SALEM, NORTH CAROLINA ATTRIBUTED OVERSHOT COVERLET

SALEM, NORTH CAROLINA ATTRIBUTED OVERSHOT COVERLET, red and navy blue wool and natural cotton, two joined panels, having overall grid pattern. Second half 19th/early 20th century. 70" x 84 1/2". Prove

SALEM, NORTH CAROLINA ATTRIBUTED "ROSE IN THE WILDERNESS" OVERSHOT COVERLET, black and rose wool, and natural cotton, two joined panels, having overall grid pattern. Second half 19th/early 20th centur

KERNERSVILLE, NORTH CAROLINA ATTRIBUTED "TENNESSEE TROUBLE" OVERSHOT COVERLET, salmon pink wool and natural cotton, two joined panels, having overall grid pattern, possibly original stitching to edges

NORTH CAROLINA APPALACHIAN OVERSHOT WOVEN COVERLET, red/rose, black, white, having a geometric design with cotton warp and wool weft, made in two sections and joined at the center. Fabric tag on one c

Three Salem, North Carolina Related Coin Silver Flatwareincluding two spoons with mark of John Vogler (1783-1881), both with period monograms, early 19th century (6 5/8 in. and 5 1/2 in.) (larger spoo

Louis OrrAmerican, (1879-1961)Morovian Church, Winston Salem, North CarolinaEtchingA view of the steps leading up to the church with a high wall on the right side.Part of Orr's series of North Carolin

lead glaze over a mottled copper slip, similar to that seen on Salem-produced wares. 19th century. 1 5/8" H, 2 1/4" L.Provenance: From the Eddie Tatum estate collection, Winston-Salem, NC.

original finish. Blind dovetails. Original turned feet. Losses and ware to top edge. From the Quincy Scarborough estate. Height 24.75", length 36.5", depth 18.75"

likely Moore County or Cumberland County, North Carolina, late 19th century, underfired glazes to larger jugs, Albany slip glaze to small jug, applied strap handles from shoulders to necks, thick coll

NORTH CAROLINA, ATTRIBUTED, YELLOW PINE DOLL POSTER CANOPY BEDSTEAD, done in the Chippendale style, fitted with period covers. Frame retains original dry natural surface. Circa 1820. 11" H, 9" W, 13"

half plate depicting a railroad station with water tower to side and double tracks to front, several figures standing outside station. Circa 1875. 4 1/4" x 5 1/2".Provenance: From the Eddie Tatum esta

from the Quincy Scarbourgh Collection

FROM WINSTON SALEM NC CA. 1800. YELLOW PINE HANGING CORNER CUPBOARD 40.5"36" 15" deep

hand tinted, depicting the interior of the church, titled "DECORATION OF THE NORTH SIDE OF THE CHURCH AT THE CENTENARY JUBILEE, FEB. 19th AND 20th, 1866, SALEM, N.C." Circa 1870. 2 3/8" x 4" OA.Proven

unglazed, wide flutes to bowl and stem. Attributed to the Mount Shepherd Pottery, Randolph Co., NC. Late 18th century. 1 1/2" H, 1 5/8" L; and 2" H, 2" L.Literature: For an early identical example see

from a North Carolina Estate

from a North Carolina Estate

from the Quincy Scarbourgh Collection

13 IN. CLOTH DOLL CREATED & MADE BY THE PFHOL SISTERS IN SALEM, NORTH CAROLINA FROM 1897 TO EARLY 1940'S, GORGEOUS OIL PAINTED FACE WITH FINELY DETAILED EYES, EARS, NOSE & MOUTH, PAINTED LIGHT BROWN H

Circa 1845, by Traugott Leinbach (1821-1860) Salem, North Carolina . Profusely chased knife in the form of a NeoClassical Dolphin. The handle having handsomely decorated details and marked on verso wi

Winston-Salem, North Carolina: Palaemon Press, 1977-1984, 76 total, including works by Henry Taylor, Robert Penn Warren, Maxine Kumin, John Ashbery, Karl Shapiro, Richard Wilbur, Mary Flannery O'Conno

20th century, Qualla Boundary, North Carolina, attributed to Carol Welch. The excellently woven basket having the uncommon double peace pipe design in the weave. Very nice colors and bold example. Goo

Loose Old European Cut Diamondweighing .87 carat (actual) (H Color, SI2 Clarity) From the Estate of Martha Melvin, Winston-Salem, North Carolina Additional high-resolution photos are available at www.

Loose Old European Cut Diamondold European cut diamond weighing 1.14 carats (actual) (J Color, I3 Clarity) From the Estate of Martha Melvin, Winston-Salem, North Carolina Additional high-resolution ph