Contemporary Art 2021-06-10 Auction - 485 Price Results - Swann Auction Galleries in NY - Page 6
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JOHN SALT Riviera 2.FRANCIS BACON Triptych.ALICE NEEL Portrait of Harriet Lyons.
Done
New York, NY, United States
Auction Details

Contemporary Art

Abstract Expressionism, European abstraction, Art Brut, Pop-Art, Op-Art, Photorealism, Minimalism and more. Feminist Art from the Collection of Harriet Lyons, and art of the last two decades.
Auction Curator:
Todd Weyman
Todd Weyman
Vice President of Swann Galleries
Lot Number: Lowest
24
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KAREL APPEL Mouse on a Table.: KAREL APPEL Mouse on a Table. Color lithograph on white wove paper, 1971. 835x578 mm 33x22¾ inches, full margins. Signed, dated and numbered 33/100 in pencil, lower margin. A very good
0121: KAREL APPEL Mouse on a Table.Est. $1,500-$2,500
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KAREL APPEL Clown Flower.: KAREL APPEL Clown Flower. Painted wood multiple, 1978. 1250x1000x270 mm; 49½x39½x11 inches. Signed in oil, lower recto, and numbered 7/8 in oil, lower verso.Ex-collection private
0122: KAREL APPEL Clown Flower.Est. $10,000-$15,000
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KAREL APPEL Flying High in the Night Sky.: KAREL APPEL Flying High in the Night Sky. Color pochoir and carborundum on heavy white wove paper, 1977. 740x880 mm; 29¼x34¾ inches (sheet), full margins. Signed, dated and numbered
0123: KAREL APPEL Flying High in the Night Sky.Est. $1,500-$2,500
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FRIEDENSREICH HUNDERTWASSER Flooded Sleep.: FRIEDENSREICH HUNDERTWASSER Flooded Sleep. Color woodcut on Japan paper, 1973. 385x520 mm; 15x20½ inches, full margins. Signed, annotated and numbered 99/200 in ink, lower left. Printed by
0126: FRIEDENSREICH HUNDERTWASSER Flooded Sleep.Est. $3,000-$5,000
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ROBERT GOODNOUGH Blue Color Vertical.: ROBERT GOODNOUGH Blue Color Vertical. Oil and acrylic on canvas, 1975. 2130x1020 mm; 84x40 inches. Signed, titled, dated and annotated in oil, verso.Ex-collection private collection, Chicago.
0127: ROBERT GOODNOUGH Blue Color Vertical.Est. $4,000-$6,000
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ROBERT GOODNOUGH Portfolio #1-#4.: ROBERT GOODNOUGH Portfolio #1-#4. Complete set of 4 color screenprints on smooth white wove paper, 1973. Each 560x760 mm; 22x30 inches, full margins. Each signed, dated and numbered 149/150 in
0128: ROBERT GOODNOUGH Portfolio #1-#4.Est. $1,500-$2,500
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SAM FRANCIS Blue Bones.: SAM FRANCIS Blue Bones. Color lithograph on Rives BFK, 1964. 448x337 mm; 17x13¼ inches (sheet), full margins. Edition of 101. Signed in pencil, lower right. Printed by Emil Matthieu Atelier,
0130: SAM FRANCIS Blue Bones.Est. $2,500-$3,500Lot Passed
SAM FRANCIS An 8 Set--4.: SAM FRANCIS An 8 Set--4. Color lithograph on Rives BFK, 1964. 279x381 mm; 11x15 inches (sheet), full margins. Printer's proof, aside from the edition of 100. Signed and inscribed "printer's proof"
0131: SAM FRANCIS An 8 Set--4.Est. $2,500-$3,500Lot Passed
SAM FRANCIS Untitled.: SAM FRANCIS Untitled. Color lithograph on Rives BFK, 1986. 759x559 mm; 29¾x22 inches (sheet), full margins. One of 20 numbered hors commerce impressions, aside from the edition of 176. Signed
0132: SAM FRANCIS Untitled.Est. $4,000-$6,000Lot Passed
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SAM FRANCIS Untitled (SF-346).: SAM FRANCIS Untitled (SF-346). Color lithograph on Waterleaf white wove paper. 1991. 760x1180 mm; 29¾x46¼ inches (sheet), full margins. Artist's proof, aside from the edition of 100.
0133: SAM FRANCIS Untitled (SF-346).Est. $5,000-$8,000
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PAUL JENKINS Seeing Voice Welsh Heart.: PAUL JENKINS Seeing Voice Welsh Heart. Three (of 6) color lithographs on BFK Rives, 1965. Each 380x270 mm; 15x10¾ inches, full margins. Each an artist's proof, aside from the edition of 150.
0134: PAUL JENKINS Seeing Voice Welsh Heart.Est. $1,500-$2,500
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PAUL JENKINS Two color lithographs.: PAUL JENKINS Two color lithographs. Regiment March, 1971. 680x535 mm; 26¾x21¼ inches, full margins. Artist's proof. Signed, titled, dated and inscribed "Trial Proof" lower left *
0135: PAUL JENKINS Two color lithographs.Est. $1,500-$2,500
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PAUL JENKINS Sheffield Blue.: PAUL JENKINS Sheffield Blue. Color lithograph on Somerset rag paper, 1981. 965x750 mm; 28x29½ inches (sheet), full margins. Signed, dated and numbered 125/150 in pencil, lower left. Published
0136: PAUL JENKINS Sheffield Blue.Est. $1,500-$2,500
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PAUL JENKINS At Stroke of Twelve.: PAUL JENKINS At Stroke of Twelve. Color lithograph on Rives BFK, 1999. 535x425 mm; 21x16¾ inches, full margins. Signed, titled, dated and numbered 116/200 in pencil, lower margin. Printed by
0137: PAUL JENKINS At Stroke of Twelve.Est. $1,000-$1,500
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WILLIAM H. ALPERT Untitled.: WILLIAM H. ALPERT Untitled. Watercolor on white wove paper, 2000. 765x573 mm; 30¼x22½ inches. Dated in pencil, lower right recto. With the artist's estate ink stamp, verso.Ex-collection
0139: WILLIAM H. ALPERT Untitled.Est. $1,000-$1,500Lot Passed
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JAMES BROOKS Concord.: JAMES BROOKS Concord. Color screenprint on wove paper, 1975. 715x520 mm; 28¼x20 inches, full margins. Signed, dated and numbered 50/200 in pencil, lower margin. Printed by Styria Studio, New
0140: JAMES BROOKS Concord.Est. $1,000-$1,500
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JOHN CHAMBERLAIN Flashback I.: JOHN CHAMBERLAIN Flashback I. Color screenprint on Rives BFK, 1981. 486x372 mm; 19¼x14¾ inches, full margins. Signed and numbered LXIV/LXXV in pencil, lower margin. Published by London
0141: JOHN CHAMBERLAIN Flashback I.Est. $1,500-$2,500Lot Passed
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JOHN CHAMBERLAIN Two color monotypes.: JOHN CHAMBERLAIN Two color monotypes. Both on Arches, circa 1990. Both 1055x750 mm; 41½x29½ inches (sheets), full margins. Both signed and titled in pencil, lower margin, and with the
0142: JOHN CHAMBERLAIN Two color monotypes.Est. $3,000-$5,000
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JOHN CHAMBERLAIN Lineup #36.: JOHN CHAMBERLAIN Lineup #36. Color screenprint on Somerset white wove paper, 1998. 555x750 mm; 22x29¾ inches (sheet), full margins. Signed, dated and numbered 60/63 in pencil, lower margin.
0144: JOHN CHAMBERLAIN Lineup #36.Est. $1,500-$2,500
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