after GIUSEPPE VASI (Italian 1710-1782) A HAND COLORED PRINT, 20TH CENTURY,

(After) Giuseppe Vasi (Italian, 1710-1782) 'View of Rome' Lithograph 20th century reproduction after the original etching depicting the ancient ruins of Rome, unsigned, printed on illustration board,

Giuseppe Vasi (Italian, 1710-1782). "Veduta in prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi / Architettura di Nicola Salvi" -late 18th century, engraving with later hand coloring.

(Italian, 1710-1782) titled "Prospetto del 'Alma Cittá", of impressive size. Losses, glued down onto a board Overall: 42-1/2"h x 8'9"w Sight: 38-1/2"h x 8'5-1/2"w

After Giuseppe Vasi (Italy, 1710-1782), 19th century etching on paper of an overgrown temple in the Italian countryside, 9 1/4" x 13 1/2" sight, 14" x 18" framed.

Giuseppe Vasi (Italian, 1710-1782) prints, "La Veduta della Basilica di Santa Maria Maggiore" and "La Veduta della Basilica di San Paolo". Provenance: From the Collection of renowned architect and des

Giuseppe Vasi (Italian, 1710-1782), three late 18th century etchings, first published in Vasi's 'Delle Magnificenze di Roma Antica e Moderna,' the first titled 'Ospizio e Chiesa di S. Luigi della Nazi

Giuseppe Vasi (Italian, 1710-1782), pair of late 18th century etchings first published in Vasi's 'Delle Magnificenze di Roma Antica e Moderna,' the first titled 'Chiesa di S. Giacomo in Piazza Scossac

Giuseppe Vasi (Italian, 1710-1782), "Grand View of Santa Maria...," 1771, etching, plate signed, titled and dated, image: 39.5"h x 27"w, overall (with frame): 44.25"h x 31.5"w

(lot of 2) Framed prints on paper, after Giuseppe Vasi (Italian, 1710-1782), including: (1) "The ruins of the ancient magnificence of Rome that are seen in the Campo Vaccino," (1) "The view of the Bas

Assorted 19th and 20th Century religious prints, some hand colored, including Latin, Italian, allegorical, Judaica, etc. Provenance: Phyllis Lucas Gallery, NYC.

Blu, Italian, 20th C. "Demos". Numbered 23/25. Approx. 39" H X 27.5"W. Crease to corner, small fold bottom right, see photos. In house shipping continental U.S. $35 plus insurance. Examine all photos

ITALIAN SCHOOL (19/20TH CENTURY), LOT (4) HAND COLORED LITHOGRAPH BOTANICAL PRINTS. 21 1/2 X 10"; FRAMED AND GLAZED-23 X 11 1/2"

Giuseppe Vasi (Italian, 1710-1782). Large etching on wove paper titled "Veduta della Basilica di S. Paolo fuori le mura ed adiacenze dal Monte Aventino, e dal fiume Tevere (View of the Basilica o

after George Morland (British, 1763-1804), Feeding the Pigs and The Farmer's Stablehand-colored prints, 20th century (after the etching and aquatint), both matted and framed, one not under glass. Fram

Ink painting/hand colored woodblock print, China, 20th century, flying pair of birds with peonies and rocks. Framed with mount behind glass, 79 x 49 cm.

Three hand-colored ornithological prints, 19th/20th century; Cinnyris Solaris, Pectoralis and Asiaticus. Sight size: 9 ¼" x 7 ¼"

Vintage Hand Colored Mushroom Print ca. Late 20th Century. Title: Gichtmorchelartiger Plattchenpilz. Apparently retains full margins. Shows two blind stamps lower right under the image.

William and Mary College - Williamsburg Virginia Hand Colored Print Type: Lithograph Date: 20th century Dimensions: 5 1/2 x 7 1/2" Condition

William and Mary College - Williamsburg Virginia Hand Colored Print Type: Lithograph Date: 20th century Dimensions: 5 1/2 x 7 1/2" Condition

Four Hand-Colored Fox Hunting Printshand-colored collotype prints, early/mid-20th century, after J. F. Herring, presented in uniform bird's-eye maple veneer framing and matting. Frame dimensions 23 x

Four Framed British Silhouette Printshand-colored reproduction prints, early/mid-20th century after 18th century silhouettes, in uniform framing with bails for hanging. Frame dimensions 6 1/2 x 6 1/8

**Originally Listed At $125** Pierre Gustave Adolphe Gusman (French, 1862-1941), "La Decoration Murale A Pompei", color plates XXIX and XXVIII, published by Editions Albert Morance, Paris, 1924. Two p

20th century hand colored print of 1857 ship. Well-framed. Dimensions: (Frame) H 9” x W 11”, (Sight) H 4.75” x W 6.25” Condition: No issues to note.

After Prideaux John Selby, (3) waterfowl prints, 20th c., hand-colored prints, embossed with plate marks, includes: "Eider, Female", "Spectacle Scoter", and "Stellar's Pochard", each matted and framed