J. Hapgood American Half Stock Percussion Cap Kentucky Rifle, .36 Cal., 19th C., L 32” Barrel

John B. Botto (American, Kentucky, 19th Century) Cherokee Park, Louisvilleoil on canvassigned J.B. Botto to lower right34 1/4 x 22 1/4 inches. This

American, first half 19th Century. Pen and ink. On cardstock. Nicely toning. 8.5" square.

Full title: Two fine monogrammed Chinese Canton famille rose tureens and a bowl, mid-19th C. Description: L.: 32 cm - H.: 13 cm (the oval tureen) L.: 28,5 cm - H.: 15,5 cm (the rectangular tureen) L.:

American (Kentucky), second quarter 19th Century. By Mary Stephens. Finely executed alphabet and numerics. Dated July the 4th, 1831. Fine appliquéd silk flowers. Paris, Kentucky. Frame, 18.25"h. 18

Willimantic Linen Co. (American / Connecticut), second half 19th century. Walnut six-drawer spool cotton cabinet with metal fronts and two logos on back and side. Approx. h. 21", w. 25.875", d. 19.375

American, probably Southern, second half 19th Century. Ovoid shape with two applied handles. Greenish-tan glaze. Burst pot stone, surface wear. 13.5"h.

Life size cast iron deer with traces of old paint. American, late 19th century. Excellent condition without damage. L 48" H 50" Please refer to link for hi res images https://www.dropbox.com/sh/j8eno1

Life size cast iron deer with traces of old paint. American, late 19th century. Excellent condition without damage. L 48" H 50". Please refer to link for hi res images. https://www.dropbox.com/sh/67ir

Pitcher 8.5 x 9 inches, stamped J. Bell (John Bell), and Food Mold 9.5 in diameter and 3.25 inches tall. Both glazed and decorated.

William Charles Anthony Frerichs (American 1829-1905), 'Grandfather Mountain, North Carolina', second half 19th century, oil on canvas, depicting a mountain landscape with figures, apparently unmarked

Woolwork picture: "Capture of Canton by the Allies, December 28, 1857". England, second half 19th century. Wool and silk on canvas, framed. 19 1/2 in. x 32 in. (sight) PROVENANCE: Estate of Heidi Bing

A Russian Neoclassical brass mounted mahogany commodefirst half 19th centuryThe stepped case with arched pediment fronted drawer above a door.height 35in (89cm); width 32 1/2in (82.5cm); depth 17in (4

Second half 19th century. Carved wooden sign in the form of a pocket watch with cast iron hanger. Layers of gilding and gold paint. Double sided with "J. Ricksecker" on one side and overpaint in gothi

Abigail Elizabeth Avery, East Charlemont, Buckland, Massachusetts half portrait of girl seated among swags of drapery, holding her cat o/c, 32 by 26 in.; poss. original grain-painted, ebonized frame 4

American,ÿlate 19th century, encased pink and white millefiori flowers with green vine and leaves, engraved leaves and fronds, signed "Louis C. Tiffany", "L.C.T." and "8501", 5-3/4 in.ÿ - Provenance

Most likely Kentucky, 1st quarter 19th century, walnut with poplar secondary. Applied molding around lid, dovetailed case with line and tulips in flower pot inlay. Waist molding with line inlay, base

Style of J. & J. W. Meeks (American (New York), 1797-1869), circa 1850-60. A monumental rosewood and mahogany etagere in the Rococo Revival style comprising a trapezoidal mirrored backboard with tiere

Pairing includes late 19th century early American oil on canvas still life depicting fruit, olives, and bottles signed "L.A. Clark 1899" LR. Canvas is mounted on 16" x 20" panel in vintage gold tone f

An American Victorian Meeks-style parlor suiteMid-19th centuryAttributed to J.W. Meeks in the "Hawkins" pattern, each Rococo Revival-style carved and laminated rosewood with acanthine crest,

Pendant Portraits Of A Handsome Lady And Gentleman, William Judd, Esquire And Sarah Judd. Circa 1840, Two Oil On Canvas Paintings, Unsigned Labels Verso, 36 x 28 Inches, Original Giltwood Frames 47 x

A Fine 19th Century French Francois Linke Mahogany Bronze Mounted Dressing/Toilet Table. H 29.5" x L 36.25" x W 21.5" (Open H 49.5")

American Carved Oak Tall Case Clock with a J.J. Elliott Movementlate 19th centurythe oak case carved with angels, scrollwork, filigree and a mythical face, the J.J. Elliott eight-day movement with Whi

Brown, John George (American, 1831-1913) “Boot Black”. Oil on canvas painting of a 19th century shoe shine boy street urchin. Signed lower left “J. G. Brown N.A. 1884”. Painting is in good con

Rare American Rococo Revival Laminated Rosewood Bedstead, Bearing the Patent Stamp of J. H. Belter, New York mid-19th century, in two-part form with a serpentine headboard, footboard and sides, the ce