MUSIC THEME EVENING SALE 2010-12-10 Auction - 19 Price Results - PHILLIPS in NY
11: STANLEY DONWOOD, i) Problem Intensity ii) Become Un9: DAMIEN HIRST, Beautiful Hours Spin Painting VI, 200812: JENNY HOLZER, Selections from Truisms (1977–1979) a
Done
New York, NY, United States
Auction Details

MUSIC THEME EVENING SALE

An evening sale of music-influenced Contemporary Art, Editions, Photographs and Memorabilia.
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IDRIS KHAN, Rachmaninoff...Preludes, 2007: Rachmaninoff...Preludes, 2007 Digital colour coupler print, flush-mounted to aluminium. 241.3 x 177.8 cm (95 x 70 in). Signed, dated in ink and numbered AP 1/2 on a label affixed to the reverse of
0001: IDRIS KHAN, Rachmaninoff...Preludes, 2007Est. £35,000-£40,000
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CHRISTIAN MARCLAY, Les Vierges, 1991: Les Vierges, 1991 Record covers and thread in Plexiglas frame 55 × 41 cm (21 5/8 × 16 1/8 in). Signed and dated 'Christian Marclay 1991' on the reverse. PROVENANCE Tom Cugliani Gallery, New York
0003: CHRISTIAN MARCLAY, Les Vierges, 1991Est. £12,000-£18,000
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GREGOR HILDEBRANDT, Pictures of You (Cure), 2007: Pictures of You (Cure), 2007 Magnetic audio cassette tape on canvas. 274 × 173.5 cm (107 7/8 × 68 3/8 in). Signed, titled and dated "2007 G. Hildebrandt Pictures of you [Cure]" on the reverse.
0004: GREGOR HILDEBRANDT, Pictures of You (Cure), 2007Est. £18,000-£22,000
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BANKS VIOLETTE, Untitled (Disappear), 2004: Untitled (Disappear), 2004 Scaffolding poles, hardware, plywood and tinted epoxy resin. 244 x 244 x 87 cm (96 x 96 x 34 1/4 in). † PROVENANCE Team Gallery, New York EXHIBITED New York, Team
0005: BANKS VIOLETTE, Untitled (Disappear), 2004Est. £30,000-£40,000
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BANKS VIOLETTE, Hate them (Single Stage), 2004: Hate them (Single Stage), 2004 Polystyrene, polyurethane, tinted epoxy resin, wood, steel, scaffolding poles, drum stands and hardware. Overall: 150 x 297 x 366 cm (59 x 117 x 144 1/8 in). †
0006: BANKS VIOLETTE, Hate them (Single Stage), 2004Est. £60,000-£80,000
JOHN ARMLEDER, Untitled (FS 245), 1990: Untitled (FS 245), 1990 Acrylic on canvas, Marshall amplifier model 2205, and Marshall box model 1960B. Canvas: 190 × 190 cm (74 3/4 × 74 3/4 in); amplifier and box: 110 × 77 × 38 cm (43 1/3 ×
0007: JOHN ARMLEDER, Untitled (FS 245), 1990Est. £60,000-£80,000Lot Passed
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GEORGE CONDO, The Jimi Hendrix Experience, 1999: The Jimi Hendrix Experience, 1999 Silkscreen on canvas. 152.5 × 152.5 cm (60 × 60 in). ‡ PROVENANCE Galerie Monika Sprüth, Cologne; The Pisces Collection, Switzerland EXHIBITED
0008: GEORGE CONDO, The Jimi Hendrix Experience, 1999Est. £60,000-£80,000
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DAMIEN HIRST, Beautiful Hours Spin Painting VI, 2008: Beautiful Hours Spin Painting VI, 2008 Household gloss on canvas. 203.2 × 177.8 cm (80 × 70 in). Signed, titled and dated 'Damien Hirst "Beautiful Hours Spin Painting VI" 2008' on the reverse and
0009: DAMIEN HIRST, Beautiful Hours Spin Painting VI, 2008Est. £250,000-£350,000
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STANLEY DONWOOD, i) Problem Intensity ii) Become Un: i) Problem Intensity ii) Become United iii) Business Penis, 2010 Each: acrylic on birch panel. Each: 190 x 89 cm (75 x 35 in). Each signed and dated 'Stanley Donwood 2010' on the turnover edge.
0011: STANLEY DONWOOD, i) Problem Intensity ii) Become UnEst. £15,000-£20,000
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ARMAN, Untitled, 1972: Untitled, 1972 Broken cello in Plexiglas. 162 × 132 × 19 cm (63 3/4 × 52 × 7 7/16 in). This work is registered in the Arman Archive under number APA 8208.72.088. ‡ PROVENANCE Private
0013: ARMAN, Untitled, 1972Est. £80,000-£150,000
ANDY WARHOL, Mick Jagger, 1975: Mick Jagger, 1975 Screenprint in colours, on Arches Aquarelle paper. 110.5 x 73.7 cm (43 1/2 x 29 in). Signed by the artist and Mick Jagger and numbered 147/250 in pencil on the reverse, published by
0014: ANDY WARHOL, Mick Jagger, 1975Est. £18,000-£25,000Lot Passed
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BILLY CHILDISH, Self-Portrait, 2005-2006: Self-Portrait, 2005-2006 Oil on canvas. 92 x 71 cm (36 1/4 x 28 in). ♠ PROVENANCE Brandler Galleries, Brentwood EXHIBITED Brentwood, Brandler Galleries, London prices and Brentwood prices,
0015: BILLY CHILDISH, Self-Portrait, 2005-2006Est. £12,000-£18,000
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ROBERT CRUMB, Note to Marty Pahls, 1959: Note to Marty Pahls, 1959 Crayon, graphite and ink on paper. 21 x 14 cm (8 1/4 x 5 1/2 in). Signed, dated and annotated 'R.Crumb (COVER TO LETTER TO MARTY PAHLS, 1959) on the reverse. PROVENANCE
0016: ROBERT CRUMB, Note to Marty Pahls, 1959Est. £6,000-£8,000
VANESSA BEECROFT, VBKW.16.JJ, Los Angeles, 2008: VBKW.16.JJ, Los Angeles, 2008 Colour coupler print, Diasec mounted. 127 x 183 cm (50 x 72 in). This work is from an edition of 3 and accompanied by a certificate of authenticity signed by the artist.
0017: VANESSA BEECROFT, VBKW.16.JJ, Los Angeles, 2008Est. £12,000-£18,000Lot Passed
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VANESSA BEECROFT, VBKW.14.JJ, Los Angeles, 2008: VBKW.14.JJ, Los Angeles, 2008 Colour coupler print, Diasec mounted. 127 x 183 cm (50 x 72 in). This work is from an edition of 3 and accompanied by a certificate of authenticity signed by the artist.
0018: VANESSA BEECROFT, VBKW.14.JJ, Los Angeles, 2008Est. £12,000-£18,000