Forever Ellington - May 18 2016-05-18 Auction - 249 Price Results - Guernsey's in NY - Page 2
Duke Ellington's Baby Grand PianoPulitzer Prize StatuetteSatin Doll, Painting by Duke Ellington
Done
New York, NY, United States
Auction Details

Forever Ellington - May 18

Few individuals have had a greater influence on the twentieth century popular culture than Duke Ellington. His remarkable musical legacy combined with an unfailing sense of style have accorded him iconic status. And although such evergreen hits as Take the A Train, It Don't Mean A Thing (If It Ain't Got That Swing) and Satin Doll resonate from coast to coast, that he was our nation's Jazz Ambassador endeared the Duke to a global audience.
"Con-Go," Contract: 11" x 8.5". This contract, dated April 24th 1964, is for the composition "Con-Go," co-composed by Duke Ellington and Aaron Bell. Aaron Bell performed as a bassist with the Duke Ellington Orchestra on
0025: "Con-Go," ContractEst. $1,000-$1,400Lot Passed
Sold
"Things Ain't What They Used To Be," Contract: 14" x 8.5". This contract, dated November 20th 1942, is for the composition "Things Ain't What They Used To Be," co-composed by Mercer Ellington and Ted Persons. This contract features the signatures
0026: "Things Ain't What They Used To Be," ContractEst. $600-$800
Sold
"Perdido," Contract: 14" x 8.5". This contract, dated July 1st 1942, is for the composition "Perdido," co-composed by Juan Tizol, Harry Lenk, and Ervin Drake. Tizol was the primary composer. The song was one of the Duke
0027: "Perdido," ContractEst. $600-$800
Sold
"Zanzibar," Contract: 11" x 8.5". This contract, dated April 15 1946, is for the composition "Zanzibar," formerly known as "Morocco," co-composed by Harry James, Juan Tizol, and Don George. Juan Tizol played with the Duke
0028: "Zanzibar," ContractEst. $600-$800
Sold
Things Ain't What They Used To Be: 14" x 8.5". This contract, dated November 20th 1942, is for the composition "Things Ain't What They Used To Be," co-composed by Mercer Ellington and Ted Persons. This contract features the signatures
0029: Things Ain't What They Used To BeEst. $600-$800
Sold
"Skin Deep," Contract: 14" x 8.5". This contract, dated December 5th 1951, is for the composition "Skin Deep," composed by Louie Bellson. Bellson is credited with pioneering the use of two bass drums in a drum kit and
0030: "Skin Deep," ContractEst. $600-$800
Sold
"The Hawk Talks," Contract: 14" x 8.5". This contract, dated May 25th 1951, is for the composition "The Hawk Talks," composed by Louie Bellson. Bellson is credited with pioneering the use of two bass drums in a drum kit and
0032: "The Hawk Talks," ContractEst. $600-$800
"Skin Deep," Contract: 14" x 8.5". This contract, dated December 5th 1951, is for the composition "Skin Deep," composed by Louie Bellson. Bellson is credited with pioneering the use of two bass drums in a drum kit and
0033: "Skin Deep," ContractEst. $600-$800Lot Passed
"Ting-A-Ling," Contract: 14" x 8.5". This contract, dated May 25th 1951, is for the composition "Ting-A-Ling," co-composed by Louie Bellson and Charlie Shavers. Bellson is credited with pioneering the use of two bass drums
0034: "Ting-A-Ling," ContractEst. $600-$800Lot Passed
Sold
"Rain in Your Eyes" or "Teardrops in the Rain,": "Rain in Your Eyes" or "Teardrops in the Rain," Contract. 14" x 8.5". This contract, dated July 31st 1945, is for the composition "Rain In Your Eyes," also known as "Teardrops in the Rain," composed
0036: "Rain in Your Eyes" or "Teardrops in the Rain,"Est. $600-$800
Sold
"Everything Goes" and "Home Town," Contract: 14" x 8.5". This contract, dated May 16th 1946, is for the compositions "Everything Goes" and "Home Town," both composed by William "Cat" Anderson. Anderson joined the Duke Ellington Orchestra in
0037: "Everything Goes" and "Home Town," ContractEst. $600-$800
"El Gato," Contract: 11" x 8.5". This contract, dated March 27th 1958, is for the composition "El Gato," composed by William "Cat" Anderson. Anderson joined the Duke Ellington Orchestra in 1944 and continued to play with
0038: "El Gato," ContractEst. $600-$800Lot Passed
"Blue Jean Beguine," Contract: 14" x 8.5". This contract, dated June 18th 1953, is for the composition "Blue Jean Beguine," composed by William "Cat" Anderson. Anderson joined the Duke Ellington Orchestra in 1944 and continued to
0039: "Blue Jean Beguine," ContractEst. $600-$800Lot Passed
"Night Walk," Contract: 14" x 8.5". This copyright contract, dated June 5th 1951, is for the compositions "Night Walk," composed by William "Cat" Anderson. Anderson joined the Duke Ellington Orchestra in 1944 and continued
0040: "Night Walk," ContractEst. $600-$800Lot Passed
Sold
Luther Henderson Documents: Contract: 13" x 8.5" Handwritten manuscript: 12" x 16". This lot includes one copyright contract and one handwritten manuscript. This contract, dated April 19th 1956, is for the composition "What Can
0042: Luther Henderson DocumentsEst. $1,800-$2,200
Sold
"Sonata" or "Balcony Serenade," Contract: 11" x 8.5". This contract, dated April 16th 1945, is for the composition "Sonata," by Billy Strayhorn. In delicate parentheses, someone has handwritten next to the title, "(now known as 'Balcony
0043: "Sonata" or "Balcony Serenade," ContractEst. $700-$900
Sold
"E and D Blues (Ella and Duke Blues)," Contract: 11" x 8.5". This contract, dated October 23rd 1957, is for the composition "E and D Blues (Ella and Duke Blues)", co-composed by Duke Ellington and John Sanders. John Sanders was a trombonist in the
0044: "E and D Blues (Ella and Duke Blues)," ContractEst. $1,000-$1,400
Sold
"Blossom," Contract: 16.5" x 8.5". This copyright contract, dated February 2nd 1954, is for the composition "Blossom," co-composed by Duke Ellington and Billy Strayhorn. This contract is in excellent condition and bears
0045: "Blossom," ContractEst. $1,200-$1,600
Sold
"Flame Indigo," Contract: 11" x 8.5". This is a modification on the copyright agreement of "Flame Indigo" between Robbins Music Corp., Paul Webster and Duke Ellington. It is dated December 17, 1941, and signed by Duke
0046: "Flame Indigo," ContractEst. $1,000-$1,400
Sold
"Don't You Know I Care," Assorted Documents: From the Duke Ellington Collection, assorted documents pertaining to the composition, "Don't You Know I Care (Or Don't You Care to Know)," co-composed by Duke Ellington and Mack David. Lot includes
0047: "Don't You Know I Care," Assorted DocumentsEst. $1,500-$1,900
Sold
"Waiting," Assorted Documents: From the Duke Ellington Collection, assorted documents pertaining to the composition "Waiting," co-composed by Duke Ellington and Leo Fox. Lot includes two contracts, one with Fox's signature, and
0048: "Waiting," Assorted DocumentsEst. $1,000-$1,400