Rembrant Van Rijn. "The Good Samaritan," etching

Etching on paper, titled "St. Jerome in a Dark Chamber", 1642" 6 x 6.8" signed and dated in place. Galerie Adrienne

Hinged to board. Sporadic foxing. Old collector notes in lower corner verso. Appx. 5 3/4" x 3 7/8". Provenance: Lower Delaware estate.

Large book consisting of etching prints of Rembrandt's paintings. Ca 1920's with introduction by Dr. Max Grisberg. Text in German. Book measures 12.5" x 17". Papers measure 12" x 16". Etchings measure

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove paper without watermark, platemark 91 x 83 mm (3 5/8 x

After Rembrandt van Rijn (Dutch, 1606-1669). A 19th Century later state Durand etching landscape scene. Good overall condition with wear to frame. Measures 1 1/2 in. x 3 1/4 in. (work, not including m

Beggars Receiving Alms at the Door of a House, Rembrandt van Rijn 1648 is a well-known and beloved example of the bitten line style worked by Rembrandt. This framed print of the etching is a good imag

Rembrandt (Rembrandt van Rijn) The Artist's Mother Seated at a Table Looking Right: Three-Quarter Length signed in plate with monogram.This framed print of the etching is a good image later state with

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

Rembrandt van Rijn (1606-1669)The Virgin and Child with the Cat and the SnakeEtching, 1654, a very good but later impression of New Hollstein's final state (of four), on cream laid paper without water

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark

** Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid paper without watermark, printing with plate tone and w

Original etching , laid down on stiff paper, badly repaired head of the receiving host. Trimmed all around, missing the blank space with the signature. otherwise a strong impression with some retouchi

Medium: etching (after Rembrandt). This is not an original Rembrandt etching, but is a good copy (by artist unknown) etched after Rembrandt. This is a late 19th Century impression printed on laid pape

Medium: etching (after Rembrandt). This is not an original Rembrandt etching, but is a good copy (by artist unknown) etched after Rembrandt. This is a late 19th Century impression on Arches laid paper

After Rembrandt Self-Portrait; The Good Samaritan (two works) 19th centuryetching, etching on Van Gelder Zonen 8.5 h &times; 7 w in (22 &times; 18 cm) 10.25 h &times; 8.25 w in (26 &times; 21 cm)<

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paper

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv