African American Art Auction on Oct 1, 2026 by Swann Auction Galleries in NY
Elizabeth Catlett (1915-2012), I am the Black Woman, 1946-47.
Jacob Lawrence (1917-2000), The Legend of John Brown, 1977.
Simone Leigh (b. 1967), Untitled, 2012.
Starts on:
New York, NY, United States
Auction Details

African American Art

This fall marks the 20th anniversary of the founding of the African American Art department. Our October 1 auction will highlight a rich diversity of artists whose auction market was established by this trailblazing department.

Leading the sale is Elizabeth Catlett's important "I am the Black Woman," a complete set of 14 linoleum cuts (with three printed in color),1946–47. These prints were first shown in the artist's first solo exhibition at the Barnett-Aden Gallery. Each print in this set, printed in 1989, is numbered 9/20. This is only the second time a complete set has appeared at auction; the last one was sold at Swann in 2013. Another important set featured in the sale is Jacob Lawrence's "The Legend of John Brown," the complete portfolio of 22 vivid color screenprints.

The auction includes a significant group of prints from the collection of Russell & Rowena W. Jelliffe, produced at Karamu House in Cleveland, Ohio. The Jelliffes were the founders and directors of this important, integrated arts center in 1915; Karamu House is now the nation's oldest center for Black theater. The group includes scarce prints by Elmer Brown, Charles Sallee, Hughie Lee-Smith, William E. Smith and other artists of the WPA era.

A sculpture highlight is Richmond Barthé's 1969 "Black Majesty." Cast during his brief time in Florence, Italy, it is a majestic figure and a scarce example of a large female bronze by Barthé.

The auction will also feature post-war paintings by Barbara Zuber, Thomas Sills and modernist works from the estates of Felrath Hines and Walter Augustus Simon, including his impressive 1971 acrylic on canvas, "Musawwarrat es-Sufra (Sudan)." Contemporary highlights include "Blue Black Boy," an iconic toned photograph with printed text by Carrie Mae Weems from her 1987-88 "Colored People" series. .

Auction Curator:

Nigel Freeman
Nigel Freeman
Head of Fine Art
Live Bidding Starts In:
8 days 11 hrs 4 mins 47 secs 
Hale Woodruff (1900-1980), Sunday Promenade, 1935.: Hale Woodruff (1900-1980) Sunday Promenade. Linoleum cut on buff Japan paper, 1935. An early impression, printed circa late 1930s. Signed and titled in pencil, lower margin. Image: 9 3/4 x 7 3/4 in.
Est.
$2,000
-
$3,000
$1,500
Dox Thrash (1893-1965), Sunday Morning, 1939.: Dox Thrash (1893-1965) Sunday Morning. Drypoint, 1939. Signed and titled in pencil, lower margin. Published by the Federal Art Project, WPA, Pennsylvania, Ittmann 23. 8 7/8 x 7 7/8 in. (22.5 x
Est.
$6,000
-
$9,000
$4,400
Ernest Crichlow (1914-2005), After Dark, 1944.: Ernest Crichlow (1914-2005) After Dark. Oil on canvas board, 1944. Signed, titled and dated in pencil, label verso. 12 x 10 in. (30.5 x 25.4 cm.), Frame: 17 x 15 x 3 in. (43.2 x 38.1 x 7.6 cm.)
Est.
$3,000
-
$5,000
$2,200
Laura Wheeler Waring (1887-1948), Maria, circa 1940s.: Laura Wheeler Waring (1887-1948) Maria. Oil on canvas, circa 1940s. Signed in oil, lower left recto. Titled and inscribed in oil with the artist's Philadelphia address, verso. 16 x 12 in. (40.6 x
Est.
$10,000
-
$15,000
$7,500
Charles L. Sallée Jr. (1913-2006), Martha, 1938.: Charles L. Sallée, Jr. (1913-2006) Martha. Etching and aquatint printed in brown on cream wove paper, c. 1940. Signed and titled in pencil, lower margin. Salsbury/Benay 70. Image: 9 3/4 x 7 3/4
Est.
$3,000
-
$5,000
$2,200
Fred Carlo (1911-1987), Turtleneck, circa 1938-41.: Fred Carlo (1911-1987) Turtle Neck. Linoleum cut on wove paper, circa 1941. Signed and titled in pencil, lower margin. Salsbury/Benay 34. Image: 9 x 7 in. (22.9 x 17.8 cm.), full margins. Additional
Est.
$2,000
-
$3,000
$1,500
Hughie Lee-Smith (1914-1999), The Kite Flyers, 1939.: Hughie Lee-Smith (1914-1999) The Kite Flyers. Drypoint on cream wove paper, 1939. Signed, titled and dated in pencil, lower margin. Published by the Federal Art Project, WPA, Cleveland.
Est.
$4,000
-
$6,000
$3,000
William E. Smith (1913-1977), Maybe Tomorrow, 1941.: William E. Smith (1913-1977) Maybe Tomorrow. Linoleum cut on cream wove paper, 1941. Edition of 50. Signed, titled and dated in pencil, lower margin. Teller 24; Salsbury/Benay 116. Image: 10 1/4 x 7
Est.
$4,000
-
$6,000
$3,000
William E. Smith (1913-1977), Little Joy, 1940.: William E. Smith (1913-1977) Little Joy. Linocut on cream wove paper, 1940. Signed, titled and dated in pencil, lower margin. Teller 16; Salsbury/Benay 105. 8 1/8 x 6 1/8 in. (20.6 x 15.6 cm.)
Est.
$3,000
-
$5,000
$2,200
William E. Smith (1913-1977), Pay Day, 1941.: William E. Smith (1913-1977) Pay Day. (Second Version). Linoleum cut on thin wove paper, 1941. Signed, titled and numbered 15/75 in pencil, lower margin. Teller 10; Salsbury/Benay 117 8 1/4 x 6 in.
Est.
$4,000
-
$6,000
$3,000