Post Medieval Stained Glass Panel with Saint Barbara

18th-19th century AD. A round glass panel with painted image of St. Barbara standing beside a castle tower, in a lead frame with band of dense foliage decoration, two lateral suspension loops; Dutch w

Circa 16th century A.D. D-shaped with lead came frame; painted image of an angel emerging from behind clouds holding a trumpet in both hands. 120 grams, 16.5 cm (6 1/2 in.). De Baecque Vente aux enche

South Flanders, Tournai(?), c.1525 AD. An ogee-shaped glass panel in a lead-alloy frame, painted depiction of Saint Eligius of Noyon nimbate and seated on a throne reading a book on his lap, his crozi

France, Paris, 1594 A.D. A polychrome stained glass roundel in a lead frame, the upper third devoted to a depiction of the Adoration of the Kings, heraldic coat of arms below, flanked by text and date

19th century AD. A fragment of window glass comprising ten separate glass panels set into lead cames; the glass mainly a deep red and royal blue,with amber-coloured painted panels bearing leaf and ber

Set in a wood frame. Measuring 76 1/4" by 22". (2000/3000)

In the Style of a Late Medieval Stained Glass Panel, "Portrait of a Kneeling Donor, Northern Europe, probably c. 1500", the blonde knight, clad in battle armor, kneels in prayer accompanied by an (ind

Northern France, circa 1525 A.D. Rectangular, with lead came frame and later suspension loop to each corner; painted scene depicting a bishop wearing his mitre and chasuble and holding his crozier sta

France, early 16th century A.D. Irregular, with lead came frame and suspension loop; amber-coloured glass with sepia portrait of a fair-haired youth. 106 grams, 12.5 cm (5 in.). Galerie de Chartres, 2

Germany, c.1520-1540 AD. A rectangular glass panel with lead-alloy frame; painted scene of Christ wearing the crown of thorns kneeling on the Via Dolorosa carrying the cross, armoured figures behind w

c.1490 A.D. A group of two stained glass rectangular panels with scenes from the Annunciation; one with kneeling nimbate angel and scroll with legend 'Ave [Maria] Gra[tia] plena D[omi]n[u]s'; kneeling

c.1490 A.D. A group of two stained glass rectangular panels with scenes from the Annunciation; one with kneeling nimbate angel and scroll with legend 'Ave [Maria] Gra[tia] plena D[omi]n[u]s'; kneeling

113 x 48cmFootnote: Provenance: Property of a late gentleman collector, Norfolk

Decorative hanging stained glass panel depicting Saint Martin of Tours on horse; extending half of his cloak to peasant beggar. Signed by E. Schafer-Basel 1922. Lead frame. Overall good condition, hav

15th-19th century A.D. A rectangular stained glass window panel with lead cames; trees and columns of vegetation; mounted in a wooden frame. 3.4 kg, 49 x 52 cm (19 1/4 x 20 1/2 in."). UK Trade, 2020.

79 x 50cmFootnote: Provenance: Property of a late gentleman collector, Norfolk

above another panel of a saint, in a modern leaded glass surround 107 x 49cmFootnote: Provenance: Property of a late gentleman collector, Norfolk

c.1550 A.D. A stained glass panel in lead-alloy frame, painted image of an older man looking upwards with luxuriant beard and full head of hair, heavy eyelids and half-open mouth; possibly depicting t

Northern France, circa 1520 A.D.. Irregular glass panel with painted image of a winged angel with hands folded inside a partly-unfurled scroll; mounted in a display frame. 398 grams, 29 cm (1 1/8 in.)

19th century AD. A painted wooden discoid panel with rectangular base, depicting a saint with long brown hair, youthful face and a yellow halo. 1 kg, 31cm (12 1/4"). Property of an American gentleman;

A SET OF TWO CONTINENTAL STAINED GLASS PANELS, LATE 19TH CENTURY, two figures, the larger probably Saint Cecilia, patron saint of music, her head surrounded with a halo, she holds a small organ with a

(German, possibly mid-16th century) Commemorative work with four panels inset in circular crown glass medallions and depicting The Holy Trinity, the Last Supper and below, two portraits of Noblemen re

2 Early stained glass panels, one of Christ (crack across face), the other of a saint, largest sight 9" x 18"

Circa 1500 A.D. A framed quatrefoil stained glass panel showing Christ seated at the centre, holding a sceptre with the Lamb of God at his feet, between a bull (Saint Luke) and an eagle (Saint John).