A BOXED FRENCH LALIQUE GLASS SCENT BOTTLE SET. Box 18cm x 12 cm.

A LARGE FRENCH LALIQUE GLASS SCENT BOTTLE. 21 cm x 8 cm.

TWO FRENCH LALIQUE GLASS SCENT BOTTLES. 9 cm x 9 cm. (2)

AN EARLY 20TH CENTURY FRENCH NEO CLASSICAL TRIPLE GLASS SCENT BOTTLE HOLDER. 12 cm x 7 cm.

with molded birds with silvered patina; signed and numbered 3/130 to underside; with original box 15 3/4 x 11 1/2 in. (40 x 29.2 cm.), Box: 18 x 25 1/4 x 18 1/4 in. (45.7 x 64.1 x 46.4 cm.) Note: from

Fantastic Figural Table Lamp - 24" X 12" Signed Galle French Cameo Art Glass Shade - Cameo Carved Pink and Green Floral Design with Elaborate Interior Floral Carved Highlights - Set on Magnificent Fig

Rene Lalique Terpsichore vase, model 10-911 France, c. 1937frosted and clear glass 7.875 h x 12.625 w x 5.75 d in (20 x 32 x 15 cm) Acid-etched maker's mark to underside 'R. Lalique France'.

DALE CHIHULY (b. 1941) Eight-piece Bottle Green Persian Set with Empire Yellow Lip Wraps, Seattle, WA, ca. 2000 Blown glass No visible markings Largest piece: 12" x 20" x 20" Provenance: Holsten Galle

Pacquiao's Right Jab signed and dated 2011 (bottom) carved blue green glass 12" x 12" x 7" (30 cm x 30 cm x 18 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this

Richard Marquis Early Crazy Quilt Teapot USA, 1979hand-blown glass, murrine 4.25 h x 5 w x 4.75 d in (11 x 13 x 12 cm) Etched signature and date to underside '?1979 Marquis'. Pr

Ramon Orlina (b. 1944) Fresh As Springtime signed and dated 2021 (bottom) carved peridot glass 10 1/2" x 7 1/2" x 7" (27 cm x 19 cm x 18 cm)lapboard: 5" x 12" x 12" (13 cm x 30 cm x 30 cm) Accompanied

Dale Chihuly (American, b. 1941) Manganese Blue Venetian, 1991 Blown glass 12 x 12 x 32 inches (30.5 x 30.5 x 81.3 cm) Signed and dated by the artist PROVENANCE: Wexler Gallery, Philadelphia, Pennsylv

Harvey K. Littleton (American, 1922-2013) Sliced Descending Form, 1989 Blown, cut and polished glass 12 x 10 x 5 inches (30.5 x 25.4 x 12.7 cm) Signed and dated by the artist (both) PROVENANCE: Rago,

Fulvio Bianconi Important con Macchie vase, model 4427 VeniniItaly, c. 1950internally decorated with amethyst and lattimo glass6 w x 4.75 d x 8 h in (15 x 12 x 20 cm) Signed with three-

Artist: Sekino, Jun'ichiro, 1914-1988 Title: The Tokaido 53 Stations Boxed Set Date: 1959-1974 Medium: Japanese woodblock print Image Size: 12 3/4 x 18 inches Illustrated:<

Whiskey Bottle, American Brilliant Cut Glass, 12" x 3.5", Hobstar, Strawberry Diamond And Fan Motif, Ray Cut Base, Stopper With Rim Nick, Missouri Private Collection.

19th C. French Ormolu Cherub Mantle Clock Gilt Bronze & Sevres Porcelain Clock Set. Museum quality. Clock: 17" x 7.5" x H 20" / Candelabra: 24" x 12"

Drift, set of six signed and dated 2018 (verso) oil on wood 12" x 14" (30 cm x 36 cm) each PROVENANCE: Silverlens, Makati City LITERATURE: Mercado, Arianna and Gary-Ross Pastrana. Countercurrents.Maka

Lalique "Cactus" center table, clear and frosted glass, designed by Marc Lalique (French, 1900-1977) circa 1951, signed: "Lalique France." 28.625" H x 62.5" diameter.

Harvey Littleton Double Arc USA, 1984cased, hot-worked, cut, and polished glass overall: largest: 13.25 h x 12.5 w x 5.5 d in (34 x 32 x 14 cm) smallest: 9.25 h x 4.5 w x 3.75 d in (23 x 11 x 1

Max Ingrand Sconces model 2240, pair Fontana ArteItaly, c. 1957sandblasted, cut, and polished glass, brass 12 h x 8.75 w x 5.5 d in (30 x 22 x 14 cm) Literature: Font

Archimede Seguso Merletto vase Vetreria Archimede SegusoItaly, c. 1954internally decorated glass with white threads and amethyst details7 dia x 12 h in (18 x 30 cm) Provenance:</

Still Life with Flowers on a Red Table, oil on canvas, 20 x 12 in (50.8 x 30.5 cm), framed 26 x 18 in (66 x 45.7 cm), signed lower right, verso sketch for a figure study, PROVENANCE:Private collection

LALIQUE "Oranges" vase, frosted and enameled glass, France, des. 1926 M p. 431 no. 964 Molded R. LALIQUE 12" x 10"

Stephen Rolfe Powell Untitled (Teaser) USA, 1997hand-blown glass murrine 39 h x 23 w x 12 d in (99 x 58 x 30 cm) This work was created during the course of a two-week master class held at Corn