Milton Avery "Nursing Baby" Drypoint Etching, 1933

Milton Avery (American, 1885-1965), "Sleeping Baby (Study of March Avery)", 1933, Drypoint Etching on Paper, signed and dated in pencil lower right, numbered 9/10 lower left, marked "A/P" for Artist P

Nursing Baby, drypoint on woven paper 1933 with a red ink signature stamp 'Milton Avery' lower right numbered 35/100, dated 1933 in pencil Additional and larger photos and more information may often b

Milton Avery (American, 1885-1965) Sleeping Baby, 1933 drypoint signed, dated, and numbered 3/100 in pencil 5 1/4 x 7 1/2 inches.

Milton Avery (American, 1885-1965) "Bathers", 1941, drypoint etching on paper, signed and dated lower right, numbered 24/60 lower left, housed in a carved gilt wood frame. Image: 4.5" H x 8.5" W; fram

"My Wife Sally." Pencil signed, dated, numbered 31/100. Dimensions: (Frame) H 13.75" x W 16.25", (Sight) H 6.5" x W 9" Condition: Good impression with soft lines. Some separation of frame.

Milton Avery (1885-1965) Signed and Framed Expressionist Dry Point Etching on Paper. Subject is men on horseback. Signed in pencil lower left. Frame measures 17 inches x 13.5 inches, art measures 4 in

Milton Avery (1885-1965) Signed and Framed Expressionist Dry Point Etching on Paper Dated 1948. Subject is beach umbrella. Signed in pencil lower right. Minor water damage to lower right hand corner o

Milton Avery (Am. 1885-1965) Japanese Landscape, 1939 Drypoing etching, framed under glass Signed and dated in pencil l.c., signed in plate l.l., editioned "72/100" l.r. 4 3/16" x 8 7/8" sight, 10" x

ME and MA original dry-point etching, pencil signed and titled by Marguerite Kirmse ME & MA. Created: 1933. Image of mother and baby Scottie. Framed under glass. Dimensions: framed: 16 in. x 18 1/2 in

Laurels Number Two. Portfolio with complete text and 4 prints (missing the Milton Avery) including etching, serigraph and engraving. One of 300 numbered copies. Numbered 24 in pen on the cover. Each p

Milton Avery (American, 1885-1965). "Self Portrait", 1937. Etching. Sight: 8 3/4" x 7". Frame: 15 1/4" x 12 3/4". Self portrait etching by American artist Milton Avery. Signed within the plate and in

Louis Icart (French, 1888-1950), "Speed II," 1933, drypoint etching with hand-coloring, pencil signed lower right, windmill embossed lower left, copyright and dated upper left, image: 15.5"h x 24.75"w

Louis Icart (French, 1888-1950), "Speed," 1933, drypoint etching with hand-coloring, pencil signed lower right, copyright and dated upper left, image: 15.5"h x 24.75"w, overall (with frame): 24.25"h x

MILTON AVERY (American 1885-1965) "Sally with Beret, 1939" Drypoint. Plate: 7 7/8 x 6 3/8 inches; Sheet: 14 3/8 x 13 inches; Frame: 16 3/8 x 14 3/8 inches. Signed in the plate upper right corner: Milt

§ LOUIS ICART (1888-1950) 'MON MODÈLE' 1933 etching and drypoint, with hand-colouring, signed and inscribed in pencil, with the artist's blindstamp (53cm x 41cm)

Birger Sandzen (1871-1954) Green River Rock 1932-1933 The drypoint etching published in three states with a total edition of only 67 prints is signed by the artist in pencil below the image lower righ

Lyman Byxbe (1886-1980) Long's (Long's Peak) Circa 1933 The drypoint etching is signed by the artist in pencil below the image lower right and titled lower left, Crump number 150. Image measures 7 x 5

Gerald Geerlings (American 1897-1998)- ''Electrical Building at Night'' (Czestochowski 31)- etching and drypoint, 1933, signed in pencil, Chicago Society of Etchers blindstamp lower left margin, minor

Louis Icart "Speed I", 1933, Artist's Proof, drypoint etching with hand coloring on paper, signed in pencil on the sheet. Bears blind stamp "L.I. / Paris" lower left, which is covered up by the mat. [

pr of 1933 Louis Icart signed drypoint, etching, & aquatint, Masked & Unmasked, Copyright 1933 L Icart Studio, New York, graphite signatures, sight 14" x 10"

Thomas Schofield Handforth (American, 1897-1948), Amphibiansetching and drypoint, 1933, pencil signed and marked as an edition of 75 lower margin, also inscribed to matting, matted and framed. Frame d

Louis Icart (Worked in America and France, 1888-1950) colored drypoint etching entitled "Le Masque Noir" done in 1933. Signed in pencil lower right, titled in pencil and with windmill blindstamp, lowe

1948; drypoint on wove paper, unframed; pencil-signed lower right; Plate: 8 3/4 x 6 in. (22.2 x 15.2 cm.), Sheet: 16 1/2 x 13 in. (41.9 x 33 cm.)

MILTON AVERY Riders in the Park. Drypoint, 1948. 100x127 mm; 3x5 inches, full margins. Edition of 100. Signed in pencil, lower left. Printed by Atelier 17, New York. Published by Laurel Gallery, New Y