Kenneth Stancin (1938-2012) California

Kenneth Stancin (American/California, 1938-2012), "Museum of Modern Art", 1978, silkscreen, signed and dated lower right, titled center, inscribed "A/P" lower left, signed, titled, dated and inscribed

FIVE GOLD BIRD, 1971, oil painting on Masonite, signed and dated lower right, 12 x 24”, frame 19 ½ x 31 ¼”.

CANTERLEVER LANDSCAPE, 2003, oil painting on Masonite, signed and dated lower left, titled on verso, 20 x 16”; BY THE RIVER, 1999, oil painting on card artist mounted to corrugated cardboard, si

ISLE OF BLISS, 2007, oil painting, signed and date lower right, titled on verso, 22 x 28”.

Kenneth Price (American/California, 1935-2012), "French Figurine Cup", 1971, color lithograph, titled, signed and dated in pencil lower right, sight 37" x 27". Glazed, matted and framed.

AT TIMES SHE THOUGHT OF FISH, 2012, acrylic painting on panel, signed and dated lower right side, 26 x 23 ¾”.

AT TIMES SHE THOUGHT OF FISH, 2012, acrylic painting on panel, signed and dated lower right side, 26 x 23 ¾”.

EYE OF THE STORM (with Frank Stella), 2012, gouache on panel, signed and dated on right side, 20 ¾ x 18 ¼”.

ONE EYED JACKS & THE MAN WITH THE AXE, 2012, acrylic and gouache painting on panel, signed and dated lower right side, 18 x 28”.

UNTITLED, 2012, acrylic painting and gouache on shaped wood panel with cut-out, signed and dated on the right side, titled on verso, 32 x 41”.

WITH THE FISHES 2012, gouache and acrylic painting on board, signed and dated lower right, 27 x 18 ¾”.

BLUE WINGED MOUNTAIN TANAGER, 2012, gouache on paper, signed and dated lower right, sight 12 x 9”, frame 21 x 17 ½”.

SCENIC LANDSCAPE VIEW NEAR SANTA BARBARA, oil painting on canvas, signed lower left, 30 x 40”, hand carved gold leaf frame 36 ½ x 46 ½ x 2 ½”.

1984; bronze; signed "Ken Payne" in casting, dated and numbered 31/45; mounted to wooden plinth; the bronze: 16 inches wide, 13 1/4 inches high; overall: 16 1/2 inches wide; 15 1/4 inches high

MCGRAW WATCHING TRAVIS JACKSON HIT, 1982, oil painting on canvas, signed and dated and titled on verso, 53 x 68”, frame 54 x 69”. Provenance: OK Harris Gallery, New York City.

HUMPTY DUMPTY& MARLENE, 1977, cast Polyester resin sculpture with airbrush lacquer finish, signed and numbered AP #3 (artist’s proof) underneath base, aside from the edition of 10, sculpture 5 x

Framed oil painting on canvas, Deer and Snow on the Bay, signed lower right Van Megert (Jerry Van Megert, Oregon, California, b. 1938), brief biography at verso, sight: 67.25"h, 47.25"d, overall: 75.7

SOME ONLINE SAY THE WORLD WILL END ON FIRE, acrylic painting on shaped panel, signed and dated lower right, 17 x 23 ¼”.

THE RELENTLESS TORRENT OF INFORMATION (Running Dog), 2013, acrylic painting on shaped panel, signed and dated lower right side, overall 27 ½ x 46 ½ x 1 ¾”.

KIM IN A CUP with saucer, two part cast Polyester resin sculpture with airbrush lacquer finish, each signed and numbered 10/10, overall 6 x 10 ½ x 9 ½”.

Claire Maunsell a pair of polychrome glass vases, both with inscriptions or signatures underneath, 13” & 10” tall; Bertil Vallien Orange and multi-color vase, signed underneath, with Kosta

THE DOG JUMPED OVER THE MOONS, 2013, acrylic painting on panel with satellite, signed and dated lower right, panel 48 x 17 ¾”, satellite oval panel 5 ½ x 3 ½”.

POPCORN SURPRISE #7, 2017, acrylic painting on panel, signed and dated lower right, 17 ½ x 14 ½”.

THE LUMBAR REGION, 2005, acrylic painting on panel, signed and dated lower right, artist’s shaped panel 42 x 20”.