Photographer Unidentified

FLAT IRON BUILDING, NEW YORK, 1999, c-print, signed and dated and titled on verso, 25 ½ x 18 ½”, framed, in good studio condition.

ALICE ROOSEVELT LONGWORTH, gelatin silver print on thin paper, signed in pencil lower right, image 13 x 9”, sheet 15 ¾ x 10 ½”.

AFRICAN MASKS, a set of three gelatin silver prints, sheets approximately 20 x 16”, unmarked, framed, in apparently good condition. (3)

OLYMPIC WASHINGTON 1996; YELLOWSTONE 1997; GRAND CANYON, 1997 three Cibachrome prints, each signed Zvi Bi***? and dated and titled in gold ink, each 20 x 16”. (3)

STEVE MARTIN STANDING UNDER A LIGHT, color photograph, sight 12 x 18 ¼”, frame 18 ½ x 24” with glass.

BIOGRAPH-THEATER, 1992, color photograph on Fuji Crystal Archive paper, signed and dated and numbered 17/25 in black marker on verso, sheet 20 x 24”, frame 24 ½ x 28 ¼” with glas

FLOOD BASIN, color photograph on Kodak paper, initialed and inscribed 3-10 in marker on verso, sheet 16 x 20”; COLOR TUNNEL, triptych, three color photographs, each inscribed in the margins, she

Fijian Chief. C1875. Good contrast and tonality. Photographer unidentified. 7.75 x 5 in.

Chinese and Russian Peasants (Khabarovsk) paying Homage to Tsar Nicholas II. C1895. Fair contrast and tonality. Photographer unidentified. 8.25 x 6.5 in 21.2 x 16.7 cm. Reverse: View on the Amur River

Marco Micheletti COUPLE IN BACKSEAT OF CAR, gelatin silver print, inscribed on verso, 14 x 11”; Photographer Unidentified PORTRAIT OF A WOMAN, silver gelatin print, mounted with thermal paper to mat

Melanesian Natives of New Guinea. C1925. Excellent contrast and tonality. Photographer unidentified. 6.75 x 8.75 in.

Sinhalese Lady in all her Finery. C1890. Excellent contrast and tonality. Photographer unidentified. 5.25 x 3.5 in

Panorama of Pisa. C1880. Photograph taken with a large 30 x 40 camera, possibly a Gilles Freres camera. Excellent contrast and tonality. Photographer: unidentified. 10 x 14.75 in. 25.5 x 37.5 cm. Reve

The Forum, Rome. C1880. Excellent contrast and tonality. Photographer: unidentified. 10.375 x 14.375 in. 26.5 x 36.5 cm. Note: Photograph is larger than scanner as a result part of the photograph cann

Rialto Bridge and Shylock's House, Venice. C1880. Very good contrast and tonality. Photographer: unidentified. 10 x 12.875 in. 25.5 x 32.7 cm. Photograph taken with a large 30 x 40 camera.

Harbor and Cathedral, Marseille. C1880. Very good contrast and tonality. Photographer unidentified. . 8.625 x 10.5 in. 22 x 28 cm. Reverse: Panorama of Marseille. 7.375 x 9.875 in. 21.5 x 28.5 cm

Interior of the Colosseum, Rome. C1880. Photograph taken with a large 30 x 40 camera, possibly a Gilles Freres camera. Very good contrast and tonality. Photographer: unidentified. 10.25x 14.375 in. 26

Flemish Girl delivering milk from her dog cart. C1875. Good contrast and tonality. Photographer unidentified. 4.5 x 7 in.

The Port of St. Petersburg. C1885. Fair contrast and tonality. Photographer unidentified. 4.125 x 6.5 in.

Philippino Cock Fighters. C1898. Hand-tinted. Fair contrast and tonal range. Photographer unidentified. 3.625 x 5.5 in.

Philippino Family Group. C1898. Hand-tinted. Fair contrast and tonal range. Photographer unidentified. 3.625 x 5.5 in.

Remains of Cuppuccini Monks in the Church of Maria della Concezione, Rome. C1880. Very good contrast and tonality. Photographer unidentified. 7.375 x 10.125 in. 19.3 x 26 cm. Reverse: Via del Corso, R

Albumen photograph of Innsbruck, Tyrol and the Alps. C1880. Fair - good contrast. Photographer unidentified. 8 x 10.125 in. Rev: Photochrome of Tarasp, Switzerland. 10.5 x 8.125 in.

Chinese Ricksha, studio view. C1900. Good contrast and tonality. 3.875 x 5.5. Photographer unidentified