THOMAS DOUGHTY, attributed, American 1793-1861,

THOMAS DOUGHTY, attributed, American 1793-1861, “Sailing on the Hudson River" oil on canvas 22 x 36", framed. Re-lined and professionally restored. Has not been seen by the expert for authentication

Attributed to Thomas Doughty (American, 1793-1856) 7 3/4"h x 11 3/4"w

Thomas Doughty (American, 1793-1856); Small Hudson River / Catskill Landscape with 2 Young Figures in the foreground and the River filled with Sail Boats beyond; oil on canvas on stretcher signed lowe

AFTER THOMAS DOUGHTY (AMERICAN 1793-1856), OIL ON CANVAS, AUTUMN ON THE HUDSON, UNSIGNED. 10 X 12"; FRAMED 13 X 15"

(American, 1793-1856) One depicting a waterfall with figures signed l.r. Doughty. The other depicting a sailboat and figure, appears unsigned. 13 3/8"h x 19 1/2"w

Medium: Oil. Signature: Lower left. Dimensions: 14 x 20 inches. Lot note: Stamp from Goupil, Broadway New York

Silver Cascade, In the Notch of the White Mountains Oil on canvas Bears initial "D." and dated 1830 lower right Size: 25.5 x 21.5 in. Note: The attribution of this copy may be given to Victor de Grail

Lot 13 Frederic Remington (attributed) American (1861-1909) Untitled (Cowboys at a bar) gouache on paper signed lower right 20 x 16 inches Provenance: From a New York Collection

Lot 89 Frederic Remington (attributed) American (1861-1909) Group, five studies on three (3) sheets graphite and ink, and watercolor on paper laid down to mat sight: 11 x 8 inches mat (each): 20 x 15

Lot 88 Frederic Remington (attributed) American (1861-1909) Group, six figural studies on three (3)sheets graphite on paper laid down to mat sight (each): 11 x 8 inches mat (each): 20 x 15 inches Pro

Lot 90 Frederic Remington (attributed) American (1861-1909) Group, six figural studies on four (4) sheets graphite and ink on paper laid down to mat sight (largest): 11 1/4 x 8 1/4 inches mat (each):

Thomas Sully. American. Attributed to. Portrait of a girl. Oil on canvas. Framed as an oval. In the original frame. Label on reverse reads: Mrs. Emma Kimball 121 East 64th St. New York City. Craquelur

A vintage Southwestern bronze sculpture, Bronco Buster, depicting a cowboy on a horse and a crawling snake attributed to Frederic Remington, American, 1861 to 1909. Inscribed on the base. Mounted to o

Lot Title: Flicker - early American antique print Author/Artist: Thomas Doughty Date: 1830-34 Size/Format: 9 x 11 inches Process: Hand-colored lithograph Additional Information: “The Cabinet of

Attributed to: Theodore earl Butler (American, 1861-1936) sunset and poplar trees, oil on board, signed lower right, board size 12 x 16 inches, overall frame 20 1/2 x 24 3/4 inches

Attributed to Bass Otis (American, 1784-1861) "Portrait of a Mother and Child, Possibly Sara Watson and Her Daughter Fanny" oil on canvas unsigned. Framed. 36" x 30", framed 44-1/2" x 37-1/2" Provenan

AUGUSTE EDOUART (FRENCH/AMERICAN, 1789-1861), ATTRIBUTED, CUT-AND-PASTED SILHOUETTE, full-length bearded gentleman wearing overcoat and top hat, inscribed on backing paper verso "John A. Zacharie / Ne

Theodore Butler (attrib.), oil on canvas, 1909, Attributed to Theodore Earl Butler (American, 1861-1936), American Autumn Landscape, signed lower right, inscribed with artist, date, title, and "Gift t

Attributed to Bass Otis (American, 1784-1861) A nineteenth century portrait of a gentleman, oil on canvas, unsigned. Image size: 30" x 25" Ht: 37.5" Wd: 32.5" (framed)

Nice Oil on Canvas of A Chestnut stallion in a meadow, attributed to Frederick Samuel Beaumont, American, (1861-1954), signed l.r.

Attributed Thomas Cole. English-American. Graphite sketch drawing depicting house and figures on a path with tall tree. Signed and dated 1843 lower left. Tear lower left. Staining and discoloration. B

Attributed to Thomas Chambers (American, 1808-1866) Oil on canvas. 18 x 24 in. Ex. Edward Cornwell (1936 - 2002) collection Rochester, NY.

attributed to Thomas Day, American Classical Walnut Hall TreeCaswell County, North Carolina, circa 1840, all-over cut out designs including stylized tulips, shaped mirror, later white porcelain pulls,

(Attributed to) Thomas Kelley (American, b.1967) for Vitrix Hot Glass Studio 1999, signed on side near base; Heechee design rainbow having seven bands of colored glass twisting around a clear spine Pr