‘E Salamin 1954’, label to reverse reads ‘Farewell to Mark 1954 Eugene Salamin Oil/Panel’, subject figures crowing over

(4) Works by contemporary artists, Mark Flowers, surrealist, oil on wood panel; Berret Smith, "Couple", oil on wood panel; Rebecca Doughty, "Cry Wolf", oil on paperback book; unknown artist, landscape

Benjamin Canas Salvadoran, 1933-1987 Untitled, 1978 Signed with artist's mark and dated 78 (lr) Oil on panel 16 x 20 inches (40.6 x 50.8 cm) C

Framed oil on panel painting, Mark Asmus (American, active in Taos, New Mexico, 20th c.), double sided, Pueblo, signed lower left, dated [20]11, Jackrabbits, signed lower right, dated [20]09, sight: a

Mark Stanford palette knife oil on artist panel board painting titled "Old Tampa Bay" of a Florida landscape with cloudy blue sky, large palm tree, and crashing waves on the beach. Signed lower right.

Early 20th century. Depicting Christ Pantocrater, oil on panel, unidentified marks on riza, 8 3/4 x 7 in.

Mark Merrill; American (born 1958) original oil on panel "tea". Measuring 48" high and 48" wide. In very good condition

After George Washington Mark (American, 1795-1879), 19th century oil on panel depicting a folk art scene of two men chasing a squirrel up a tree, 7 1/2" x 9 1/4" panel, 10 1/4" x 12' framed.

Primitive oil on panel signed verso. Dimensions: (Frame) H 24" x W 35.5" Condition: Frame with rubbing. Surface with stray marks.

Mark Boedges (1973- ), Rocky Mountain Canyon, 2022, oil on panel, 18 x 24, signed lower left: boedges, Provenance: The Artist

(20th C. American) Albatros Pfalz and Mark IV and V tanks, framed oil on masonite panel, signed and dated 1978 lower right, approximate image size 16" x 20", frame 20 1/2" x 24 1/2".

Philip Campbell Curtis (1907-2000) - First Class, 1961, 18" x 28" oil on panel. 25.25" x 35.35" framed. Weighs 10 pounds. Signed lower left corner. Dated lower right corner. Proceeds from the sale of

Jean Misceslas Peske (1870-1949) - Lavender Pickers, 29.25" x 39.25" oil on panel. 38" x 48" framed. Weighs 35 pound. Signed lower right corner. Ex Feingarten Galleries, Los Angeles, California. Proce

Lewis Davis (1910-1979) – Boulders, 1960, 44" x 20" oil on panel. 48" x 24" framed. Signed in upper right corner. Signed, titled, and dated on verso. Ex Jeanne and Robert Herberger Estate. Proceed

Thomas A. de Decker (b. 1951) - Southwest Landscape, Oil on Panel, 16" x 12" (23.75" x 20" framed) c. 2000s. Ex private collection, Arizona. Ex Mountain Oyster Club.

Charles Fritz - Clearing the Trees, 12" x 14" oil on panel. Measurements with frame are 14.5" x 19.5". Weighs 5 pounds. Acquired from a private collection in Arizona. Each lot shows additional images,

Mark Grieve (American, b. 1965), "After Work in the After Life," 1989, oil on panel, signed, titled, and dated verso, sight: 10"h x 7"w, overall (with frame): 13.25"h x 10.5"w. Provenance: Property fr

MARK GREENWALT (American/Texas b. 1961) A PAINTING, "Birth," SEPTEMBER 25, 1997, conte crayon, graphite, acrylic, and oil on panel, 60" x 48". Provenance: Art collection of the late Charles and Geri L

A painting 'The Annunciation by Gabriel' oil on panel, Antwerp School, First half of the 17th century. The panel is marked on the back with an Antwerp Tower Mark, an Antwerp Hand, and GG for G

Praying Magdalene. Appears unsigned. Back of panel with panel maker's guild mark. Dimensions: (Frame) H 26" x W 22.5", (Panel) H 22" x W 18" Condition: Appears lightly cleaned with some small visible

Oil on wood panel showing a rural French landscape with men and women gathering hay into a horse-drawn wagon. Signed lower right "D. Rosa" with a final illegible mark, possibly an initial or a cross.