LARGE COLOR PRINT OF FLOWERS, Signed Koury, 24 1/2" x 35". Gilded Frame behind glass. Overall

O/C still life painting of vase of flowers signed Agnes Krag, overall 24" x 32" with 3" frame and a large framed landscape print of a woods and stream

Tadashi Nakayama. Japan. Color woodblock print of a young girl with sunflowers. 1969. Signed, dated, and numbered 12/65 along lower margin. Framed under glass. Sight: 35 x 22in. Overall: 40.5 x 27.5in

Large color glass charger with metal stand, signed on verso, 20” diameter, overall with stand 24 ½ x 21 x 4”.

BRIDGE OF THE SARACENS, 1953, color woodblock print, signed in pencil, numbered 11/35, image 18 x 26”, full margins, frame 28 x 36 ½” with glass. Provenance: Paul Kantor Gallery, with

Monotype art, Signed: Stevens. Title: Magenta Sweetness. Nice gold color wooden frame with glass cover. Double matted..Size : 24' x 24" Overall, Image 12" x 12"

Gene Davis (American, 1920-1985), Night Rider, 1983, screenprint in colors, pencil signed lower right and dated, edition 153/250, image: 24"h x 35.5"w, sight: 25.75"h x 37.75"w, overall (with frame):

James Rosenquist (American, 1933–2017), "Pale Lamps," 1978, etching in colors, pencil signed and dated lower right, titled lower left, edition 12/78, image: 17.5"h x 35.5"w, overall (with frame): 30

Joichi Hoshi (Japanese, 1911-1979), "Blue Forest," 1973, woodcut in colors, pencil signed and dated lower right, titled lower left, edition 35/88, image: 16.5"h x 34.5"w, overall (with frame): 24"h x

Gordon Cook (American, 1927-1985), "Untilted (Delta Trees)," 1984, etching in colors, signed and dated lower right, edition 12/50, overall (with frame): 24.5"h x 24"w

PAIR 20th CENT ABSTRACT PASTEL & GOUACHE PAINTINGS Signed indistinctly lower left, Sight-16 1/2" x 12 3/4". Matching Frames behind glass. Overall measures 26 1/2" x 22 1/2".

BROWN LADY, 1998, extensive acrylic painting over color print, signed upper right, with artist’s stamp and copyright and inventory number 40776 on verso, sheet 36 x 24”, frame 42 ½ x 30

TOSYODAI-JI NARA, 1959, color woodblock print, signed in white, titled and dated and numbered 75/80 in pencil, sheet 24 ½ x 18 ¼”, sealed in Plexiglas frame 29 ¼ x 23 ½&#8221

VENICE BIENNALE, 2003, color C-print, signed and dated and numbered 10/125 on verso, sheet 20 x 24”, frame 23 x 29” with glass.

WHITE CAT, color woodblock print, signed in block lower left, sight 12 ¾ x 17 ½”, frame 23 ½ x 27” with glass.

Eyvind Earle (American, 1916-2000), "Purple Monument," 1987, print, signed lower right, edition AP 5/24, sight: 23.5"h x 35"w, overall (with frame): 36.5"h x 47.5"w

THE BOMBARDMENT OF THE GETTY CENTER, 2000, color etching, signed and dated and titled and numbered 20/50 in pencil, plate 14 ½ x 35”, full margins, frame 23 x 44” with glass.

UNTITLED, color woodblock print, signed in white pencil lower left, sight 12 ½ x 18”, frame 21 ½ x 27” with glass.

Francisco Mora (Mexican, b. 1922), "Lidice," 1972, woodcut print, pencil signed lower right, titled lower left, Mexican Museum label affixed verso, overall (with frame): 35"h x 24"w. Provenance: Sale

By Francesco Morelli (1768-1832). Each image measuring approximately 12 1/4" by 17 3/4", has margins. Sight measuring 15 1/4" by 19 1/2". Matching gilded frame behind glass. Overall measuring 24" by 2

NORVAL MORRISSEAU (Canadian, 1932-2007) Titled, Shaman and Son, lithograph in color, signed in pencil, numbered 64/145, sight measures 25" x 28", Framed behind glass, Overall 35" by 38".

DISTANT DREAM #1, 1969, color woodblock print with embossing, signed and dated and titled and 10/50 in pencil, sheet 23 ½ x 36”, frame 29 x 41 ½” with glass.

KOHAN NO AME, MATSUE (Lakeside Shower Matsue), 1932, color woodblock print, signed with seals and stamps, image 9 ½ x 14 ¼”, full margins, frame 15 x 19 ½” with glass.

TWO TWELVES (K.64), 1973, color screenprint, signed in pencil, numbered 251/300, image 24 x 24”, full margins, frame 35 x 35” with glass broken in corner.

LAZY JAZZ/ KOOL JAZZ, 1980, color screenprint, signed and numbered 7/99 in pencil, image 24 x 24”, full margins, frame 35 ½ x 35 ½” with Plexiglas.