DORMER, Michael (American, 1934-2012). Abstraction. 1969. W...

Lukin, Sven (Latvian/American, born 1934), Three Biomorphic Abstractions, 1969, serigraphs printed in colors, all signed , dated in liquid pen on the reverse and numbered respectively 24/175, 23/175 a

Mixed media drawing on paper representing a conceptual, preliminary working of an American hotel for Disny in Paris, by Michael Graves (American, 1934-2015). [[Art: 9" H x 17 1/2" W; Frame: 19 1/2" H

Michael Graves (American, 1934-2015), "The Portland Building," 1982, mixed media / collage on paper, pencil signed and dated center right, "Graves 1982." Image: 31" H x 19.5" W; overall (with lucite f

Michael Graves (American, 1934-2015) for Swid Powell, "little dripper" postmodern Coffee pot. 9.25" H x 9.5" W x 6" D.

Dennis Loy(American, 1939-2012)Canonical Tongue, Abstraction #3, 1970; together with Abstraction (two works)wood and latex paintsigned, titled and dated; unsigned 45"h x 63"w x 1 1/2"d; 49"h x 41 3/4"

EVELYN ACKERMAN (American, 1924-2012)'Barn' tapestry, ca. 1969Hand-woven wool, wood. Hand-woven in Mexico for ERA Industries, Los Angeles, CA.Woven signature to lower right 'EA'. 48" H x 22.5" W

FINSTER, Michael (American, b. 1969). Mystery, Babylon the Great, the Mother of Harlots and Abominations of the Earth. 2012. Oil on wooden panel. Signed and dated lower right. Inscribed by the artist

Merle Spandorfer, watercolor on canvas, Merle Spandorfer (American, 1934-2018), "Amber Hill" signed "Spandorfer" and titled verso, and inscribed "To my friend Michael--Love, Merle", 15.5"h x 14"w (can

Michael Aram (American/Rhode Island, b. 1963), "Foliate Cross", 2012, 2 nickel-plated metals and marble, each signed, dated and numbered "47/500" and "55/500" on underside of base, h. 11 in., w. 7 in.

Abstraction Acryling on panel h. 15-1/2 w. 13-1/4 in. (sight) Faintly signed and dated 1969 (?) lower margin Provenance: Descended through a prominent Upper East Side, NYC Estate; (n.b. the late Rober

Michael Graves (American, 1934-2015) NJ artist, "Architectural Study Humana Building", original study for the entrance loggia of the Humana Building in Louisville, KY, designed by Graves, mixed media

2012-W Proof American Silver Eagle

2012-W Proof American Silver Eagle

William Lester Stevens (American, 1888-1969) - Grand Manan Rocks Signed ‘W. Lester Stevens N.A.’ bottom left; also inscribed with title verso, oil on canvas 30 x 42 in. (76.2 x 106.7cm) Pr

W.L. Stevens(American, 1888-1969)The Month of Mayoil on canvassigned22"h x 26"woverall: 29"h x 34"w Provenance: a Massachusetts collection

HAROLD NEWTON FLORIDA HIGHWAYMEN PAINTING - SUNSET RIVER SCENE W/ EGRET Harold Newton (American, 1934-1994), Florida Highwayman artist, oil on masonite board, depicting a sunset south Florida river sc

PIERRE BITTAR, FRENCH/AMERICAN, B 1934, OIL ON CANVAS H 44" W 32" A FRENCH GARDEN A colorful assortment of flowers in full bloom and at its peak. Signed. Frame. 44" x 32". Circa 2000.

PIERRE BITTAR (FRENCH/AMERICAN B. 1934), OIL ON CANVAS, H 21", W 25", LAKE SHORELINE WITH SAILBOATS IN THE DISTANCE:Signed lower right; gilt frame.

PIERRE BITTAR (FRENCH/AMERICAN, B. 1934), OIL ON CANVAS, H 40", W 30", PETOSKY, MICHIGAN Signed lower right; framed.

PIERRE BITTAR (FRENCH/AMERICAN, B. 1934), OIL ON CANVAS, H 18", W 22", "HARBOR SPRINGS":View of Harbor Springs, MI. Signed lower right; signed; titled and numbered 215 (or 215) all on the top stretche

Lot 32 Michael Loew American (1907-1985) Veil of Green (1969) oil on canvas signed bottom right and verso 45 x 50 inches unframed Provenance: From a private collection, by descent from the artist's es

James F. Gill (American, 1934- ) Painting. Untitled. Pop-art, mixed media, wax encaustic on masonite 1969 painting. Signed lower right Gill ‘69. Painting measures 9 inches high, 15.5 inches wide

Untitled Abstraction, 1969, oil on canvas, 61 x 91.4 cm), unframed , signed lower right and signed additionally verso, PROVENANCE: Private collection Long Island, NY

Ross Stefan (American, 1934-1999) Happily May I Walk This Canyon Way, 1969 oil on canvas signed Ross Stefan (lower left); signed, titled and dated (verso) 18 x 24 inches