Lance Richbourg (b. 1938) California (two)

MCGRAW WATCHING TRAVIS JACKSON HIT, 1982, oil painting on canvas, signed and dated and titled on verso, 53 x 68”, frame 54 x 69”. Provenance: OK Harris Gallery, New York City.; Together wi

MCGRAW WATCHING TRAVIS JACKSON HIT, 1982, oil painting on canvas, signed and dated and titled on verso, 53 x 68”, frame 54 x 69”. Provenance: OK Harris Gallery, New York City.

MEL OTT, 1982, graphite drawing on paper, signed and dated lower right, 30 x 22”. Proceeds to benefit UCLA Health.

HUMPTY DUMPTY; MERMAID, a pair of polychrome cast polyester resin sculptures with lacquer finish, each signed, Humpty numbered 1, Mermaid numbered 1/50, both from unrealized editions, both 7 ½&

SITTING BULL; GENERAL GEORGE CUSTER, circa 1990, two bronze sculptures with patina, each signed and numbered 2/50 & 1/50, both from unrealized editions, with wood bases 9” & 6 ¾” ta

LANCE RICHBOURG (American b. 1938) A PAINTING, "Campanella," 1982, oil on canvas, verso titled, signed, and dated with paper labels; 33" x 72", framed 37" x 76".

Gold glass head, signed and inscribed, with fabric bag, 3”; CRYSTAL FANTASY, color print, signed and inscribed in pen, sheet 9 ½ x 9 ½”. (2)

KIM IN A CUP with saucer, two part cast Polyester resin sculpture with airbrush lacquer finish, each signed and numbered 10/10, overall 6 x 10 ½ x 9 ½”.

(American, b. 1938) Signed l.r. and dated l.l. RDA#70234 Bin#70 Sight size: 29-3/4"h x 22-1/2"w

(American, b. 1938), Signed l.r. RDA# 70235 Bin# 125 Sight size: 29"h x 22"w

COLLECTION TWO WITH MAPLE DOUGHNUT, 2015, acrylic painting on panel, signed and dated lower right side, 21 x 21 ½”.

THE RULE OF TWOS, 2014, acrylic painting and gouache on wood panel, signed and dated lower right side, 21 ¼ x 47”.

Two (2) Judith Bledsoe (California, Europe b. 1938) signed lithographs in color. Both signed 'Judith Bledsoe' in pencil lower right. 1) Numbered 133/250 in pencil lower left. Measures 8.75-in. x 6.75-

SCENIC LANDSCAPE VIEW NEAR SANTA BARBARA, oil painting on canvas, signed lower left, 30 x 40”, hand carved gold leaf frame 36 ½ x 46 ½ x 2 ½”.

Fan Zeng, Chinese b. 1938, Two Calligraphy Scrolls; ink on paper, signed Fan Zeng with red seals. Calligraphy: 53" x 12 5/8"

AT TIMES SHE THOUGHT OF FISH, 2012, acrylic painting on panel, signed and dated lower right side, 26 x 23 ¾”.

HUMPTY DUMPTY& MARLENE, 1977, cast Polyester resin sculpture with airbrush lacquer finish, signed and numbered AP #3 (artist’s proof) underneath base, aside from the edition of 10, sculpture 5 x

Framed oil painting on canvas, Deer and Snow on the Bay, signed lower right Van Megert (Jerry Van Megert, Oregon, California, b. 1938), brief biography at verso, sight: 67.25"h, 47.25"d, overall: 75.7

AT TIMES SHE THOUGHT OF FISH, 2012, acrylic painting on panel, signed and dated lower right side, 26 x 23 ¾”.

SOME ONLINE SAY THE WORLD WILL END ON FIRE, acrylic painting on shaped panel, signed and dated lower right, 17 x 23 ¼”.

THE RELENTLESS TORRENT OF INFORMATION (Running Dog), 2013, acrylic painting on shaped panel, signed and dated lower right side, overall 27 ½ x 46 ½ x 1 ¾”.

Claire Maunsell a pair of polychrome glass vases, both with inscriptions or signatures underneath, 13” & 10” tall; Bertil Vallien Orange and multi-color vase, signed underneath, with Kosta

THE DOG JUMPED OVER THE MOONS, 2013, acrylic painting on panel with satellite, signed and dated lower right, panel 48 x 17 ¾”, satellite oval panel 5 ½ x 3 ½”.

POPCORN SURPRISE #7, 2017, acrylic painting on panel, signed and dated lower right, 17 ½ x 14 ½”.