Martin Lewis "Building A Babylon" Etching, 1929

Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall fram

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

Martin Lewis (1881-1962) original pencil signed etching. Signed in pencil 'Martin Lewis' lower right. Titled and numbered in pencil lower left "31/60 Beaching the Boat". Measures 7" x 10" (plate size)

Title: Martin Lewis Etching Artist: Martin Lewis Description: "Boss of the Block" Medium: etching Date/Period: 1881-1962 Dimensions: 15-1/4 x 11" Reserve: $400.00 Shipping: Domestic: Shipping rates ar

FRAME 23" X 17" IMAGE 11 3/4" X 8"

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Lewis, Martin (American, 1882-1962). "Self-Portrait with Etching Equipment." c.1953. Roulette and drypoint printed in brown ink on wove paper. Edition of 25 to 50. Plate: 5 3/8" × 8 3/8" Framed: 15 1

Martin Lewis [attributed] Unsigned Etching #12 of 35. Circa 1930's. Urban Landscape Telephone Poles. Size: 10.5 x 15.5 inches image, 17 x 22.5 inches

Title: The Old Timer Battleship.Artist: Martin Lewis (1880-1962) Etching, 1916. Edition 50, recorded impressions 17. Signed in pencil. Image size 9 7/8 x 12 3/4" (25.2 x 32.7 cm). #9 in "The Prints o

Martin Lewis (1881-1962) Rain, Japan 1927 The drypoint etching published in an edition of only 50 prints is signed by the artist in pencil below the image lower right and titled in the margin by a dif

Martin Lewis (1881-1962) Bridge Near Nikko 1926 The etching with sand ground technique printed on FRANCE watermark paper in an edition of only 29 prints is signed by the artist in pencil lower right a

Etching by Martin Lewis (Australian/American 1881-1962), titled Boss of the Block to verso; depicting a woman's profile, with hands on her hips, standing amid a city street; signed in penc

Martin Lewis (1881-1962) Boss of the Block 1939 The final trial proof etching with aquatint was printed in an edition of 212 prints to benefit the Art Students League of New York and is signed by the

Martin Lewis pencil signed unframed dry point etching, 1927 - 7 3/4" x 9 3/4" image

and Engraving. Inscribed lower left. A later impression by Edna Myers, Montreal after the original 1939 print. Old auction label affixed verso. Martin Lewis (American, 1881–1962). Dimensions: Plate

Martin Lewis Night in New York 1932etching image: 8.5 h x 8.875 w in (22 x 23 cm) sheet: 13.375 h x 12 w in (34 x 30 cm) Signed to lower right edge 'Martin Lewis' with Chicago Society of Et

Martin Lewis (Australian/American, 1881-1962) Boss of the Block, 1939 etching and aquatint signed Martin Lewis imp. in pencil lower right margin inscribed Final Trial Proof in pencil lower left margin

ETCHING THE STREET BOOTH SIGNED MARTIN LEWIS (1881-1962 AUSTRALIA, NEW YORK, CONNECTICUT) PRESENTED "TO BETTY", C. 1930'S, 14" X 10" SIGHT, 23 1/2" X 19 1/2" OVERALL

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right

circa 1932 etching on paper signed lower right, ed. of 135 image size 8 1/4 x 8 3/4 inches