Old Master Through Modern Prints 2022-04-28 Auction - 470 Price Results - Swann Auction Galleries in NY - Page 15
PABLO PICASSO Le Repas Frugal.ALBRECHT DÜRER The Nemesis.PAUL CÉZANNE Les Baigneurs (grande planche).
Done
New York, NY, United States
Auction Details

Old Master Through Modern Prints

The spring auction of Old Master Through Modern Prints features iconic images from the late-fifteenth century through the mid-twentieth century. Top lots include Pablo Picasso?s chef d?oeuvre etching and drypoint Le Repas Frugal, 1904, and Rembrandt van Rijn?s early Self Portrait with Raised Sabre, etching, 1634, both exceedingly important prints showcasing the talents of these master printmakers at the outset of their highly influential artistic careers.
Auction Curator:
Todd Weyman
Todd Weyman
Vice President of Swann Galleries
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REGINALD MARSH East Tenth Street Jungle.: REGINALD MARSHEast Tenth Street Jungle.Etching, 1934. 203x305 mm; 7x7 inches, full margins. Fourth state (of 4). Edition of approximately 22. Signed and numbered "#16" in pencil, lower margin. A very
0338: REGINALD MARSH East Tenth Street Jungle.Est. $3,000-$5,000
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REGINALD MARSH Frozen Custard.: REGINALD MARSHFrozen Custard.Etching and engraving, 1939. 178x254 mm; 7x10 inches, full margins. Second state (of 2). Edition of approximately only 18. Signed in pencil, lower margin. A very good,
0339: REGINALD MARSH Frozen Custard.Est. $2,000-$3,000
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REGINALD MARSH Grand Tier at the Met.: REGINALD MARSHGrand Tier at the Met.Engraving, 1939. 175x245 mm; 6x9¾ inches, full margins. Third state (of 3). Edition of approximately only 15. Signed in pencil, lower right. A very good
0340: REGINALD MARSH Grand Tier at the Met.Est. $1,000-$1,500
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FRITZ EICHENBERG City Lights.: FRITZ EICHENBERGCity Lights.Wood engraving, 1934. 159x120 mm; 6¼x4¾ inches, full margins. Edition of 200. Signed, titled and inscribed "Ed. 200" in pencil, lower margin. Published by
0341: FRITZ EICHENBERG City Lights.Est. $1,000-$1,500
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MARTIN LEWIS Butter and Egg Man's Holiday.: MARTIN LEWISButter and Egg Man's Holiday.Drypoint and sand ground etching printed in dark brownish black, 1926. 250x175 mm; 9x6 inches, full margins. Edition of approximately only 19. Signed and
0342: MARTIN LEWIS Butter and Egg Man's Holiday.Est. $3,000-$5,000
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MARTIN LEWIS The Lunch Counter.: MARTIN LEWISThe Lunch Counter.Etching printed in dark brownish black, 1927. 177x252 mm; 6x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. A superb, dark
0343: MARTIN LEWIS The Lunch Counter.Est. $4,000-$6,000
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MARTIN LEWIS Sunday Garden Inspection.: MARTIN LEWISSunday Garden Inspection.Drypoint, 1927. 300x202 mm; 11¾x8 inches, full margins. Second state (of 2). Edition of 34. Signed and inscribed "imp" in pencil, lower right. A brilliant,
0344: MARTIN LEWIS Sunday Garden Inspection.Est. $4,000-$6,000
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MARTIN LEWIS Circus Night.: MARTIN LEWISCircus Night.Drypoint and sandpaper ground, 1933. 283x378 mm; 11x14 inches, full margins. Edition of 43. Signed in pencil, lower right. A superb, richly-inked impression of this extremely
0345: MARTIN LEWIS Circus Night.Est. $20,000-$30,000
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MARTIN LEWIS Hi-Li Tournament.: MARTIN LEWISHi-Li Tournament.Drypoint, 1937. 214x335 mm; 8x13¼ inches, full margins. Edition of approximately only 13. Signed in pencil, lower right. A superb impression of this extremely scarce
0346: MARTIN LEWIS Hi-Li Tournament.Est. $7,000-$10,000
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MARTIN LEWIS The Equilibrists.: MARTIN LEWISThe Equilibrists.Drypoint and aquatint, 1939. 253x403 mm; 9x15 inches. First state (of 2), before the reduction of the plate. One of only 5 artist's proofs from the edition of only 10 in
0347: MARTIN LEWIS The Equilibrists.Est. $6,000-$9,000
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THOMAS HART BENTON Jessie and Jake.: THOMAS HART BENTONJessie and Jake.Lithograph, 1942. 340x252 mm; 13x10 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very
0348: THOMAS HART BENTON Jessie and Jake.Est. $2,000-$3,000
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THOMAS HART BENTON The Boy.: THOMAS HART BENTONThe Boy.Lithograph, 1948. 242x350 mm; 9½x13¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
0349: THOMAS HART BENTON The Boy.Est. $2,000-$3,000
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THOMAS HART BENTON Edge of Town.: THOMAS HART BENTONEdge of Town.Lithograph, 1938. 225x273 mm; 8x10¾ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
0350: THOMAS HART BENTON Edge of Town.Est. $2,500-$3,500
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THOMAS HART BENTON Sunday Morning.: THOMAS HART BENTONSunday Morning.Lithograph, 1939. 245x322 mm; 9x12¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
0351: THOMAS HART BENTON Sunday Morning.Est. $1,500-$2,500
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THOMAS HART BENTON Instruction.: THOMAS HART BENTONInstruction.Lithograph, 1940. 265x315 mm; 10x12 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good
0352: THOMAS HART BENTON Instruction.Est. $2,000-$3,000
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THOMAS HART BENTON Wreck of the Ol'97.: THOMAS HART BENTONWreck of the Ol'97.Lithograph, 1944. 263x382 mm; 10 x15 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
0353: THOMAS HART BENTON Wreck of the Ol'97.Est. $8,000-$12,000
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JOHN STEUART CURRY John Brown.: JOHN STEUART CURRYJohn Brown.Lithograph, 1939. 378x277 mm; 14¾x11 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
0354: JOHN STEUART CURRY John Brown.Est. $4,000-$6,000
GRANT WOOD Approaching Storm.: GRANT WOODApproaching Storm.Lithograph, 1940. 301x226 mm; 11x8 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good
0355: GRANT WOOD Approaching Storm.Est. $5,000-$8,000Lot Passed
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GRANT WOOD March.: GRANT WOODMarch.Lithograph, 1939. 228x302 mm; 9x12 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impression. Cole
0356: GRANT WOOD March.Est. $4,000-$6,000
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GRANT WOOD December Afternoon.: GRANT WOODDecember Afternoon.Lithograph, 1941. 228x302 mm; 9x11 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good
0357: GRANT WOOD December Afternoon.Est. $2,500-$3,500
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GRANT WOOD January.: GRANT WOODJanuary.Lithograph, 1936. 230x303 mm; 9x12 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression.
0358: GRANT WOOD January.Est. $4,000-$6,000
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JOHN ROGERS COX Wheat Shocks.: JOHN ROGERS COXWheat Shocks.Lithograph, 1951. 223x300 mm; 8¾x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
0359: JOHN ROGERS COX Wheat Shocks.Est. $1,500-$2,500
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STOW WENGENROTH Lower Fifth Avenue.: STOW WENGENROTHLower Fifth Avenue.Lithograph, 1959. 261x405 mm; 10x15 inches, full margins. Artist's proof, aside from the edition of 40. Signed and inscribed "Printer's proof" in pencil, lower
0360: STOW WENGENROTH Lower Fifth Avenue.Est. $6,000-$9,000
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STOW WENGENROTH Serenity.: STOW WENGENROTHSerenity.Lithograph, 1951. 301x454 mm; 11¾x17 inches, full margins. Edition of 100. Signed and inscribed "Ed/100" in pencil, lower margin. A very good impression. Stuckey 199.
0361: STOW WENGENROTH Serenity.Est. $1,000-$1,500