ATTRIBUTED TO W. J. NEATBY (1860-1910)

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

English Mahogany Server early 20th century, attributed to W. & J. Sloane, New York, the rectangular breakfront top with projecting canted corners, above a conforming case fitted with a central drawer

William Jacob Hays (1830-1875) Ruffed Grouse Family, 1860 signed and dated "W.J. Hays 1860." lower center oil on canvas, 18 by 22 1/4 in. Provenance: Private Collection, Connecticut

WODEHOUSE, P.G. 1881-1975. The Intrusion of Jimmy. New York: W.J. Watt & Company, 1910. 8vo. Color lithographic frontispiece and 4 black and white illustrations by Will Grefé. Publisher's pictori

Partial Antique English Porcelain Dessert Service, attributed J. & W. Ridgeway early 19th century, green and field with gilt foliate and diaper designs, around a centered hand-painted scenic landscape

late 19th century, cast iron, in the form of a snarling wolf head, from the facade of the American Trust Company, San Francisco, California, probably original painted surface, head 12-3/4 x 13 x 8-7/8

19TH C BANNER WEATHERVANE, COPPER, ATTRIBUTED TO J. W. FISKE AND CO. NY, NY. EXCELLENT VERDIGRIS WITH WORN DRY YELLOW SIZING AND REMNANTS OF GILT SURAFCES. ELABORATELY PIERCED AND SHAPED , WITH LEAFAG

Edwardian Silver Pierced Bon Bon Dishes c.1910. Hallmarked Birmingham 1910 for W J Myatt & Co. 8 x 8cm, 30.2g

Titled in pencil lower right Lowesby Hall Oct 1839. Sight size 4 1/2" x 7" Molded Gilt Frame 12 1/4" x 15 1/4"

Four-Piece American Rococo Revival Laminated Rosewood Parlor Suite third quarter 19th century, attributed to J. & J. W. Meeks, in the pattern commonly referred to as "Hawkins", consisting of a settee,

American Rococo Revival Laminated Rosewood and Marble-Top Center Table third quarter 19th century, attributed to J. & J. W. Meeks, New York, the marble top of tortoise form over a pierced foliate- and

American Rococo Revival Laminated Rosewood Settee third quarter 19th century, attributed to J. & J. W. Meeks, New York, in the "Hawkins" pattern, with an open carved crest centered by a floral-carved

American Rococo Revival Laminated Rosewood Console Table third quarter 19th century, commonly attributed to J.& J. W. Meeks, New York, the serpentine wooden top over a conforming pierced and carved ap

Pair of American Rococo Revival Laminated Rosewood Sidechairs in the "Hawkins" Pattern, third quarter 19th century, attributed to J. & J. W. Meeks, New York, each with a floral- and foliate-carved cre

American Gothic Revival Oak Armchairmid-19th century, attributed to J. & J. W. Meeks, New York, the elaborately modeled back with Gothic arches, quatrefoils, a pierced roundel resembling a church wind

Pair of Laminated Rosewood Side Chairs, Attributed to J. & J. W. Meeks, New York mid-19th century, in the "Henry Ford" pattern, each Rococo Revival chair with an open floral- and gadroon-carved crest

American Rococo Revival Laminated Rosewood Side Chair third quarter 19th century, attributed to J. & J. W. Meeks, New York, in the pattern commonly referred to as "Henry Ford", with a pierced and carv

Six American Coin Silver Flatware Pieces, including Mitchell & Tylerincluding a fork with attributed mark of J. W. Forbes, New York City, with retailer mark of Colton & Collins, circa 1825, with engra

ATTR. TO JOSEPH W. GIES (AMERICAN, 1860-1935), YOUNG WOMAN WEARING A BONNET, H 28 1/2", L 22":Attributed to Joseph W. Gies (American, 1860-1935). Depicting a young woman wearing a bonnet. Oil on canva

NEW YORK STATE MAP, J.H. FRENCH 1860 W. 73 1/2" H. 64"

Oil on canvas, framed. Featuring waterside scene with a row of white buildings in the background. Label affixed to verso reads "REEVE & MACKAY [...] ARTIST: Attributed to: J. M. W. Turner (1775-1851)

J. M. W. Turner (after), watercolor, 19th c., A. M. Richards (attributed) after J. M. W. Turner (English, 1775-1851), purportedly after a work in the National Gallery of Art, London, 9.5"h x 11.5"w (s

Both prints depict flying birds. One is attributed to George Braque and the other is attributed to J. Gould & W. Hart.