Courtry "Oxen Ploughing" Etching After Troyon 1883

Alfred-Alexandre Delauney (French, 1830-1894) after Constant Troyon (French, 1810-1865). Etching on laid paper after a 1853 Troyon painting titled "Cattle Pasture in the Touraine (Pasturage in th

Le Dimanche Matin, 1883. Etching and drypoint. Signed and dated in graphite with artist's monogram lower right. Size: 15 1/4 in. x 7 1/4 in. (38.7 cm x 18.4 cm).Framed: 17 7/8 in. x 27 1/8 in. (45.4 c

EDOUARD MANET (FRENCH, 1832-1883), ETCHING & AQUATINT IN BLACK INK, PLATE SIZE: H 3 3/8", W 6 7/8", "OLYMPIA":From the 1st edition issued in 1867 for Emile Zola (size of edition: 600 prints) but vi/vi

Albert Fitch Bellows (American 1829-1883) Oxen Fording a river watercolor and gouache 9 x 13" signed lower left

Original Welker & Crosby Oxen cart patent dated 1883. No cracks or repairs. Paint looks to be original with some applied varnish. This toy appears (without driver) as illustration no 15 in the 1885 We

(American/South Carolina, 1883-1979) Two Etchings: St. Michaels Gate, signed "Elizabeth O'Neill Verner, etching, plate 5 x 7 in.; gilt wood frame, 14 x 11-1/2 in.; Catfish Row, signed "Elizabeth O'Nei

Etchings. Walter Tittle (American,1883-1960) "Manhattan Minarets" - plate singed lower center, inscribed along extreme lower margin, 1931-32, ed. 75, plate - 14.5" high x 9" wide, sheet has slight ton

Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). Three etchings "Bedon's Alley", "High Battery", and "Sword Gate". Pencil signed and titled lower margin. Provenance: From the

(Scottish, 1883-1959) Two etchings: Sunset: Wadi-Um-Mukhsheib (H.185), 1919, A3, signed lower right "James McBey" and inscribed lower left; Fortress Wall, No. 26, signed "M_", plate 7-1/2 x 9-3/8 in.;

Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). "Rivals"-1930, etching. Pencil signed, titled and numbered 32/100 lower margin. Provenance: From the Lifetime Collection of Bi

(Scottish, 1883-1959) Four proof etchings: A Studio (H. 147), 1914, XXXV, plate 6-5/8 x 10-7/8 in.; The Torpedoed Sussex beached at Boulogne (H. 171), 1916, XXXXV, plate 8-1/8 x 15 in.; Bread Market,

Elizabeth O'Neill Verner (American, 1883-1979), The Unemployed, Charlestonetching, 1934, on wove paper with Vidalon watermark, pencil signed, titled, and numbered 27/80, unframed. Image 10 x 8 in.; Sh

Joan Miro, color etching , 1966, Joan Miro (Spanish, 1893-1883), "Couple d'Oiseaux II" (D 415), on Mancleure paper, published and printed by Maeght, Paris, pencil signed lower right, editioned "HC" (H

JAMES JACQUES TISSOT Dimanche Matin. Etching and drypoint on Japan paper, 1883. 400x190 mm; 15¾x7½ inches, wide margins. Signed in pencil, lower left, and with the artist's red ink stamp (Lu

Elizabeth O'Neill Verner (American 1883-1979) St.Philip's Portico, Charleston, etching on paper, signed in pencil, lower right, numbered 21/80, titled, matted and framed. Dimensions: 10 x 9.7

Edouard Manet (French, 1832-1883) Les Chats, Circa 1868-69 etching and aquatint printed in dark brownish black unsigned as issued. 7 x 8 7/8 inches.

Manet, Edouard (French, 1832-1883), Jeanne, Le Printemps, (Guerin I, (VII), 66; Harris 88) 1882, etching on Laid paper, 6-1/8 x 4-1/4 inches (15.5 x 10.9 cm), printed signature at lower left: Manet, f

MEXICO, 1883-1949Entitled "San Francisco e Indio/ Franciscan with Man" original lithograph in original hand carved frame. Nicely mated to extenuated the image. Signed in pencil and numbered 6/400. Dim

Edouard Manet (French, 1832-1883). “La Femme a la Mantille / Fleur Exotique” - c. 1868, etching and aquatint on laid paper, second state of two, but presumably from the edition of 350 published fo

Kerr Eby (American 1889-1962)- ''North Country'' (Giardina 140); ''Early Ploughing'' (G. 154); ''Portage'' (G. 155); ''Salt Marshes'' (G.156)- 4 etchings, 1929, 1930, all signed in pencil, very good c

(American/South Carolina, 1883-1979) Two works: Bit of Legare Street/Charleston, signed lower right "Elizabeth O'Neill Verner", etching, impression size 4-7/8 x 3-3/4 in.; On South Battery/Charleston,

(Scottish, 1883-1959) La Fava, or Santa Maria della Fava, 1925, XLII, signed lower right, "James McBey", signed in plate, "McBey, Venice, October 1925", drypoint etching on blue green antique laid pap

(American/South Carolina, 1883-1979) In Saint Andrew's Parish, signed lower right "Elizabeth O'Neill Verner 30/80", inscribed lower left "In St. Andrews Parish", etching, 8-3/4 x 6-5/8 in.; modern gil

(Scottish, 1883-1959) Marrakesh (H. 274), 1938, signed lower right "James McBey", etching, 10-15/16 x 9-1/16 in.; black metal frame, 19-3/8 x 17-1/8 in. Provenance: Estate of the Artists James McBey a