AN INLAID LACQUER FUKURODANA (STAGGERED SHELVES AND CUPBOARD) Showa era (1926-1989), 20th century

A LACQUER KISERUZUTSU WITH PEONIESJapan, first half of 20th century, Showa era (1926-1989)The kiseruzutsu of muso-zutsu type is decorated with peonies and a butterfly in gold and red.HEIGHT 19 cmCond

TAKAI TAIREI (1880-1971) A Group of Five Small Japanese Covered Wood Boxes Taisho (1912-1926) or Showa (1926-1989) era, mid-20th century All five made of wood with varying degrees of lacquer decoratio

KOMA KYŪHAKU (ACTIVE 19TH CENTURY) An Inlaid-Lacquer Writing Box Meiji (1868-1912) or Taisho (1912-1926) era, early 20th century With kabusebuta (overhanging lid) and sumikiri (cut-off corners) w

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Toko Shinoda, framed and glazed 19 3/4 x 13 7/8in (61.3 x 35.

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Shinoda Toko, framed and glazed 19 3/8 x 13 3/4in (49.2 x 34.

IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950) A Black Lacquer Four-Case Inrō Taisho (1912-1926) or Showa (1926-1989), 20th century Of lenticular profile with applied cord runners, decorated

KOKOSAI (ACTIVE MID-20TH CENTURY) Flower basket of the Sozen type Taisho (1912-1926) or Showa (1926-1989), early/mid 20th century Chiefly plaited from whole (unsplit) bamboo culms in the ara-ami frees

East Asia, Japan, late Meiji to Showa era, ca. early to mid-20th century CE. A beautiful vintage wood tray with deep walls and rectangular basin that is lacquered then painted with maki-e, a shimmerin

TSUCHIYA KŌITSU (1870-1949) Showa era (1926-1989), 1932 A dai ōban yoko-e print entitled Yoru no Asakusa (Asakusa at Night), signed Kōitsu, published by Doi Sadakazu 19 7/8 x 14 1/2in (

KAWASE HASUI (1883-1957) Showa era (1926-1989), 1922 An aiban yoko-e print entitled Nagato-kyō Kayagafuchi (The Kayagafuchi Rapids in Nagato Gorge), from the series Nihon fūkei senshū

YOSHIDA TOSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the rect

OKABE SŌFU Mon (Gate) Showa era (1926-1989), 1964 Brushed in ink on paper, sealed Sō, inscribed on a label the reverse Mon, Okabe Sōfu, July, 1964, framed 40 3/8 x 52 1/4in (104 x 135cm

YOSHIDA TŌSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the

Pair Chinese inlaid cinnabar lacquer panels, 19th/20th c., carved jade, hardwood, stone and enamel elements laid on carved cinnabar lacquer ground, carved Huanghuali type frame, 41.5"h x 26"w (frame)

RAKU SEINYŪ (KICHIZAEMON XII, 1887-1944) A Black Raku Ware Tea Bowl Taisho (1912-1926) or Showa (1926-1989) era, after 1919 A glazed earthenware chawan with lustrous black glaze featuring a short

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 A large woodblock print entitled Hansen, yoru (Sailboats: Night), from the series Seto Naikai shū (Inland Sea), signe

Jade snuff bottle. Early 20th century. Chinese jade bottle inlaid in Japan with lacquer and various stones. Coral stopper. 2in H. Provenance: The Mitchell Bistany Collection.

19th/20th C., opening to shelves. 6'10"h x 4'2-1/2"w x 12"d

Chinese jade inlaid cinnabar six panel screen. depicting scholar objects, the back side having gold lacquer painted birds and flowers. Circa 20th C. 15"W x 84 3/4"H x 6

Vietnamese mid 20th Century / Lacquer Painting by Nguyen Khang (1912 - 1989) from Private Collection in Paris Length: 72 Inches Width: 32 Inches Free shipping within the USA. International shipping ch

A MAGNIFICENT GOLD-LACQUER SET OF WRITING TABLE, DOCUMENT BOX, AND WRITING BOX Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/ early 20th century Comprising a bundai of standard form with a ka

Shagreen clad inlaid cabinet, Peter Marino, 20th c., amazing build quality, stingray hide veneered wood, faux-ivory edging, glass shelves, the glazed hinged door opening to three adjustable shelves, c

Inlaid. Marble top. Marquetry. Bronze ormolu. 1 drawer. 3 doors containing 1 shelf. 46 1/4" h x 69 1/4" w x 21 1/2" d.

early 20th century; the three glazed doors inset with metal and colored art glass panels, each enclosing later glass shelves; stamped "Majorelle Decorateur R. de Provence Paris" 94 x 82 x 17 in. (238.