Luigi Rossini Lespizio - Copper Plate Etching

Copper plate etching, framed w/ glass and single matted. The frame shows wear and minor distressing and there is light discoloring to the mat.

LUIGI ROSSINI (Italian 1790-1850) TWO COPPERPLATE ENGRAVINGS, FROM "La Antichita Romane," ROME, 1824-1825, comprising "Veduta degl' Avanzi del Cortile di Villa Mecenate in Tivoli," dated 1824 and "Ved

Rossini, Luigi (Italian, 1790-1857). 5 engravings of Roman architecture from "Le vedute di Roma." c.1820. Copper plate engravings. Sheet, largest: 29" x 19 3/4". Plates are: Avanzi del Palazzo de Cesa

Luigi Rossini (1790-1857), ''Veduta dell'avanzo del fianco del Portico'', Rome 1822, copperplate engraving with written margins, slightly stained, 39.8 x 54 cm, sheet dimensions 51 x 73 cm

Copperplate engraving titled "Avanzi del Tempio di Giove Statore nel Foro Romano," after Luigi Rossini, 1821. Depicts what appears to be the three columns of the ruined temple of Jupiter Statorein Rom

Luigi Rossini (Italian 1790-1857) "Veduta della gran Porta del Panteon di Marco Agrippa in oggi S. Maria as Martyres" Etching Signed in plate Rossini dis. e. inc. lower left and dated Roma 1820 lower

Luigi Rossini, etching, Luigi Rossini (Italian, 1790–1857), "Parte Traversa Del Foro Di Pompei", 1830, etching, marked in plate "Rossini Arch disegno dal vero", 16"h x 21"w (sight), 29.5"h x 34

Luigi Kasimir (New York, California / Austria 1881-1962) Original copper etched plate with thirteen (13) etchings. Pencil signed estate signature lower center. Image measures 8 in. x 5 in. If lot is a

Unframed etching on paper by Luigi Rossini (Italian, 1790-1857). Titled: Veduta d'una delle navate minori del Tempio della Pace. Signed "Rossini dis. e inc." in the plate, lower left. Inscribed "Roma

A Mid century etching on paper, Castor and Pollux in the City of Cora, after Luigi Rossini, Italian, 1790 to 1857. Published by Sidney Z Lucas, produced in 1957. Titled in the plate lower to the cente

Unframed etching on paper by Luigi Rossini (Italian, 1790-1857). Titled: Veduta delle antiche sostruzioni del Monte Aventino Signed "Rossini dis. e inc." in the plate, lower left. Inscribed "Roma 1823

OLD PICASSO COPPER PLATE ETCHING. Printed on a thick rag paper with a museum stamp on the reverse. Size Approx. 18.5 x 14 inches.

KOA FRAMED JOHN WEBBER COPPER PLATE ETCHING, TITLED "A MAN OF THE SANDWICH ISLANDS, WITH HIS HELMET" FROM CAPT. COOKS ATLAS DATED 1784 *

Ryohei Tanaka Signed Copper Plate Etching. Signed and numbered artists proof etching by Ryohei Tanaka (Japanese b. 1933). Frame measures 24.5 inches x 24.5 inches.

Titled: Autumn. Original copperplate etching. A great example Dali's famous line work. Printed signature, lower left. Housed in a gold-toned frame. Sight size: 8.5"W x 10.75"H. Frame size: 15.25"W x 1

image area approx. 16" X 22" plus mat and frame, overall 26" X 30".....Biography from the Archives of askARTPhoto of Giovanni Battista PiranesiGiovanni Battista Piranesi (1720-1778)He was a major Ital

Image measures 7 1/2" x 5 1/2". Framed 30" x 26". Frame has slight damage. Estimate $550 - $650. Starting bid $20

After Jacob Nilson (German, 1758-1811) Hand Colored Copper Plate Etching Assortment (3) total items including a single frame containing four fish plate prints (most signed in plate J. Nilson); togethe

Good quality etching on heavy paper. No tears. Signed feintly, appears as LC Harting. Measures 9 1/2 x 7 1/2 inches with plate mark measuring 6 7/8 x 5 inches.

Southend Of Covered Bridge Copper Plate Etching Print by Paul Sawyier

Set of four copper plate etchings, individually framed w/ glass and single matted. 18lbs total / 4.5lbs each.

London. From the Estate of Everett “Rett” Foster of Clayton, NY. Mr. Foster had an extensive collection of hunting, angling and outdoor sporting books from The Derrydale Press. Many of these books

Pair of Bernard Direxit Copperplate Etchings. Titled: "Histoire Naturelle, Vers Echinodermes." along bottom, translated from French to mean "Natural History, towards Echinoderms." These plates depict

Claude Monet (1840 - 1926). Paysage a Antibes (Landscape in Antibes). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauze