Karel Lek - New York, Cotton Club & Central Park, two Welsh pen and ink washes on paper, mounted as

American 1898-1969Nicola Sacco's Mother and FatherSigned Ben Shahn (lr)Watercolor, gouache, and ink on paper mounted to Masonite9 1/2 x 15 inches Provenance:Nardin Galleries, New York

Lot 10 Artist Unknown (XVIII/XIX) Study for Battle of Bull Run ink, wash, and gouache on paper 20 1/8 x 27 1/2 inches Provenance: From a New York Collection

Nancy Grossman (American, b 1940) ink on paper, Two Heads, signed and dated '68 lower left, 12-1/4" x 14-1/2" overall, Cordier & Ekstorm (New York) gallery label on verso , Property from the Estate of

EDWARD HOPPER Fisher Boy. Pen and ink and pencil on wove paper, circa 1900. 205x127 mm; 8¼x5¼ inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow, New

EDWARD HOPPER Galleon in a Storm. Pen and ink and pencil on wove paper, circa 1900-05. 153x125 mm; 6¼x5 inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow,

RICHIE HAVENS (1941-2013) An important archive of approximately two hundred original artworks, 1960s onward. A very large group of original artwork by Richie Havens in pen, ink, watercolor, felt-tip m

Albert Bierstadt German/American, 1830-1902 Two Woodchucks in Westphalian Forest, circa 1855 inscribed Westphalia / Germany on the reverse Oil on paper mounted to board 13 x 10 3/4 inches Provenance:

Pu Ru (1896-1963), Chinese Calligraphy. Signature and two seals of the artist , mounted and framed, ink on paper.Guaranteed Original, not a print. Frame size: H 34-7/8", W 16"; opening: Ho33-7/8", W 1

Salvador Dali (Spanish, 1904-1989) Five Prints from Currier & Ives as Interpreted by Salvador Dali (including New York Central Park Winter; American Trotting Horses No. 2; Les Fleurs et Fruits; Americ

Chinese School, epic scroll painting, Chinese School (19th/20th c.), Mountainous landscape with flowing water, ink and wash on paper, mounted on textile, with inscriptions and red chop marks, remnant

Christo (Bulgarian, 1935-2020) and Jeanne-Claude (French, 1935-2009) The Gates, Project For Central Park, New York City Signed and dated 1995 bottom right and again vers

J.C. Leyendecker (American, 1874-1951), Café Scenepen, ink, wash and gouache on paper, artist's monogram at lower right, matted and framed under glass. Sheet 14 x 22 in. (approximately); Frame dime

THOMAS HART BENTON (American 1889-1975) "The New Proprietors" ink and wash on paper, sheet: 11.125 x 14.125 inches / 28.26 x 35.87 cm; Frame: 16 3/8 x 18 1/2 inches, signed in ink lower left: Thomas H

Pissarro, Camille (1830 - 1903) La Roche Guyon Pen and ink and grey wash on paper Executed in 1859 Signed, dated and inscribed, lower left: 'après midi C Pissarro 1859 La roche Guyon' Titled

(Flemish, 1577-1640) chalk, pen, ink, and wash on chain laid paper, 17th C., titled "Summer: Peasants Going to Market, ca. 1618", bears initialed watermark. The original oil is in the Royal Collection

Francois Boucher (French, 1703-1770) Playful Putti (two works) pen and brown ink with red chalk on paper 7 5/8 x 9 1/4 inches (sight).† This lot is located in Chicago. Provenance: Didier Aaron L

EDWARD HOPPER Landscape with Farm Houses. Watercolor and pencil on tan wove paper mounted on card stock, circa 1895. 263x330 mm; 10½x13¼ inches.Provenance: Estate of the artist, New York; Jo

Attributed to Claudine Bouzonnet-Stella (Lyon 1636-1697 Paris), 17th Century Three pastoral scenes three of a set, pen, ink and grey wash heightened with white on laid paper, one watermarked with grap

Three Chinese School Paintings 19th-20th century Comprising three ink on paper paintings and calligraphy panels after Dong Qichang; framed. Sight of largest 13 3/4 x 8 3/4 inches C

Drawing 1946. Signed and dated lower right. M. Knoedler & Co, New York label, Perls Galleries label, and Laguna Gloria Art Museum, Austin Texas "Drawings for Outdoor Sculpture" Exhibition label affixe

"Personnages" - ink wash on paper, not visibly signed but according to gallery records and inscription verso, this is a work by John Flaxman (English, 1755 - 1826), purchased for $4,500, exhibited in

Alexander Calder (American, 1898-1976) "The Beams", 1963 Gouache and ink on paper. Signed 'Calder 63' (lower right). This work is registered in the archives of the Calder Foundation, New York, under a

Alexander Calder (American, 1898-1976) "R". Sgn. lower right, Calder '75. Gouache and ink on paper. Registered in the archives of the Calder Foundation, New York, under application number A16631. With

Alexander Calder (American, 1898-1976) "Looping". Sgn. lower right, '74. Gouache and ink on paper. Registered in the archives of the Calder Foundation, New York, under application number A12717. With