Ancient Rome Canvas Reproduction by Severino Baraldi

Edmund C. Coates(American, 1816-1871)"Ancient Italy - Ovid Banished From Rome"oil on canvasmarked "C. Coates, 1867/J.M. Turner"43 x 58 inches (frame)30 1/2 x 45 1/2 inches (sight)This painting by

Joseph Mallord William Turner. (English, 1755-1857). Ancient Rome (Agrippina Landing with the Ashes of Germanicus). Antique engraving on laid paper after the original oil on canvas by master engraver

Joseph Mallord William Turner. (English, 1755-1857). Ancient Rome (Agrippina Landing with the Ashes of Germanicus). Antique engraving on laid paper after the original oil on canvas by master engraver

Professionally framed embellished giclee, canvas is 15 1/2" x 12", frame is 21 1/2" x 17 3/4"

"History of Ancient Rome" by Nathaniel Harris, illustrated by over 200 photographs and reproductions, published by Barnes and Noble, 2004, full illustrated. Illustrated soft cover, large format: 8.3/4

(After) Giuseppe Vasi (Italian, 1710-1782) 'View of Rome' Lithograph 20th century reproduction after the original etching depicting the ancient ruins of Rome, unsigned, printed on illustration board,

Ancient Roman bronze, Domitian 81-96 AD, one of the 12 Caesars 88 A.D. Rome bronze 29mm the coin denomination is an As. at 29 mm about the size of a US half dollar there is a lot of canvas for a coin

Bust of a Roman barbarian. Ancient Rome, circa 300 AD. Marble. Damaged, nose restored. There is a crack in the tunic and a hole in the back and support. Provenance: Ex collection C. Mercier, 1960 / Ba

Torso of a child. Ancient Rome, ca. 3rd century AD. Marble. The right arm is damaged and has soil deposits. Provenance: Acquired 1981 / Purchased at Bonhams, London, auction, 2008; Exhibited: Universi

Ancient Rome, ca. 2nd century CE. Sure to be the star of any collection, this impressive carved marble head represents the god Apollo, slightly over lifesize, in wondrous classicist style, subtly turn

Ancient Rome, Imperial Period, ca. 1st to 3rd century CE. Among the finest marble sculptures we have ever had the honor of handling, depicting an elegant draped torso of a goddess, her feminine figure

**Back at auction due to non-paying bidder. Ancient Rome, Imperial Period, ca. 1st to 3rd century CE. Among the finest marble sculptures we have ever had the honor of handling, depicting an elegant dr

Ancient Rome, Hellenistic period, ca. 2nd to 3rd century CE. A finely carved white marble head depicting Aphrodite/Venus, the goddess of romantic love depicted with her head ever so slightly tipped to

From ancient Rome, ca. 200 BC - 200 AD. From the floor of a Roman villa. Beautiful tesserae, all original. In metal frame suitable for wall hanging, or placed into/on floor or as a table top. We have

Ancient Rome, ca. 1st to 3rd century CE. One look at this hand-forged iron spear and one cannot help but think of Poseidon (or Neptune), the legendary god of the sea in classical mythology. This examp

Ancient Rome, Hellenistic, ca. 1st century BCE to 1st century CE. An exceedingly rare piece, this alabastron with its characteristic tubular body that flares downward resolving in a rounded bottom, is

Ancient Rome, ca. 1st to 3rd century CE. A deeply carved relief section of white marble, originally part of a sarcophagus, depicting a partial image of a leg and a torch, providing a window onto a dra

Ancient Rome, Imperial Period, ca. 1st century CE. A graceful vessel comprised of stunning cobalt blue translucent glass, its form presenting a compressed spherical body that extends into a long tubul

Giuseppe De Winter (19th century), oil on canvas, Rome Harbour, signed lower left: G. De Winter, 31 1/2" x 39"

Rome, Chracas at S. Marco al Corso, 1747-61. In 2 oblong. 7 books (of 10) in two vols. Title pages with intaglio vignette, plates with period coloring, some slight flowering, contemporary half leather

SCHOOL OF FRANCESCO GUARDI A Market at the base of Trajan's Column, Rome Oil on canvas, 53 x 62cm

(French, 1758-1823). "Napoleon Bonaparte and the King of Rome," oil on canvas, inscribed (possibly signed), "P.P. Prud'hon" on verso, most likely in its original frame. Frame stamped "R. Charpentier"

Sunset, The Tiber, Rome, oil on canvas laid on board, 24 x 32 in (60.9 x 81 cm), framed 29 x 31 in (73.7 x 78.4 cm), signed lower right, titled verso, PROVENANCE: Private collection Long Island, NY

European artists starting from the 17th century were fascinated by the views of ancient ruins so there are many works of this style. Ruins became an artistic and philosophical metaphor for the passage